And another one under that.' Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, disturbing secrets that had been buried come to light... In this chilling, darkly funny novel, the uncanny brushes up against the everyday in the most beguiling and unexpected of ways.

    Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    Since Sandy Shortt's childhood classmate disappeared twenty years ago, Sandy has been obsessed with missing things. Finding what is lost becomes her single-minded goal--from the lone sock that vanishes in the washing machine to the car keys she misplaced. It's no surprise, then, that Sandy's life's work becomes finding people who have vanished from their loved ones. Sandy's family is baffled and concerned by her increasing preoccupation. Her parents can't understand her compulsion, and she pushes them away further by losing herself in the work of tracking down these missing people. She gives up her life in order to offer a flicker of hope to devastated families...and escape the disappointments of her own. Jack Ruttle is one of those devastated people. It's been a year since his brother Donal vanished into thin air, and he has enlisted Sandy Shortt to find him. But before she is able to offer Jack the information he so desperately needs, Sandy goes missing too...and Jack now finds himself searching for his brother and the one woman who understood his pain. One minute Sandy is jogging through the park, the next, she can't figure out where she is. The path is obscured. Nothing is familiar. A clearing up ahead reveals a camp site, and it's there that Sandy discovers the impossible: she has inadvertently stumbled upon the place-- and people--she's been looking for all her life, a land where all the missing people go. A world away from her loved ones and the home she ran from for so long, Sandy soon resorts to her old habit again, searching. Though this time, she is desperately trying to find her way home...

    Their reasons are not theirs alone; they are the last in a long line of Alters who have killed themselves, beginning with their great-grandmother, the wife of a Jewish Nobel Prize-winning chemist who developed the first poison gas used in World War I and the lethal agent used in Third Reich gas chambers. The chemist himself, their son Richard, and Richard’s children all followed suit.The childless sisters also define themselves by their own bad luck. Lady, the oldest, never really resumed living after her divorce. Vee is facing cancer’s return. And Delph, the youngest, is resigned to a spinster’s life of stifled dreams. But despite their pain they love each other fiercely, and share a darkly brilliant sense of humor.As they gather in the ancestral Upper West Side apartment to close the circle of the Alter curse, an epic story about four generations of one family—inspired in part by the troubled life of German-Jewish Fritz Haber, Nobel Prize winner and inventor of chlorine gas—unfolds. A Reunion of Ghosts is a tale of fate and blood, sin and absolution; partly a memoir of sisters unified by a singular burden, partly an unflinching eulogy of those who have gone before, and above all a profound commentary on the events of the 20th century.

    Told through the journals of this schoolteacher turned apiarist, The Death of a Beekeeper, is his gentle, courageous, and sometimes comic meditation on living with pain. Westin has refused to surrender the time left him to the impersonation of a hospital, preferring to take his fate upon himself, to continue solitary, reflective life in the Swedish countryside. "I took little walks and noticed that in the last months the pain had actually colored the landscape in a peculiar way. Here and there is a tree where it really hurt, here and there is a fence against whose post I struck my hand in passing." His inner landscape is also re-forming: "This constant concern with an indefinite dangerous secret in one’s own body, this feeling that some dramatic change is taking place, without one’s being able to have any clarity about what really is... reminds me of prepuberty. I even recognize this gentle feeling of shame again." The relentlessly intimate burning in his gut provides a point of psychic detachment, rendering his survival "a unique art form whose level of difficulty is so high that no one exists who can practice it.” Yet he insists, "We begin again. We never give up."

    Joan Foster is the bored wife of a myopic ban-the-bomber.  She takes off overnight as Canada's new superpoet, pens lurid gothics on the sly, attracts a blackmailing reporter, skids cheerfully in and out of menacing plots, hair-raising traps, and passionate trysts, and lands dead and well in Terremoto, Italy.  In this remarkable, poetic, and magical novel, Margaret Atwood proves yet again why she is considered to be one of the most important and accomplished writers of our time.

    His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too, are reunited.In The Gap of Time, Jeanette Winterson’s cover version of The Winter’s Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand, and redemption and the enduring love of a lost child on the other.

    Suddenly the island that once seemed so achingly familiar turns strange and dangerous… Until Julia finds herself facing truths she never imagined—about what really happened on that September day twenty years ago, about who may have crossed paths with little Jens in the fog, and how a child could truly vanish without a trace…until now.

    Iceland is a world darkened by superstition, poverty and cruelty. Men of science marvel over a unicorn’s horn, poor folk worship the Virgin in secret and both books and men are burnt. Jónas Pálmason, a poet and self-taught healer, has been condemned to exile for heretical conduct, having fallen foul of the local magistrate. Banished to a barren island, Jónas recalls his exorcism of a walking corpse on the remote Snjafjoll coast, the frenzied massacre of innocent Basque whalers at the hands of local villagers, and the deaths of three of his children.From the Mouth of the Whale is a magical evocation of an enlightened mind and a vanished age.

    I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

    Robert is bullied at school, and Nella has to resort to debt and petty crime to pay off his tormentors. When she turns to her friend Tommy for help, her suspicions are aroused by the mysterious comings and goings of his brothers at their dilapidated boat house. But when she uncovers the reason behind their enigmatic behavior, her life is opened to the realities of a mindboggling secret.The Merman is a dark and haunting novel about sibling love and betrayal—and about what happens when the mundane collides with the strange and beautiful.

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    No single event precedes society's fall. There is talk of a war overseas and upheaval in Congress, but it still comes as a shock when the electricity runs out and gas is nowhere to be found. The sisters consume the resources left in the house, waiting for the power to return. Their arrival into adulthood, however, forces them to reexamine their place in the world and their relationship to the land and each other.Reminiscent of Margaret Atwood's A Handmaid's Tale, Into the Forest is a mesmerizing and thought-provoking novel of hope and despair set in a frighteningly plausible near-future America.