He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

    In the aftermath of Hurricane Hazel, a young cop, Ray Townes, emerges as a hero. There are numerous accounts of his bravery, of the way he battled all night to save those who were trapped in houses swept away by the raging Humber River. His story is featured prominently in the newspapers, thrusting him into the spotlight as a local celebrity. His wife performs her own small miracles that night. Mary is a nurse at St. Joseph’s Hospital and she treats many of the survivors. The emergency room is overrun; the hallways are slick with river mud: of course, her feats go almost unnoticed. But among the victims she treats there is a woman, disoriented and near death, who reveals mad-seeming details of her ordeal — details that lead Mary to doubt her husband’s heroism. The officer and the nurse (with a new house, new friends, and plans for a family) try to normalize their life together in a shell-shocked city, but Mary also searches for the truth about her husband. Is he simply the tired hero who stares out at her from the cover of the Globe and Mail, or is it a much darker figure who sits across the table from her at breakfast? Definitive answers are elusive . . . Fifty years later, when a reporter comes knocking, wanting to revisit that violent night, the missing details finally surface — and threaten to destroy them.

    John’s, Maureen is the second-youngest daughter of a bitter and angry mother and a beaten-down father who tells the best stories (but only when he’s drunk). If life at home is difficult, then school is torture, with the nuns watching every move she makes. But Maureen wants a bigger life. She wants to go to sexy, exciting Montreal and be part of Expo 67, even if it means faking her way into the school choir.Finally achieving her goal of reaching Montreal, Maureen escapes the vigilant eye of Sister Imobilis and sneaks away, and over the course of a few hours, one humiliating encounter with a young Leonard Cohen and a series of breathtakingly bad decisions change the course of her life forever.A riotous and heart-rending journey from St. John’s to Montreal and back, Mary Walsh’s dazzling debut novel is darkly hilarious but also paints a very real portrait of the challenges of being young and female and poor in 1960s Newfoundland. Crying for the Moon explores the many ways in which one day can reverberate through a lifetime.

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.

    Funny how time works. Since her dad died in 2015, Jann cooks for her mom five or six times a week. Her mom finds comfort in her daughter's kitchen, not just in the delicious food but also just sitting with her as she cooks. And Jann finds some peace in caring for her mom, even as her mom slowly becomes a stranger. If you told me two years ago that I'd be here, Jann writes, I wouldn't have believed it. And yet we still fall into so much laughter, feel so much insane gladness and joy. It's such a contrast from one minute to the next and it teaches me constantly: it makes me stronger and more humble and more empathetic and caring and kind. The many people who are dealing with a loved one who is losing it will find inspiration and strength in Jann's wholehearted, loving response and her totally Jann take on the upside-down world of a daughter mothering her mother. Feeding My Mother is one heck of an affirmation that life just keeps on keeping on, and a wonderful example of how you have to roll with it.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.

    Christmas should be for the children, but with the Depression biting deeper, money and food in short supply and factories, ship yards and businesses closing down, the outlook is pretty bleak. It looks like many East End kids will wake up on Christmas morning to nothing. Robbie Graham is out of luck and work. Can he earn enough to put food on his table for his motherless children, Ben and Ruthie? Never mind something for their Christmas stockings? Meanwhile single mother and local shop owner, Flo Hawkins cannot bear the thought of some children having nothing for Christmas. Alongside her daughter, Honour, they decide to make their own gifts and the community unites to throw a Christmas party at the Salvation Army for those less fortunate. But will it be Flo who gets the best gift ever?

    In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out. While most of these stories take place in Munro's home territory - the small Canadian towns around Lake Huron - the characters sometimes venture to the cities, and the book ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories "autobiographical in feeling, though not, sometimes, entirely so in fact." A girl who can't sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.

    As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.

    I've never seen the water, so I've gone there. I will try to remember to come back.Etta's greatest unfulfilled wish, living in the rolling farmland of Saskatchewan, is to see the sea. And so, at the age of eighty-two she gets up very early one morning, takes a rifle, some chocolate, and her best boots, and begins walking the 2,000 miles to water. Meanwhile her husband Otto waits patiently at home, left only with his memories. Their neighbour Russell remembers too, but differently - and he still loves Etta as much as he did more than fifty years ago, before she married Otto.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    They are not coping well. In response to their looming domestic breakdown, Vero and Shane get live-in help with their sons―a woman from the Philippines named Ligaya (which means happiness), whom the boys call LiLi. Vero justifies LiLi's role in their home by insisting that she is part of their family, and she goes to great lengths in order to ease her conscience. But differences persist; Vero grapples with her overextended role as a mother and struggles to keep her marriage passionate, while LiLi silently bears the burden of a secret she left behind at home.Between offers readers an intriguing, searing portrait of two women from two different cultures. At the same time, it satirizes contemporary love, marriage, and parenthood by exposing the sense of entitlement and superiority at the heart of upper-middle-class North American existence through a ubiquitous presence in it: the foreign nanny. Angie Abdou comically and tragically tackles the issue of international nannies by providing a window on motherhood where it is tangled up with class, career, labour, and desire

    For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    They speak in the shorthand they have invented, complete one another’s sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman—certain that her bond with Chris is strong enough to weather a little side dalliance.As Kathryn and Chris stumble into polyamory, Next Year, For Sure tracks the tumultuous, revelatory, and often very funny year that follows. When Chris’s romance with Emily grows beyond what anyone anticipated, both Chris and Kathryn are invited into Emily’s communal home, where Kathryn will discover new romantic possibilities of her own. In the confusions, passions, and upheavals of their new lives, both Kathryn and Chris will be forced to reconsider their past and what they thought they knew about love.Offering a luminous portrait of a relationship from two perspectives, Zoey L. Paterson has written an empathic, beautiful, and tremendously honest novel about a great love pushed to the edge. Deeply poignant and hugely entertaining, Next Year, For Sure shows us what lies at the mysterious heart of relationships, and what true openness and transformation require.