His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    Sudha is as beautiful, tenderhearted, and serious as Anju is plain, whip-smart, and defiant. yet since the day they were born, Sudha and Anju have been bonded in ways even their mothers cannot comprehend.The cousins' bond is shattered, however, when Sudha learns a dark family secret. Urged into arranged marriages, their lives take sudden, opposite turns: Sudha becomes the dutiful daughter-in-law of a rigid small-town household, while Anju goes to America with her new husband and learns to live her own life of secrets. Then tragedy strikes them both, and the women discover that, despite the distance that has grown between them, they have only each other to turn to. Set in the two worlds of India and America, this is an exceptionally moving novel of love, friendship, and compelling courage.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    Spirited and strong-willed, she befriends the shy Devanna, a young boy whose mother has died in tragic circumstances. Together they grow up amidst the luscious jungles, rolling hills, and coffee plantations of Coorg in Southern India; cocooned by an extended family whose roots to this beautiful land can be traced for centuries. Their futures seem inevitably linked, but everything changes when, one night, they attend a "tiger wedding." It is there that Devi gets her first glimpse of Machu, the celebrated tiger killer and a hunter of great repute. Although she is still a child and Machu is a man, Devi vows to marry him one day. It is this love that will gradually drive a wedge between Devi and Devanna, sowing the seed of a devastating tragedy that will change the fate of all three --- an event that has unforeseen and far-reaching consequences for generations to come.Told in rich, lyrical prose and set against the background of a changing society, TIGER HILLS is a sweeping saga about one woman's determination to live life on her own terms --- and a riveting novel about the choices we make in the name of family, nation, and love.

    Virmati, a young woman born in Amritsar into an austere and high-minded household, falls in love with a neighbour, the Professor--a man who is already married. That the Professor eventually marries Virmati, installs her in his home (alongside his furious first wife) and helps her towards further studies in Lahore, is small consolation to her scandalised family. Or even to Virmati, who finds that the battle for her own independence has created irrevocable lines of partition and pain around her.

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    For this reason, she's obliged her old-fashioned grandmother by not doing well in school. She’s also resigned to remaining unwed; with three girls in the family, there’s simply not enough dowry to go around.Then a wedding alliance arrives for her oldest sister—a fair-skinned beauty. There's great rejoicing in their household. And, why not? The prospective father-in-law is the right-hand man of an important politician. As Pullamma helps ready the house for the bride-viewing—by washing the cow, by stringing flowers along doorways—she prays for the alliance to go through. Then something happens.Something so inconceivable, it will shape Pullamma's future in ways even the local soothsayer couldn’t have foretold.Tell A Thousand Lies is a sometimes sassy, sometimes sad but, ultimately, realistic look at how superstition, and the colour of a girl's skin, rules India's hinterlands.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along. Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one). He also finds a way out of the Coop that no one else inside it can perceive. Balram's eyes penetrate India as few outsiders can: the cockroaches and the call centers; the prostitutes and the worshippers; the ancient and Internet cultures; the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create virtue, and money doesn't solve every problem -- but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations. The White Tiger recalls The Death of Vishnu and Bangkok 8 in ambition, scope, and narrative genius, with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation —and a startling, provocative debut.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    But in this city redolent of timeworn customs, where pilgrims bathe in the sacred Ganges and breathe in smoke from burning ghats along the shore, Samar is offered entirely different perspectives on his country. Miss West and her circle, indifferent to the reality around them, represent those drawn to India as a respite from the material world. And Rajesh, a sometimes violent, sometimes mystical leader of student malcontents, presents a more jaundiced view. More than merely illustrating the clash of cultures, Mishra presents the universal truth that our desire for the other is our most painful joy.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    Despite being in a loving and sexually satisfying relationship, they are relentlessly hounded by the taunts and insinuations of the people around them. Ultimately, all their hopes and apprehensions come to converge on the chariot festival in the temple of the half-female god Ardhanareeswara and the revelry surrounding it. Everything hinges on the one night when rules are relaxed and consensual union between any man and woman is sanctioned. This night could end the couple’s suffering and humiliation. But it will also put their marriage to the ultimate test. Acutely observed, One Part Woman lays bare with unsparing clarity a relationship caught between the dictates of social convention and the tug of personal anxieties, vividly conjuring an intimate and unsettling portrait of marriage, love and sex.