She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.

    It is a time of war, tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, the Grimm brothers decide to save old tales that had once been told by the firesides of houses grand and small all over the land.Dortchen knows many beautiful old stories, such as Hansel and Gretel, The Frog King and Six Swans. As she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen's father has other plans for his daughter. Marriage is an impossible dream.Dortchen can only hope that happy endings are not just the stuff of fairy tales.

    It is now 2020 and a bloody reckoning is coming. Princess Adele is heir to the Empire of Equatoria, a remnant of the old tropical British Empire. When she becomes the target of a merciless vampire clan, her only protector is the Greyfriar, a mysterious hero who fights the vampires from deep within their territory. Their dangerous relationship plays out against an approaching war to the death between humankind and the vampire clans.The first book in a trilogy of high adventure and alternate history. Combining rousing pulp action with steampunk style, the Vampire Empire series brings epic political themes to life within a story of heartbreaking romance, sacrifice, and heroism.

    For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday—but Sean does . . .Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother. Like most mothers of the 1980s, she’s worried about bills, childcare, putting food on the table . . . and an encroaching threat to American life that can take the face of anyone: a politician, a friendly neighbor, or even a teacher. When Sean’s school sends a letter to the parents revealing that Sean’s favorite teacher is under investigation, a white lie from Sean lights a fire that engulfs the entire nation—and Sean and his mother are left holding the match.Now, thirty years later, someone is here to remind Richard that they remember what Sean did. And though Sean doesn’t exist anymore, someone needs to pay the price for his lies.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    When music student Sarah Weston lands a summer job at Prague Castle cataloging Beethoven’s manuscripts, she has no idea how dangerous her life is about to become. Prague is a threshold, Sarah is warned, and it is steeped in blood.      Soon after Sarah arrives, strange things begin to happen. She learns that her mentor, who was working at the castle, may not have committed suicide after all. Could his cryptic notes be warnings? As Sarah parses his clues about Beethoven’s “Immortal Beloved,” she manages to get arrested, to have tantric sex in a public fountain, and to discover a time-warping drug. She also catches the attention of a four-hundred-year-old dwarf, the handsome Prince Max, and a powerful U.S. senator with secrets she will do anything to hide.      City of Dark Magic could be called a rom-com paranormal suspense novel—or it could simply be called one of the most entertaining novels of the year.

    Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions.Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka?Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun.

    Overcome by grief, he searches for clues about her disappearance in a file of interviews between a man called "Wiggy" and a cat, Roger. Who speaks to him.            It takes a while for Alec to realize he’s not gone mad from grief, that the cat is actually speaking to Wiggy . . . and that much of what we fear about cats is true. They do think they’re smarter than humans, for one thing. And, well, it seems they are! What’s more, they do have nine lives. Or at least this one does – Roger’s older than Methuselah, and his unblinking stare comes from the fact that he’s seen it all. And he’s got a tale to tell, a tale of shocking local history and dark forces that may link not only the death of Alec’s wife, but also several other local deaths. But will the cat help Alec, or is he one of the dark forces?In the deft and comedic hands of mega-bestseller Lynne Truss, the story is as entertaining as it is addictive” (The Sunday Telegraph) – an increasingly suspenseful and often hysterically funny adventure that will please cat lovers and haters alike. And afterwards, as one critic noted, “You may never look at a cat in quite the same way again” (The Daily Mail).

    Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who'll accept her - an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he's ill. Matthew Glass must find a particular watchmaker, but he won't tell India why any old one won't do. Nor will he tell her what he does back home, and how he can afford to stay in a house in one of London's best streets. So when she reads about an American outlaw known as the Dark Rider arriving in England, she suspects Mr. Glass is the fugitive. When danger comes to their door, she's certain of it. But if she notifies the authorities, she'll find herself unemployed and homeless again - and she will have betrayed the man who saved her life. With a cast of quirky characters, an intriguing mystery, and a dash of romance, THE WATCHMAKER'S DAUGHTER is the start of a thrilling new historical fantasy series from the author of the bestselling Ministry of Curiosities, Freak House, and Emily Chambers Spirit Medium books.

    Tormented by horrific nightmares since the death of her baby five years before, literary agent Lyn Ravenshaw agrees to accompany an author to Wales, where she encounters an eccentric young widow desperately afraid for her own infant's safety and a reclusive playwright who could be her only salvation.

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics who carry her away, nor the perplexed doctors at the hospital. Then a second girl falls asleep, and then another, and panic takes hold of the college and spreads to the town. As the number of cases multiplies, classes are canceled, and stores begin to run out of supplies. A quarantine is established. The National Guard is summoned. Mei, an outsider in the cliquish hierarchy of dorm life, finds herself thrust together with an eccentric, idealistic classmate. Two visiting professors try to protect their newborn baby as the once-quiet streets descend into chaos. A father succumbs to the illness, leaving his daughters to fend for themselves. And at the hospital, a new life grows within a college girl, unbeknownst to her—even as she sleeps. A psychiatrist, summoned from Los Angeles, attempts to make sense of the illness as it spreads through the town. Those infected are displaying unusual levels of brain activity, more than has ever been recorded. They are dreaming heightened dreams—but of what?