As a boy he was exiled from his hometown, and from this devastating loss he has created art of the highest order. His poems portray experiences that range from catastrophe to splendor, each preserving an essential human dignity. So What includes Arabic en face and introductions by cotranslators Gabriel Levin and Peter Cole.

    At that time, responding to a question about that book, Pinsky said: “I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry.” That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

    Barnes with a forward by Louis Untermeyer HC/DJ New York: Charles Scribner's Sons, 1945

    An overweight woman and her lover, a dwarf, are sick of being stared at wherever they go, and decide to reverse roles. The man goes out wearing make up, and the woman draws a moustache on her face.The couple deal with the gaze of passers by in different ways. The woman wants to hide away from the world, while the man meets them head on, even compiling his own ‘Dictionary of the Gaze’ to show the powerful effects a simple look can have.The narrative of The Gaze is intertwined with the dwarf’s dictionary entries and the story of a bizarre freak-show organized in Istanbul in the 1880s as Shafak explores the damage which can be done by our simple desire to look at other people.

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century.Other volumes in this series: Betjemen, Eliot, Plath, Hughes and Yeats.

     But, what happens if there was an alternative source that spoke of these events? George Smith, a pioneering English Assyriologist, discovered a number of ancient tablets in the lands surrounding Nineveh, situated in what was previously the infamous civilization of Babylonia. Written in the long-forgotten script of cuneiform, Smith was able to discover some remarkable finds upon their surfaces. The Chaldean Account of Genesis explores these discoveries and explains how the tablets provide an alternative account to the accounts of the Jewish bible. These tablets also throw remarkable light on the myths and legends of Babylon, from the epic of Gilgamesh to the adventures of Ishtar. This work is a remarkable study that should be essential reading for anyone interested in the history of the stories of Old Testament as well as the ancient civilization of Babylon. George Smith, was a pioneering English Assyriologist who first discovered and translated the Epic of Gilgamesh, one of the oldest-known written works of literature. His The Chaldean Account of Genesis was first published in 1876. Smith also passed away of dysentery that year during an expedition to excavate the rest of the Library of Ashurbanipal.

    

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    The exploits and achievements of other Mesopotamian peoples, such as the Assyrians and Babylonians, were already known to a large segment of the population through the Old Testament and the nascent field of Near Eastern studies had unraveled the enigma of the Akkadian language that was widely used throughout the region in ancient times, but the discovery of the Sumerian tablets brought to light the existence of the Sumerian culture, which was the oldest of all the Mesopotamian cultures. Long before Alexandria was a city and even before Memphis and Babylon had attained greatness, the ancient Mesopotamian city of Ur stood foremost among ancient Near Eastern cities. Today, the greatness and cultural influence of Ur has been largely forgotten by most people, partially because its monuments have not stood the test of time the way other ancient culture’s monuments have. For instance, the monuments of Egypt were made of stone while those of Ur and most other Mesopotamian cities were made of mud brick and as will be discussed in this report, mud brick may be an easier material to work with than stone but it also decays much quicker. The same is true to a certain extent for the written documents that were produced at Ur. The people of Mesopotamia, which Ur was part of, employed the cuneiform system of writing; since cuneiform was almost always written on clay tablets, modern scholars have been forced with the unfortunate problem that many of those tablets have been broken and made unreadable throughout the centuries. Despite the ephemeral nature of its monuments and to some extent its written texts, Ur proved to be an inspiration to the Sumerians who built the city and also to later cultures and dynasties that inhabited Mesopotamia. An examination of primary sources relating to Ur, as well as archaeological excavations done in the ancient city reveal that the city was a cultural beacon for thousands of years. Ur began as a Sumerian city of secondary importance but quickly grew to be the most important Sumerian city. At its height Ur was the center of a great dynasty that controlled most of Mesopotamia directly through a well maintained army and bureaucracy and the areas that were not under its direct control were influenced by Ur’s diplomats and religious ideas. This study will also reveal that Ur was a truly resilient city because it survived the downfall of the Sumerians, outright destruction at the hands of the Elamites, and later occupations by numerous other peoples, which included Saddam Hussein more recently. Ur inspired the imaginations of ancient peoples, but it has also enraptured the minds of moderns, who have worked for over 150 years to unlock the city’s mysteries. Truly, when it comes to important ancient cities, Ur should be counted among the greatest. Ur: The History and Legacy of the Ancient Sumerian Capital traces the history and legacy of one of the most influential cities of antiquity. Along with pictures of important people, places, and events, you will learn about the history of Ur like never before, in no time at all.

    

    Meeting-place of fever and the cold eye, in a passion which could hold together with his own arms the flying apart of his own time. He claimed it, its past and the moment that held it with its own arms, the present.They were lyrics he brought to me, cut as if with an adze; and I began to translate. In his early lyrics, with their speed, their transparencies, their couples lying together, all couples, all opposites, there was a chance for the reader to see what was flashing out of Mexico in this young poet. He glittered in his airs and silences, his sudden strokes:Our bones are lightningin the night of the flesh.0 world, all is night,life is the lightning.-from a foreword