She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    Perfect for fans of Dilly Court and Nadine Dorries.In 1940s Hampshire the war is settling into its stride bringing dark days for many.Connie Baxter has just moved in with her Aunt Gertie after the death of her mother. Gertie works as a cleaner at the Criterion Picture House in Gosport and she helps Connie to get a job there as an usherette. For Connie, it's the perfect place to work because she adores the movies with their glamorous, romantic stars.The only fly in the ointment is the Criterion's creepy manager with his wandering hands. But soon Connie is firm friends with Queenie, who sells ice creams and soon tells her how to warn him off.Charming Tommo Smith is a 'taxi-dancer'. For a fee he steers ladies of a certain age around the dance floor - and sometimes more besides which pays for his smart clothes. Connie's friend Queenie says he's a chancer, but his gorgeous blue eyes tell Connie something different. When suddenly he disappears, Connie accepts that Queenie may be right - he was too good to be true.As the war rages on and Connie struggles with the harsh realities of life and the turbulence of romance, she comes to realize that life isn't always like it is in the pictures.

    She thought she was about to lose her job but instead the business's new owner, Mr Wyndham, wants to keep her on. Lorna's mother, though, is horrified by the news and finally confesses that Lorna was the result of an affair with Oliver Wyndham, whose family cast her out when Oliver died and the pregnancy was revealed. Shocked to the core to learn that the man she has always thought to be her beloved father simply adopted her at birth, Lorna resolves to find out everything she can about the past and especially about the tragic death of Oliver Wyndham. Working with the Wyndhams, she soon begins to stir up old secrets and the truth starts to emerge. But Lorna hasn't reckoned with falling in love with a member of the family she should hate...

    Newly wed Rosabelle Maltman loses her husband, and her mother-in-law Effie lost her husband and three sons. For these women and their neighbours in the close-knit community life will never be the same again. Yet as the months pass, the women of Eyemouth must learn to look to the future, to live and to love again.

    Three friends: a nationalist, a unionist and a couldnae-care-lesser meet for a pub crawl down Edinburgh’s historic Royal Mile. Can Ian convince Euan to vote for independence or is he just gambling with all their futures? Will Euan’s defence of the union break Ian’s resolve, or is he just hanging on to another struggling marriage? Does Stuart even care? And how can a travel writer have a fear of flying? And who is the mysterious ninety-five year old man in the red tartan trousers? The Mile is an entertaining alcohol-fuelled stagger down a street that has a lot more to it than tartan rugs and cashmere shops. Join our friends, their hangers-on, and their pursuers, as they take in 300 years of Scottish history. And a skinful of beer and whisky… REVIEW "This is a much-needed injection of booze-soaked banter and comedy into the independence debate. Assured and heartwarming stuff." Doug Johnstone "A witty comedy with a big heart and surprise waiting at every pub stop, The Mile is a whirlwind of laughs, loss and love. If that isn’t enough to get you reading, then you may never find out how Scotland is like a millionaire’s shortcake … " Karyn Dougan, Glasgow Review of Books

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    By turns sad and funny, satiric and moving, Alan Ayckbourn's intelligent British comedy Woman in Mind charts, without sentimentality or heartless irony, a frowsy middle-aged Englishwoman's hopeless descent into psychosis.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.

    When Lucy married Len on a golden July day, Martha tried hard to make the best of things. Len was a good man who would make Lucy happy. They wouldn't be living far away. And the arrival of grandchildren was something she anticipated eagerly. Unexpectedly, Len's job took the newly married couple overseas, where their first child was born. But sorrow, not joy, came with Dominic's birth. On their return, Lucy's best friend, Jennifer, as flighty as Lucy was conventional, was anxious to provide her own kind of consolation... Martha, who was experiencing unlooked-for and at first unwelcome changes in her own life, clung fast to the maternal bond that meant so much to herself and Lucy. Everything she had come to depend on was overturned, however, before Martha was able to find her own kind of happiness in a very different existence. One of Susan Sallis's most poignant and involving novels, The Keys to the Garden explores the mother-daughter relationship with a rare insight.

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    We have History as our guide. In tough times, the British do what we have always done. We muddle through.This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament.In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament.With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Award-winning playwright James Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the part line and the end goal of winning government.