London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    The East India Company rules India - or most of it; and its most notorious and celebrated son, Xavier Mountstuart, has gone missing.William Avery, a down-at-heel junior officer in the Company's army, is sent to find him, in the unlikely company of the enigmatic and uncouth Jeremiah Blake. A more mismatched duo couldn't be imagined, but they must bury their differences as they are caught up in a search that turns up too many unanswered questions and seems bound to end in failure.What was it that so captivated Mountstuart about the Thugs, the murderous sect of Kali-worshippers who strangle innocent travellers by the roadside? Who is Jeremiah Blake and can he be trusted? And why is the whole enterprise shrouded in such secrecy?In the dark heart of Company India, Avery will have to fight for his very life, and in defence of a truth he will wish he had never learned.M. J. Carter is a former journalist and the author of two acclaimed works of non-fiction: Anthony Blunt: His Lives and The Three Emperors: Three Cousins, Three Empires and the Road to World War One.

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    George Hall, a draftsman, buys a 1936 Packard sedan from the estate of spinster Abigale Watling in Oakwood, Illinois. At first, the car brings George, his wife Jean, and their daughter Rose an unexpected boon. But tragedy follows when Rose is kidnapped. The auto then comes into the possession of salesman William Landers, FBI agent Helen Meeker, and serviceman James Coffman’s family. As clues to the kidnapping caper come to light, more than one life is in jeopardy. Will Agent Meeker catch the culprit before it’s too late?

    After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth.

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    When respected American jewelry historian, Kate Kirby, receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime. But the trip to London forces Kate to explore secrets that have long been buried by her own family. Back in Boston, Kate has uncovered a series of sketches in her great-grandmother’s papers linking her suffragette great-grandmother Essie to the Cheapside collection. Could these sketches hold the key to Essie’s secret life in Edwardian London? In the summer of 1912, impoverished Irish immigrant Essie Murphy happens to be visiting her brother when a workman’s pickaxe strikes through the floor of an old tenement house in Cheapside, near St. Paul’s Cathedral in London. The workmen uncover a stash of treasure—from Ottoman pendants to Elizabethan and Jacobean gems—and then the finds disappear again! Could these jewels—one in particular—change the fortunes of Essie and her sisters? Together with photographer Marcus Holt, Kate Kirby chases the history of the Cheapside gems and jewels, especially the story of a small diamond champlevé enamel ring. Soon, everything Kate believes about her family, gemology, and herself will be threatened. Based on a fascinating true story, The Lost Jewels is a riveting historical fiction novel that will captivate readers from the beginning to the unforgettable, surprising end.

    But as she adapts to life at the isolated Hardcastle House, it becomes clear there's something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there's no such thing as the perfect family - and she should know.Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls' third novel proves her one of the most exciting and compelling new storytellers of our times.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    During and after dinner he had nothing to excite him save the receipt of a letter which somewhat annoyed him, and that his wife consumed rather more wine than he considered to be good for her health. Immediately after retiring to his room he was seized with symptoms of irritant poisoning, and despite every effort made on his behalf, he succumbed to its effects. An inquest was held, which vexed the minds of the Coroner’s jury to a degree without precedent in Coroners’ Inquest Law, and an open verdict was returned. However, the matter will not rest there, for after questions in Parliament, a second inquest has been called under suspicion that Mr Charles Petrie was murdered. * * * Who poisoned Charles Petrie? Dr James Collymore, a man familiar with poisons, a man harbouring a dark secret that, if exposed, would ruin his career; Florrie, the maid who supplied Charles with his bedtime drink; Bert Kemp, a disgruntled groom, who used poisons in his work, who four months previously had predicted Charles’ dying day; Mrs Jennet Quinn, a lady’s companion with a deep knowledge of poisons, and a deep fear of dismissal; or Grace Petrie, Charles’ wife of four months, a woman with a scandalous past, a woman shunned by polite society. With crowds flocking to the courtroom and the shadow of suspicion falling upon Grace in the shape of the hangman’s noose, could dashing young advocate, Daniel Morgan, save her?

    Among his effects: a bloodstained business card bearing the name of a master wizard and a curious pocket watch that doesn’t seem to tell time. To retrieve his lost memories, Ian demands answers from Edwina and Mary Blackwood, sister witches with a murky past. But as their secret is slowly unveiled, a dangerous mystery emerges on the darkened streets of London.To help piece together Ian’s lost time, he and Edwina embark on a journey that will take them from the river foreshore to an East End music hall, and on to a safe house for witches in need of sanctuary from angry mortals. The clues they find suggest a link between a series of gruesome murders, a missing person’s case, and a dreadful suspicion that threatens to tear apart the bonds of sisterhood. As the investigation deepens, could Ian and Edwina be the next to die?

    Even as a boy working in his father's market stall in Camden, he was determined to become a merchant prince. Through hard work and a single-minded determination, James rises quickly through the ranks, with a loving wife, devoted children, and a lofty position in the Malvern & Malvern Company. But when back-to-back tragedies strike the Falconer home, shattering this idyllic life, it seems as though James might never recover his former glory...until a royal summons gives him the chance to prove that he truly is a master of the game.The first book in an expansive and intricately detailed new historical fiction series from master storyteller Barbara Taylor Bradford, Master of the Game is filled with drama, intrigue, and Bradford's trademark cast of compelling characters.

    Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of the gaol's rutheless governor and his cronies.The trouble is, Tom Hawkins has never been good at following rules - even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the Captain's beautiful widow cries for justice, the finger of suspicion points only one way: to the sly, enigmatic figure of Samuel Fleet.Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon, Tom's choice is clear: get to the truth of the murder - or be the next to die.A twisting mystery, a dazzling evocation of early 18th Century London, The Devil in the Marshalsea is a thrilling debut novel full of intrigue and suspense.

    Placed under protection by Inspector Lestrade, Nell is ripped from her old life and her own secret police work. Instead she must live as a widow, Mrs Hudson, in a safe house: 221B Baker Street. Two years on, with the case still unsolved, Nell vows to defy Lestrade and use her skills to discover what happened. She takes a lodger to cover her tracks; a young man called Sherlock Holmes. Before long, he is working on her case - and Nell is assisting him.But as Nell delves into her past she raises ghosts whom one person would rather keep buried. Will she face danger, and risk her new life in the process? 'It's always been fun before - but now the police are the enemy...’A House of Mirrors is the first book in the Mrs Hudson & Sherlock Holmes series, which documents life at 221B Baker Street from Nell Hudson’s point of view.