Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    This reprint anthology showcases the best Holmes short fiction from the last 25 years, featuring stories by such visionaries as Stephen King, Neil Gaimen, Laura King, and many others.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

    Celebrating the 125th anniversary of its original publication, this expanded and updated edition of a classic reference features a new, simplified organization.

    Looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena).Lovers and haters, friends and family, married men and determined singles, churchgoers and abstainers, Bombay Balchão is a tangled tale of ordinary lives – of a woman who loses her husband to a dockyard explosion and turns to bootlegging, a teen romance that drowns like a paper boat, a social misfit rescued by his addiction to crosswords, a wife who tries to exorcise the spirit of her dead mother-in-law from her husband, a rebellious young woman who spurns true love for the abandonment of dance. Ordinary, except when seen through their own eyes. Then, it’s legend.Set in Cavel, a tiny Catholic neighbourhood on Bombay’s D’Lima Street, this delightful debut novel is painted with many shades of history and memory, laughter and melancholy, sunshine and silver rain.

    'The Fall of the House of Usher' describes the final hours of a family tormented by tragedy and the legacy of the past. In 'Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. These works display Poe's startling ability to build suspense with almost nightmarish intensity.David Galloway's introduction re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.PREVIOUSLY PUBLISHED AS SELECTED WRITINGSChronologyIntroductionFurther ReadingA Note on the TextPOEMSStanzasSonnet — To ScienceA/ AaraafRomanceTO HelenIsrafelThe City in the SeaThe SleeperLenoreThe Valley of UnrestThe RavenUlalumeFor AnnieA ValentineAnnabel LeeThe BellsEldoradoTALESMS. Found in a BottleLigeiaThe Man that was Used UpThe Fall of the House of UsherWilliam WilsonThe Man of the CrowdThe Murders in the Rue MorgueA Descent into the MaelströmEleonoraThe Oval PortraitThe Masque of the Red DeathThe Pit and the PendulumThe Tell-Tale HeartThe Gold-BugThe Black CatThe Purloined LetterThe Facts in the Case of M. ValdemarThe Cask of AmontilladoHop-FrogESSÄYS AND REVIEWSLetter to B—Georgia ScenesThe Drake—Halleck Review (excerpts)Watkins TottleThe Philosophy of FurnitureWyandottéMusicTime and SpaceTwice-Told TalesThe American Drama (excerpts)HazlittThe Philosophy of CompositionSong-WritingOn ImaginationThe Veil of the SoulThe Poetic Principle (excerpts)Notes

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    His friend and confidant, 17-year-old Bhandu, is not faring any better — his parents are divorcing, his father has abandoned him, and the American tourist he is infatuated with doesn’t even know he exists. Bhandu and Pinku seek solace in the distracting shenanigans of their friend Guggi — a pampered rich brat who can do anything for a thrill. Guggi’s reckless hedonism lands the threesome in a series of 'sexpot' escapades — each adventure weirder than the one before.But their seemingly innocuous joyride is about to end.With their Class 12 exams around the corner, Guggi, restless to leave a mark, takes over the school’s notorious protection racket in a violent coup. The fallout drags the trio into a murky world of heartbreak, betrayal, and bloody vengeance . . .Fast, funny, and earthy, The Virgins is a coming-of-age novel that marks the debut of a promising writer.

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    * 'Direct, unpretentious, humorous' SUNDAY TIMES