But for nearly twenty years, they had a zoo, seven acres that rose from local peculiarity to key tourist attraction to devastating tragedy. And it all began with one man’s outsize vision.When Dick Haskin’s plans to assist primatologist Dian Fossey in Rwanda were cut short by her murder, Dick’s devotion to primates didn’t die with her. He returned to his hometown with Reuben, an adolescent chimp, in the bed of a pickup truck and transformed a trailer home into the Midwest Primate Center. As the tourist trade multiplied, so did the inhabitants of what would become Zoo Nebraska, the unlikeliest boon to Royal’s economy in generations and, eventually, the source of a power struggle that would lead to the tragic implosion of Dick Haskin’s dream.A resonant true story of small-town politics and community perseverance and of decent people and questionable choices, Zoo Nebraska is a timely requiem for a rural America in the throes of extinction.

    A man of boundless energy, compassion, intelligence and creativity, he has already achieved enough to fill several lives.From his idyllic childhood growing up in the northern suburbs of Sydney, to an early interest in equality and justice; from the height of 1960s culture shock at ANU to fronting iconic Australian band Midnight Oil; from his time as a galvanising activist for the environment to being the only unaligned Cabinet minister in two Labor governments, Garrett has an extraordinary story to tell.He writes movingly about his lifelong mission to protect the environment and his connection with Aboriginal people, about his love for his family and his passion for our country: what it means to him and what it can become.Provocative, entertaining, impassioned and inspiring, this memoir goes to the heart and soul of a remarkable Australian and raises questions crucial to us all.

    . .Adam Kulakov likes his life. He's on the right side of middle age; the toy company he owns brightens the lives of children around the world; and he has more money than he can ever spend, a wife and child he adores, and as many mistresses as he can reasonably hide from them. And he is not the only one with secrets. In 1944, Adam's grandfather, Arkady, was imprisoned in Auschwitz and given an impossible choice. Now, as he's coming to the end of his life, he has to keep the truth from his family, and hold back the crushing memories of his time with one of history's greatest monsters. As a mistake threatens to bring Adam's world tumbling down around him, the past reaches for Arkady. Everything he's spent a lifetime building will be threatened, as will everything Adam and his family think they know of the world. Bold, dark and compelling, The Toymaker is a novel about privilege, fear and the great harm we can do when we are afraid of losing what we hold dear. 'Pieper writes superbly. The Toymaker gives immediate and absorbing pleasure, and has similarities to J M Coetzee's Disgrace in terms of the main character's wretched search for redemption, both for himself and for humanity.' Books+Publishing

    Both funny and insightful That'd Be Right is part memoir, part personal history of Australia over the last thirty years. It's a biographical trip told through sport, and families and William's own experiences. He writes: 'As with A Man's Got to Have a Hobby I weave in and around the events that have held such fascination for this country over the last thirty years or so, connecting them all with the progression of a life.' Some of these events would be considered momentous, some small and personal. And all are seen through William's eyes. They range from a day at the Melbourne Cup with his mother where too many champagnes and too few winners were picked; a swimming carnival early in the morning after a gloomy and long federal election the night before; watching truly surreal Grand Final moments in a pub with a group of odd and unknown bar companions. William also writes about a night at the cricket with his son, which shows how things can change and oddly come full circle.

    It's also a roar against injustice, a rallying cry for sisterhood and a way to free ourselves from ludicrous expectations and imposed perfectionism.Kaz's own 30-year history of interest and experience in advice - from her newspaper etiquette column to best-selling books, including Up the Duff and the Girl Stuff series - and years of archives and research have culminated in a full-colour, exuberant shout of a book with hundreds of wacky and sobering historical photos of objects and instructions.You're Doing It Wrong examines what we're told to do (change shape, shoosh, do all the housework), and what we're not supposed to do (frown, have pockets, lead a country). It covers sex & romance, paid work, fashion & beauty, health advice, housework, and a motherlode of mad parenting instructions - from witchcraft to beauty pageants, with a side of aviatrixes. Put the kettle on and settle in.

    Even as they bring ease to our lives, these programs are stealing something essential from us.Drawing on psychological and neurological studies that underscore how tightly people’s happiness and satisfaction are tied to performing hard work in the real world, Carr reveals something we already suspect: shifting our attention to computer screens can leave us disengaged and discontented.From nineteenth-century textile mills to the cockpits of modern jets, from the frozen hunting grounds of Inuit tribes to the sterile landscapes of GPS maps, The Glass Cage explores the impact of automation from a deeply human perspective, examining the personal as well as the economic consequences of our growing dependence on computers.With a characteristic blend of history and philosophy, poetry and science, Carr takes us on a journey from the work and early theory of Adam Smith and Alfred North Whitehead to the latest research into human attention, memory, and happiness, culminating in a moving meditation on how we can use technology to expand the human experience.

    This may seem hard to accept, but, as Harari explains in his trademark style—thorough, yet riveting—famine, plague and war have been transformed from incomprehensible and uncontrollable forces of nature into manageable challenges. For the first time ever, more people die from eating too much than from eating too little; more people die from old age than from infectious diseases; and more people commit suicide than are killed by soldiers, terrorists and criminals put together. The average American is a thousand times more likely to die from binging at McDonalds than from being blown up by Al Qaeda.What then will replace famine, plague, and war at the top of the human agenda? As the self-made gods of planet earth, what destinies will we set ourselves, and which quests will we undertake? Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century—from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here? And how will we protect this fragile world from our own destructive powers? This is the next stage of evolution. This is Homo Deus.With the same insight and clarity that made Sapiens an international hit and a New York Times bestseller, Harari maps out our future.

    Winifred Steger traveled to Australia with her father in the 1880s when he took up a land grant, which turned out to be worthless, in north Queensland. Faced with poverty, endless backbreaking work and isolation, Winifred's father spiralled into depression and alcoholism. Left to fend for herself, Winifred battled insurmountable odds to maintain her dignity and sanity, finding solace when she created fictitious scenarios to ease her hardship. She endured an early loveless marriage and being forced to abandon her four children, and eventually met and fell in love with an Indian trader, Ali. She bore him three children and the family moved to outback Australia where they ran a camel line. Later, a new phase began in Winifred's life, taking her to places she had only ever dreamed of. The Washerwoman's Dream is the story of an extraordinary woman.

    Dancing with Strangers tells the story of what happened between the first British settlers of Australia and these Aborigines. Inga Clendinnen interprets the earliest written sources, and the reports, letters and journals of the first British settlers in Australia. She reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon) that was ultimately destroyed by the assertion of profound cultural differences. A Prize-winning archaeologist, anthropologist and historian of ancient Mexican cultures, Inga Clendinnen has spent most of her teaching career at La Trobe University in Bundoora, Australia. Ambivalent Conquests: Maya and Spaniard in Yucatan (Cambridge, 1989) and Aztecs: An Interpretation (Cambridge, 1995) are two of her best-known scholarly works; Tiger's Eye: A Memoir, (Scribner, 2001) describes her battle against liver cancer. Reading the Holocaust (Cambridge, 2002) explores World War II genocide from various perspectives.

    We live in a world of Somme mud. We sleep in it, work in it, fight in it, wade in it and many of us die in it. We see it, feel it, eat it and curse it, but we can't escape it, not even by dying.' Somme Mud tells of the devastating experiences of Edward Lynch, a young Australian private (18 when he enlisted) during the First World War when he served with the 45th battalion of the Australian Infantry Forces on the Western Front at the Somme, which saw the most bloody and costly fighting of the war. In just eight weeks, there were 23,000 Australian casualties. The original edition of twenty chapters, was written in pencil in twenty school exercise books in 1921, probably to help exorcise the horrendous experiences Private Lynch had witnessed during his three years at war from mid-1916 until his repatriation home in mid-1919. Lynch had been wounded three times, once seriously and spent over six months in hospital in England. Published here for the first time, and to the great excitement of historians at the War Memorial Somme Mud is a precious find, a discovered treasure that vividly captures the magnitude of war through the day-to-day experiences of an ordinary infantryman. From his first day setting sail for France as the band played 'Boys of the Dardanelles' and the crowd proudly waved their fresh-faced boys off, to the harsh reality of the trenches of France and its pale-faced weary men, Lynch captures the essence and contradictions of war. Somme Mud is Australia's version of All Quiet on the Western Front. Told with dignity, candour and surprising wit, it is a testament to the power of the human spirit, a moving true story of humanity and friendship. It will cause a sensation when it is published.

    Two years later he was a key man on one of Australia’s greatest cattle drives – the Durack family’s epic journey from Cooper’s Creek, Queensland – to the Kimberley. Drawing on Charlie’s largely unknown story, and filling in the gaps with fiction, the author has created a novel unique in Australian literature. An unprecedented adventure, and a passionate love story – Whistler's Bones is both a celebration of the good things in the settlement of Northern Australia – and a damning indictment of the bad.

     We are one of a handful of countries in the world that enforce this rule at election time, and the only English-speaking country that makes its citizens vote. Not only that, we embrace it. We celebrate compulsory voting with barbeques and cake stalls at polling stations, and election parties that spill over into Sunday morning. But how did this come to be: when and why was voting in Australia made compulsory? How has this affected our politics? And how else is the way we vote different from other democracies? Lively and inspiring, From Secret Ballot to Democracy Sausage is a landmark account of the character of Australian democracy by the celebrated historian Judith Brett, the prize-winning biographer of Alfred Deakin.

    “Nothing,” he says. I look him in the eye. Nothing? He nods. I ask him about his chronic skin infections, his diabetes. He tears up: “I eat hot chips and fried dim sims and drink three bottles of Coke every afternoon. The truth is I’m addicted to eating. I’m addicted.” He punches his thigh.In Fat City, Karen Hitchcock unpicks the idea of obesity as a disease. In a riveting blend of story and analysis, she explores chemistry, psychology and the impulse to excess to explain the West’s growing obesity epidemic.

    Zoe Daniel is the ABC’s fifteenth South East Asia Correspondent, and one of only a handful of women to combine one of the most dangerous jobs in the world with one of the most demanding - motherhood.From the political unrest in Bangkok and the bittersweet story of conjoined twins in India, to a tragic plane crash in Laos and the destruction of Typhoon Haiyan in the Philippines, Storyteller is a frank and brave memoir, as much about the events that capture our attention as it is about a personal story of the universal juggle of work, ambition and family amid the unpredictability of life and the predictability of the 24/7 media cycle.Storyteller is a timely reminder of the bravery and audacity of the men and women who bring us the news - the journalists, the local ‘fixers’, the cameramen - but above all it is a tribute to ordinary people who find themselves eyewitnesses to the extraordinary.

    Excited by this galvanising historic, human, moment, he travelled to Prague, where a decrepit police state was being overthrown by crowds of ecstatic citizens. His experience of the Velvet Revolution never let go of him.Thirty years later Fidler returns to Prague to uncover the glorious and grotesque history of Europe's most instagrammed and uncanny city: a jumble of gothic towers, baroque palaces and zig-zag lanes that has survived plagues, pogroms, Nazi terror and Soviet tanks. Founded in the ninth Century, Prague gave the world the golem, the robot, and the world's biggest statue of Stalin, a behemoth that killed almost everyone who touched it.Fidler tells the story of the reclusive emperor who brought the world's most brilliant minds to Prague Castle to uncover the occult secrets of the universe. He explores the Black Palace, the wartime headquarters of the Nazi SS, and he meets victims of the communist secret police. Reaching back into Prague's mythic past, he finds the city's founder, the pagan priestess Libussa who prophesised: I see a city whose glory will touch the stars.Following the story of Prague from its origins in medieval darkness to its uncertain present, Fidler does what he does so well - curates an absolutely engaging and compelling history of a place. You will learn things you never knew, with a tour guide who is erudite, inquisitive, and the best storyteller you could have as your companion.PRAISE FOR GHOST EMPIRE:'Fidler displays great charm in the telling of his tale, spicing it with delicious gossip.' - New York Times Book Review'... thanks to the stylish cleverness of an exceptionally curious and talented man, we can feast on what strange magic the city brought-and still brings today-to the world beyond. I am speechless with admiration.' - Simon Winchester'Fidler's story leaves its readers with a sense of faith in the renewing, illuminating, social powers of historical narrative.' - Sydney Morning Herald