Conceit, deceit, egoism and selfishness play a dominant part in the story as Shumaila, madly in love with her cousin Umar, conspires and creates misunderstandings between him and his wife Sana. What goes around, comes around and Shumaila eventually pays a heavy price for her deceptions. It was first published in Shuaa Digest.It is a collection of 6 stories including this one; Shehr-e-Zaat, Koi Lamha Khuwab Nahi Hota, Koi Baat Hai Teri Baat Main, Muthi Bhar Mitti and Teri Yaad Khaar-e-Gulaab Hai.

    There she meets Aliyan, a British Muslim who is the center of everybody's attention. Both are broken souls, bearers of terrible burdens but when they meet, their fates are forever intertwined.It was first published in Shuaa Digest: July 2014-March 2015.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    To keep the video away from the eyes of the members of her traditional family and to avoid any complications, she had to contact an officer of the Cyber Crime Cell who could have had her video removed. But soon she was unsettled by the fact that this faceless officer already knew so much about her.Will Haya be able to get that video removed from the internet? Will she be able to go to Turkey? And more importantly, will she finally be able to meet "him", him who she has never met before but has been searching for for many years?From the streets of Istanbul to the Bosporus sea, from the caves of Cappadocia to the torture cells in Indian jails, Jannat Kay Pattay (English: Leaves of Heaven) is like a roller coaster ride in which most of your guesses will be proved wrong and this mysterious story will keep its secrets safe till the last sentence. Because keeping secrets is an art and not everyone knows it!It was first published in Shuaa Digest from March 2012 to May 2013.

    Sifaalgar is a story about different Human from different regions.Bushra Saeed very beautifully focused on the characterization.The main theme of this novel revolves around one of the elements of life SIFAAL(In urdu) means Soil.Soil is one of the most important element in the human life.It is one of the basic elements present in Human,Life,Earth and everywhere.Sifaalgar is a story of all the ups and downs that are embedded in Human Psychology,Faith and beliefs due to social,cultural or religious pressure.She depicted the society as a Kumhaar(in urdu) means Potter.This potter is present in different forms,different relation in form of a mother,father,teacher,friend,leader...Sifaalgar is a story of characters belonging to 2 different eras.Both eras are entirely different and Bushra Saeed depicted the plot,the characterization,the scene depiction so wonderfully that one can hardly find any flaw in it.Main Protagonists of Sifaalgar includes Ibraheem,Ahmed(Grant),Parniyaan,Alba Marsello,Umar,Sofia and Hakeem Begum all belongs to different eras have got different priorities about life but they are knitted so wonderfully that one cannot leave the book unread.In short Sifaalgar is a book which actually reduced my thirst for reading a fine piece of Literature after a very very long time.

    It follows Asim, a young Arab, who leaves his homeland to escape the barbarism there in search for peace and finds himself caught between a bloody war between two great powers of the world.

    Their parents were even once engaged to each others' partners until they rematched in what they call "the fiancée swap." But as adolescence distances the friends, Karim takes refuge in maps while Raheen searches for the secret behind her parents' exchange. What she uncovers reveals not just a family's but a country's turbulent history-and a grown-up Raheen and Karim are caught between strained friendship and fated love. A love story with a family mystery at its heart, Kartography is a dazzling novel by a young writer of astonishing maturity and exhilarating style. Shamsie transports us to a world we have not often seen in fiction-vibrant, dangerous, sensuous Pakistan. But even as she takes us far from the familiar, her story of passion and family secrets rings universally true.

    Ashfaq Ahmed is a consummate master of words.

    Pakistan may be making headlines - but Butterfly is set to conquer the world. 'Everyone knows me. All of Lahore, all of Karachi, all of Isloo - oho, baba, Islamabad - half of Dubai, half of London and all of Khan Market and all the nice, nice bearers in Imperial Hotel also...No ball, no party, no dinner, no coffee morning, no funeral, no GT - Get-Together, baba - is complete without me.' Meet Butterfly, Pakistan's most lovable, silly, socialite. An avid party goer, inspired mis speller, and unwittingly acute observer of Pakistani high society, Butterfly is a woman like no other. In her world, SMS becomes S & M and people eat 'three tiara cakes' while shunning 'do number ka maal'. 'What cheeks!' as she would say. As her country faces tribulations - from 9/11 to the assassination of Benazir Bhutto - Butterfly glides through her world, unfazed, untouched, and stopped short only by the chip in her manicure. Wicked, irreverent and hugely entertaining, "The Diary of a Social Butterfly" gives you a delicious glimpse into the parallel universe of the have-musts.

    It's also a love story: between a young Pakistani man trying to make his way as photographer in America, and the daughter of a Pakistani father and German mother brought up in the US, who wants to return to a country she's never seen. Together they make the trip to Pakistan, where a chance meeting with a young nomad changes their lives, and the lives of those around them, forever. The novel is also a love letter to the wilds of Northern Pakistan, to glaciers, to the old Silk Road, and to the nomadic life of the indigenous people in the Northern territories, where China encroaches and Pakistanis, Uzbeks, Russians, Chinese, and Afghans all come together to trade.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    The novel is so exciting that the reader will love to read it more than once. Feudal system of undivided India, British, Hindu & Muslims are main characters of this novel.

    Shikwa (1909) and Jawab-i-Shikwa (1913) extol the legacy of Islam and its civilising role in history, bemoan the fate of Muslims everywhere, and squarely confront the dilemmas of Islam in modern times. Shikwa is thus, in the form of a complaint to Allah for having let down the Muslims and Jawab-i-Shikwa is Allah's reply to the poet's complaint.

    Beginning in Lahore, the novel enters its first phase with Mariam struggling to retain the memories of her dead grandfather so engrained within her.With willful and determined self-assurance, she leaves for America in search of better days, carrying these memories with her. But encounters with strangers in an unfamiliar land leave Mariam confused and vulnerable. In the midst of forging new paths, she learns of the disappearance of her younger brother, Abdullah, in America.A reverse journeying then begins as she travels backwards to her roots to confront what she once left behind, in order to find the answers she is looking for. Against the backdrop of unyielding social institutions threatened by change and independent individuals, Mariam vows that she will not stop looking for her brother.Ashes, Wine and Dust describes a young woman’s exploration of self-identity through the invisible ropes of social customs, stereotypes and love. As love in all forms is tested in the most strenuous of ways, disappearance in turn, becomes the less chosen road towards a self-discovery.

    The grim circumstances of Laila’s life are counter-balanced by her energy, vitality and determination to survive. Nine-year-old Laila is spirited and intelligent. She lives in a slum but she is happy: she’s got plenty of friends to play with, and is well looked after by her beloved elder sister, Jumana, while her mother works as a maid for rich families across town. But when Jumana contracts TB, their mother cannot afford the medicines that would save her life. Following Jumana’s lingering, painful death, and her mother’s emotional collapse, Laila discovers that her feckless stepfather is planning to sell her into prostitution to pay his gambling debts. Running away is her only option. Finding help from unexpected quarters, Laila makes her way to one of the families her mother worked for, and is taken into their household as a servant. There she finds unimaginable luxury, but also great unhappiness within this privileged family. At first Laila’s gift for making friends serves her well, but then disaster strikes, and Laila must flee again. But where is she running, and to whom? How can she hide from the terrible violence that threatens her? And how can she hope to find love, affection, and the chance at a normal life? Slum Child is the story of a girl forced to run alone, strong and courageous, to a future that cannot deny her happiness.