S. Byatt knows that fairy tales are for grownups. And in this ravishing collection she breathes new life into the form.Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.

    With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    "These stories are not merely flashes in the pan; there's pay dirt here!" —DeWitt Henry, editor of Ploughshares

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    Bender's prose is glorious, musical, and colloquial, an anthology of the bizarre. In 'The Rememberer', a man undergoes reverse evolution -- from man to ape to salamander -- at which point a friend releases him into the sea, while in another story a woman gives birth to her mother. A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual abandon: He only wants to watch game shows. A woman falls in love with a hunchback; when his deformity turns out to be a prosthesis, she leaves him. A wife whose husband has just returned from the war struggles with the heartrending question: Can she still love a man who has no lips?Contents:The rememberer --Call my name --What you left in the ditch --The bowl --Marzipan --Quiet please --Skinless --Fugue --Drunken Mimi --Fell this girl --The healer --Loser --Legacy --Dreaming in Polish --The ring --The girl in the flamable skirt.

    In this collection he explores the dark depths of the human condition, offering tales of death, disaster and - just occasionally - redemption.

    But do they really? If you took a bird’s-eye view of Mount Barker, you’d see ordinary Australians living on their ordinary suburban blocks in an ordinary regional town. Get closer. Peer through a window. You might see Nathan Long, obsessively recording the incessant bark of a neighbourhood dog, or the Wheeler family sitting down for a meal and trying to come to terms with a shocking discovery. If you listen, you may hear tales of fathers and their wayward sons, of widows who can’t forgive themselves, of children longed for and lost, of thwarted lust and of pure, incorruptible love. Within the shadows is an unspeakable crime. Rebekah Clarkson has created a compelling, slow-burning portrait of a town in the midst of major change as it makes the painful transformation from rural idyll to aspirational suburbia. What looked like redemption is now profound loss. What seemed spiteful can now be forgiven.

    . . It was life-making.Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more.Under the tutelage of three master piano-tuners – one humble, one cheery, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes?Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation.

    Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford.Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. This collection will delight his growing number of fans, and provide a perfect introduction for new readers.

    The Girl on the Fridge contains the best of Keret's first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    Since the 1950s Peter Matthiessen has written fiction and nonfiction of elemental power and moral vision, including the acclaimed novels At Play in the Fields of the Lord and Far Tortuga and works of naturalism and exploration like the National Book Award-winning The Snow Leopard.This stunning collection of short stories, available for the first time in paperback, spans more than three decades of writing by one of the most acclaimed literary voices of our time.

    Rich in language and imagination, it is the work of an uncommonly talented young writer.

    Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement. Seventeen Maples stories were collected in 1979 in a paperback edition titled Too Far to Go, prompted by a television adaptation. Now those stories appear in hardcover for the first time, with the addition of a later story, “Grandparenting,” which returns us to the Maples’s lives long after their wrenching divorce.