He heads for the cathedral town or Torminster, where he recovers his love of life in the invigorating company of his cousin, Hugh Anthony, his grandfather, the Canon and Henrietta.When Jocelyn moved into the little house where Ferranti once had lived, a dark Byronic spirit haunted its rooms. Was Ferranti alive or dead? Until they knew, Jocelyn and Felicity must reach out to him. Until Ferranti no longer needed them, they must yield slowly to the madness of love. So the ghost of Gabriel Ferranti guided their lives in surprising ways, and more than one bewildered heart was restored to the wonder and magic of living.

    The key to Williams' mystically oriented theological thought, Descent into Hell (arguably Williams' greatest novel) is a multidimensional story about human beings who shut themselves up in their own narcissistic projections, so that they are no longer able to love, to 'co-inhere.' The result is a veritable hell.

    Contains amongst others: John Milton, Thomas Carew, Sir William Davenant, Henry Vaughan, Andrew Marvell, George Herbert, Sir Walter Ralegh, Robert Southwell, John Donne and Richard Crashaw.

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

    This classic book, expanded from the film of the same title, brings you face to face with Dr. Campolo to hear just such a message: an unashamed proclamation that the Gospel of Christ, when taken seriously, is able to meet every human need-the need for psychological health, emotional well-being, self worth and value, love, purpose in life, miracles, and hope. With passion and humor Campolo challenges us to face life's problems with the hope of the resurrection and shout, "It's Friday, but Sunday's comin' "

    Paul O'Sullivan provides a wonderful little handbook of easy ways to bypass Purgatory so that we can go straight to Heaven when we die. This book forms a perfect companion to Fr. O'Sullivan's famous Read Me or Rue It, on helping the Holy Souls in Purgatory and receiving from them in return signal favors.The author maintains it is God's holy Will that everyone avoid Purgatory, for nobody goes there except for faults which he could have avoided. Moreover, he shows that if we just aim for Purgatory, we may unfortunately find ourselves in Hell; whereas, the best way to avoid Hell is to aim to be perfectly prepared for Heaven when we die. And Fr. O'Sullivan shows how to achieve this.He maintains that every day most people blindly pass by all sorts of opportunities to earn "gold for Heaven." But rather than calling for heroic measures, he tells us: If we are afraid to do much, let us do many little things. And he gives numerous examples and suggestions.Although very brief and easy to read, How to Avoid Purgatory is actually a treasure map showing us how to gain the most from this life and at the same time obtain the greatest possible rewards in Heaven.

    During September Roman Catholics commemorate and honour the Seven Sorrows (or Dolours) of the Blessed Virgin Mary by prayers, other pious devotions and meditations.The first part of this book consists of prayers and miscellaneous devotions.The second part is a step-by-step guide to praying the popular Rosary (or Chaplet) of the Seven Sorrows with selections of text from the Gospels.The third part is a set of Reflections on the Seven Sorrows written by Saint Alphonsus Ligouri.The book is fully navigable by an active Table of Contents with hyperlinks.

    Wessex was the "partly-real, partly-dream" county that formed the backdrop for most of Hardy's writings—named after an Anglo-Saxon kingdom and modeled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset, and Wiltshire. The poems deal with classic Hardy themes of disappointment in love and life, and the struggle to live a meaningful life in an indifferent world. Although Hardy's poetry was not as well received as his fiction, he continued to publish collections until his death, and thanks in part to the influence of Philip Larkin, he is increasingly realized as a poet of great stature.

    But I am more thankful for the hours of absorbing interest spent in the study of his portraiture as given in the Gospels. I know of nothing that makes so pleasant a respite from the pressure of life's fret and strain, as to bathe mind and spirit in the translucent waters of Scripture biography. As the clasp between the Old Testament and the New - the close of the one and the beginning of the other; as among the greatest of those born of women; as the porter who opened the door to the True Shepherd; as the fearless rebuker of royal and shameless sin - the Baptist must ever compel the homage and admiration of mankind. In many respects, such a life cannot be repeated. But the spirit of humility and courage; of devotion to God, and uncompromising loyalty to truth, which was so conspicuous in him, may animate us. We, also, may be filled with the spirit and power of Elijah, as he was; and may point, with lip and life, to the Saviour of the world, crying, "Behold the Lamb of God."

    With SAINT JOAN (1923) Shaw reached the height of his fame and Joan is one of his finest creations; forceful, vital, and rebelling against the values that surround her. The play distils Shaw's views on the subjects of politics, religion and creative evolution.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    On entering the Society of Jesus at the age of 24, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the 'terrible crystal' through which the soul--the inscape, the nature of things--may be illuminated.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Bigotry, poverty, social injustice, and sexual squalor in the Deep South—hallmarks of one of the most daring and phenomenally popular bestselling novelists of the twentieth-century. Here, in one volume, are three of his best-known works. “None of [his] characters would be caught dead in a novel by John Steinbeck, Carson McCullers, or Eudora Welty” (The Daily Beast).  Tobacco Road: The Great Depression compromises the morals of a poor farming family in Georgia. This classic, a Modern Library 100 Best Novels selection, was adapted for the stage in 1933 and made into a 1941 film directed by John Ford.  God’s Little Acre: Desperation takes its toll on a deluded Southern farmer obsessed with sex, violence, and the promise of gold. Banned in Boston, censored in Georgia, and prosecuted by the New York Society for the Suppression of Vice, this international bestseller was adapted into a film in 1958.  A Place Called Estherville: In the pre-civil-rights-era South, a biracial brother and sister move to a small segregated town to care for their aunt, only to be subjected to systematic racism, sexual violence, and prejudice.   “What William Faulkner implies, Erskine Caldwell records,” said the Chicago Tribune of the author who earned his reputation by writing about sex, racism, and religious hypocrisy when no one else was. Caldwell remains one of the most widely translated American authors of all time.  This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.