She had a part-time job she enjoyed, an awesome best friend, overbearing but loving parents, and a crush on a boy who was taking her to see her favorite band. She never would’ve imagined that in her town where nothing ever happens, a series of small coincidences would lead to a devastating turn of events that would forever change her life.Now, it’s been three months since “Jane” escaped captivity and returned home. Three months of being that girl who was kidnapped, the girl who was held by a “monster.” But, what if everything you thought you knew―everything you thought you experienced―turned out to be a lie?

    The iconic books on the list have been pulled from the library and aren’t allowed anywhere on the school’s premises. Students caught with the contraband will be sternly punished.Many of these stories have changed Clara’s life, so she’s not going to sit back and watch while her draconian principal abuses his power. She’s going to strike back.So Clara starts an underground library in her locker, doing a shady trade in titles like Speak and The Chocolate War. But when one of the books she loves most is connected to a tragedy she never saw coming, Clara’s forced to face her role in it.Will she be able to make peace with her conflicting feelings, or is fighting for this noble cause too tough for her to bear?

    Ryn has held onto many things ever since, including one text message that allows her to keep Lottie near— it has gotten to the point that she questions her own sanity, and even keeps her therapist from knowing that she still sees and speaks to her friend. Now Ryn is stuck in the Denver Airport on the night before the anniversary of Lottie's death due to a blizzard with Xander, a boy she meets when they accidentally swap phones. The airport setting allows Ryn to open up to Xander, who is connected to her by circumstance and weighed down by his own issues. It also allows them to interact with other unique characters, including a child prodigy and the slightly older airport workers Siri and Harvey, who throw an illicit New Year's Eve party, while helping Ryn work out problems that she has been unable to face in her own life.

    She's never had a home, never gone to school, and has gotten most of her meals from laundromat vending machines. Her dreams are haunted by memories she’d like to forget completely. But when Callie’s mom is finally arrested for kidnapping her, and Callie’s real dad whisks her back to what would have been her life, in a small town in Florida, Callie must find a way to leave the past behind. She must learn to be part of a family. And she must believe that love--even with someone who seems an improbable choice--is more than just a possibility.Trish Doller writes incredibly real teens, and this searing story of love, betrayal, and how not to lose your mind will resonate with readers who want their stories gritty and utterly true.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    After a personal crisis and her subsequent expulsion from high school, she’s going nowhere fast. Jane’s well-meaning parents push her to attend a high school completion program at the nearby Elbow River Community College, and she agrees, on one condition: she gets to move out.   Jane tackles her housing problem by signing up for House of Orange, a student-run reality show that is basically Big Brother, but for Elbow River Students. Living away from home, the chance to win a car (used, but whatever), and a campus full of people who don't know what she did in high school… what more could she want? Okay, maybe a family that understands why she’d rather turn to Freud than Jesus to make sense of her life, but she'll settle for fifteen minutes in the proverbial spotlight.   As House of Orange grows from a low-budget web series to a local TV show with fans and shoddy T-shirts, Jane finally has the chance to let her cynical, competitive nature thrive. She'll use her growing fan base, and whatever Intro to Psychology can teach her, to prove to the world—or at least viewers of substandard TV—that she has what it takes to win.

    It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.

    But some destinies are meant to be broken.The only curse Jesse Lachlin believes in is his grandmother’s will: in order to inherit his family farm he must win the approval of his childhood best friend, the girl he froze out his freshman year.A fortuneteller tells Scarlett she's psychic, but what is real is Scarlett’s father’s controlling attitude and the dark secrets at home. She may be able to escape, but only if she can rely on the one boy who broke her heart.Each midnight meeting pushes Jesse and Scarlett to confront their secrets and their feelings, but as love blooms, the curse rears its ugly head…

    She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    It's how he makes sense of the world, and how he tries to convince himself that he's a real boy and not just a character in his father's bestselling cult-classic book. Finn has two things going for him: his best friend, the possibly-insane-but-definitely-excellent Cade Hernandez, and Julia Bishop, the first girl he's ever loved. Then Julia moves away, and Finn is heartbroken. Feeling restless and trapped in the book, Finn embarks on a road trip with Cade to visit their college of choice in Oklahoma. When an unexpected accident happens and the boys become unlikely heroes, they take an eye-opening detour away from everything they thought they had planned—and learn how to write their own destiny.

    She's got secrets. She's got rheumatoid arthritis.But then she meets another sick kid.He's got a chronic illness Isabel's never heard of, something she can't even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who's a doctor.He's gorgeous, fun, and foul-mouthed. And totally into her.Isabel has one rule: no dating.It's complicated--It's dangerous--It's never felt better----to consider breaking that rule for him.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    And if she's learned one thing, it is to Pack. Light.Carry only what fits in a suitcase.Toothbrush? Yes.Socks? Yes.Emotional attachment to friends? foster families? a boyfriend? Nope!There's no room for any additional baggage.Muir has just one year left before she ages out of the system. One year before she's free. One year to avoid anything--or anyone--that could get in her way.Then she meets Francine. And Kira. And Sean.And everything changes.