Fearing for his life and fighting to prove his own innocence, Max goes on the run with no one to trust and too many unanswered questions.Max must dust off his own hacking skills and maneuver the dangerous labyrinth of underground hacktivist networks, ever-shifting alliances, and virtual identities — all while hoping to find the truth behind the “Silence of Six” before it’s too late.

    One of them says FLORA BE BRAVE.Flora has anterograde amnesia. She can't remember anything day-to-day: the joke her friend made, the instructions her parents gave her, how old she is.Then she kisses someone she shouldn't, and the next day she remembers it. It's the first time she's remembered anything since she was ten. But the boy is gone. She thinks he's moved to the Arctic. Will following him be the key to unlocking her memory? Who can she trust?

    It’s the story of how her parents met: he, a forensic pathologist, she, a mysterious woman who came to identify a body. A woman who left Imogene and her father when Imogene was a baby, a woman who was always possessed by a powerful loneliness, a woman who many referred to as “troubled waters.”Now Imogene is seventeen, and her father, a famous author of medical mysteries, has struck out in the middle of the night and hasn’t come back. Neither Imogene’s stepmother nor the police know where he could’ve gone, but Imogene is convinced he’s looking for her mother. And she decides it’s up to her to put to use the skills she’s gleaned from a lifetime of reading her father’s books to track down a woman she’s only known in stories in order to find him and, perhaps, the answer to the question she’s carried with her for her entire life.

    Now living off the grid and trusting no one, she uses her hacking skills to stay anonymous and alone. But when she wakes up on a table in a warehouse with an IV in her arm and no memory of how she got there, Noa starts to wish she had someone on her side.Enter Peter Gregory. A rich kid and the leader of a hacker alliance, Peter needs people with Noa’s talents on his team. Especially after a shady corporation threatens his life in no uncertain terms. But what Noa and Peter don’t realize is that Noa holds the key to a terrible secret, and there are those who’d stop at nothing to silence her for good.

    Faith's childhood was dominated by Laurel's disappearance - from her parents' broken marriage and the constant media attention to dealing with so-called friends who only ever wanted to talk about her sister.NOW SHE IS FOUND...Thirteen years later, a young woman is found in the garden of the Logans' old house, disorientated and clutching the teddy bear Laurel was last seen with. Laurel is home at last, safe and sound. Faith always dreamed of getting her sister back, without ever truly believing it would happen. But a disturbing series of events leaves Faith increasingly isolated and paranoid, and before long she begins to wonder if everything that's lost can be found again...

    Nobody in Beckett's life seems to be telling the whole story. Her boyfriend Jake keeps hiding texts and might be cheating on her. Her father lied about losing his job before his shocking death. And everyone in school seems to be whispering about her and her family behind her back. But none of that compares to the day Beckett finds the body of a newborn baby in a gym bag-Jake's gym bag -on the floor of her high school locker room. As word leaks out, rumors that Beckett's the mother take off like wildfire in a town all too ready to believe the worst of her. And as the police investigation unfolds, she discovers that everyone has a secret to hide and the truth could alter everything she thought she knew.

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.Now an adult, Seraphine mourns the recent death of her father. While going through his belongings, she uncovers a family photograph that raises dangerous questions. It was taken on the day the twins were born, and in the photo, their mother, surrounded by her husband and her young son, is beautifully dressed, smiling serenely, and holding just one baby.Who is the child and what really happened that day?One person knows the truth, if only Seraphine can find her.

    That's all Jessie said. A one-week break to get some perspective before graduation, before she and her boyfriend, Chris, would have to make all the big, scary decisions about their future--decisions they had been fighting about for weeks.Then, Chris vanishes. The police think he's run away, but Jessie doesn't believe it. Chris is popular and good-looking, about to head off to college on a full-ride baseball scholarship. And he disappeared while going for a run along the river--the same place where some boys from the rival high school beat him up just three weeks ago. Chris is one of the only black kids in a depressed paper mill town, and Jessie is terrified of what might have happened.As the police are spurred to reluctant action, Jessie speaks up about the harassment Chris kept quiet about and the danger he could be in. But there are people in Jessie's town who don't like the story she tells, who are infuriated by the idea that a boy like Chris would be a target of violence. They smear Chris’s character and Jessie begins receiving frightening threats.Every Friday since they started dating, Chris has written Jessie a love letter. Now Jessie is writing Chris a letter of her own to tell him everything that’s happening while he’s gone. As Jessie searches for answers, she must face her fears, her guilt, and a past more complicated than she would like to admit.

    Heckler’s murder. He just wanted to spend alone time with the new British girl at their boarding school. But little did he know someone would end up dead right next to their rendezvous spot in the woods, and his best friend and roommate Oscar Weymouth would be the one to take the blame. With suspects aplenty and a past that’s anything but innocent, Luke Chase reluctantly calls on his famous survival skills to solve the mystery and find the true killer.

    How can he uncover her secrets without revealing his own?Flynn's girlfriend, January, is missing. The cops are asking questions he can't answer, and her friends are telling stories that don't add up. All eyes are on Flynn—as January's boyfriend, he must know something.But Flynn has a secret of his own. And as he struggles to uncover the truth about January's disappearance, he must also face the truth about himself.

    So when sixteen year old Lizzie Bennet hears about a scandalous society murder, she sees an opportunity to prove herself as a solicitor by solving the case and ensuring justice is served.Except the man accused of the crime already has a lawyer on his side: Mr. Fitzwilliam Darcy, the stern young heir to the prestigious Pemberley Associates law firm. Lizzie is determined to solve the murder before Darcy can so that she can show the world that a woman can be just as good as a man. (The fact that Darcy is an infuriating snob doesn’t help.) But there’s still a killer on the loose, and as the case gets more complicated, Lizzie and Darcy may have to start working together to avoid becoming the next victims themselves.Running Time => 8hrs. and 30mins.©2021 Tirzah Price (P)2021 HarperCollins Publishers

    Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    Perfect. Dead.In the peaceful seaside town of Cape Bonita, wicked secrets and lies are hidden just beneath the surface. But all it takes is one tragedy for them to be exposed.The most popular girls in school are turning up dead, and Penelope Malone is terrified she's next. All the victims so far have been linked to Penelope—and to a boy from her physics class. The one she's never really noticed before, with the rumored dark past and a brooding stare that cuts right through her.There's something he isn't telling her. But there's something she's not telling him, either.Everyone has secrets, and theirs might get them killed.

    Probing the dark side of influencer culture and the perils of parenting online, People Like Her explores our desperate need to be seen and the lengths we’ll go to be liked by strangers. It asks what—and who—we sacrifice when make our private lives public, and ultimately lose control of who we let in. . . .