Since all werewolves who're sixteen and onward have sex during the Season, it is widely regarded as a social code. Not Sienna Mercer. Nineteen and very much a werewolf, Sienna prefers the human way of waiting for the right guy, or in her case her future mate, even if it means suffering a great deal of sexual torture during the Mating Season. But the Season isn't called 'Mating' for nothing, for the stakes of meeting your mate throughout the Season are much higher than usual, and with the Season in full swing and a certain alpha's contemplative interest, Sienna finds that, most likely, this Season she'll be virgin no more

    Island dwellers for centuries, the Landing family has gathered to bury one of its own. Staring at the closed coffin of Lana Ramcharan, her mother and sister confront the cruelest kind of loss. Jean, who was Lana's sister and closest confidante, has always been attuned to the spirit world, and now, in the face of this latest catastrophe, the voices that have always guided her urge flight from this troubled place.As Jean makes her way across the island toward the plane waiting to take her to America and safety, she is overcome by memories, not only of Lana but also of her forebears -- African, Creole, Scottish, Indian, and Chinese. Ancestral voices tell of the hardships and wonders, of the beauty and atrocity, that are indelible parts of the Jamaican experience.

    Reaching new levels of feeling and experience, these stories range from the tale of a Prussian officer who drives his orderly towards a bloody reckoning, to the strangely exotic elements of "A Fragment of Stained Glass", and the divisions within society and conflicts of the heart that form the central themes of "Daughters of a Vicar". Interweaving individual lives, their happiness, failures and defeats, with the profound forces of nature, Lawrence has created stories of remarkable power and sensitivity. This Penguin edition reproduces the newly established Cambridge text, which is based on Lawrence's manuscripts, typescripts and corrected proofs.

    But when her dad is diagnosed with cancer, she wants nothing more than to trade her worries for some red lipstick and a carefree night. Faith is the dancer all the boys want, but she only has eyes for the one she can’t have. Only thing is, all the flirting in the world can’t distract her from her broken home life...or the secrets that she hides. KeeKee is the poet who won’t follow the rules, not even to please her estranged father. But after a horrible betrayal, she’ll have to choose between being right and losing everyone she loves. Nia is the prisoner longing to escape her overprotective mother. A summer art program might be her ticket to freedom, yet it comes with a terrible price—and the risk may not be worth the reward. Ready or not, it’s time for these four friends to face the sun.

    I thought I’d leave the red-headed stranger with dark green eyes behind and good freaking riddance. Except he’s not even close to being gone. Mason McConnell is everywhere, drawing me in, like an invisible thread. I just hope that string doesn't snap and break my heart. Mason: Two weeks was all I needed to go home, spread my cat’s ashes, and visit my brother. But one foolish decision at the airport managed to throw all my plans off track. Somehow, I had unknowingly cast the line, and Charlotte Kelley took the bait. The chatty, prying American somehow had a way of bringing me back to life. I didn’t want her under my skin, and I certainly wasn’t expecting her to make her way into my heart, yet once she did, I didn’t want her to leave. But with one secret wedged between us, I'm not sure I have the right to ask her to stay.

    Two government-sponsored documentarians from Cincinnati, Ohio—a writer and photographer—are dispatched to penetrate this wilderness and record what they find for President Roosevelt’s Works Progress Administration.For photographer Clay Havens, the assignment is his last chance to reboot his flagging career. So when he and his journalist partner are warned away from the remote Spooklight Holler outside of town, they set off eagerly in search of a headline story.What they see will haunt Clay into his old age: Jubilee Buford, a woman whose skin is a shocking and unmistakable shade of blue. From this happenstance meeting between a woman isolated from society and persecuted her whole life, and a man accustomed to keeping himself at lens distance from others, comes a mesmerizing story in which the dark shades of betrayal, prejudice, fear, and guilt, are refracted along with the incandescent hues of passion and courage.Panning across the rich rural aesthetic of eastern Kentucky, The Last Blue is a captivating love story and an intimate portrait of what it is like to be truly one of a kind.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    It is a revision of Thomas Killigrew's play "Thomaso", or "The Wanderer" (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.