Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of our century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, The White Hotel is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.

    But The Hiding Place need not "hide" behind any ready-made comparisons; Azzopardi's astonishing, tension-filled debut stands assuredly on its own as a work of tremendous power and originality. The Hiding Place is narrated by Dolores, the youngest of six daughters born to a Maltese immigrant father and a Welsh mother. With one hand permanently disfigured by a fire when she was only one month old -- the hand is beautifully described by the author as "a closed white tulip standing in the rain; a cutoff creamy marble in the shape of a Saint; a church candle with its tears flowing down the bulb of wrist" -- Dolores has always been treated as an outcast. Her father, Frankie Gauci, is an incorrigible gambler who bets "more than he can afford to lose." On the day Dolores is born, he loses his half-share of a caf&eacute, as well as the apartment above it where his family lives. Everything in Frankie's life is potential currency, including his family; he even sells his second-oldest daughter Marina to gangster Joe Medora in exchange for a house and money to pay off his debts. Dolores's mother, Mary, is driven to the edge of insanity as she watches the world around her collapse, helpless to save even her children from her husband's vices. At times, The Hiding Place paints a phantasmagoric portrait of cruelty, but Trezza Azzopardi's gracefully exacting prose saves her tale from becoming a shock-fest of the sort you would expect on daytime television talk shows. Azzopardi forges profundity through delicately interwoven double-sided images: rabbits that are the children's playthings, until they are brutally slaughtered by their father; trunks, rooms, and cages that can either protect or ensnare; and most abundantly and most significantly, fire, which can warm as well as ravage. Even Dolores's older sister Fran is sent away to a home for being a pyromaniac, craving risk like her father, "gambling on how hot, how high, on how long she can bear it." While some readers may wonder how Dolores is able to relate events that happened when she was so young, it is easy to associate these stories with the phantom pains she feels in her missing fingers, her ability to "miss something [she] never knew." The story comes to us in a dreamlike tapestry, weaving together different times and perspectives. Consequently, the narrative is fragmented, leaving the reader with half-tellings, missing details, stories that unfold only in the retelling, and a sense that the only fact we can be certain of is the profound meaning she imparts through them. The Hiding Place is as much a portrait of a family's destruction as it is an exploration of how memory bends and buckles under the weight of ruin, and how "blame can be twisted like a flame in draught; it will burn and burn."

    Even after she steps forward to reveal herself as the force behind three solo shows, there are those who doubt she is responsible for the last exhibition, initially credited to the acclaimed artist Rune. No one doubts the two artists were involved with each other. According to Burden's journals, she and Rune found themselves locked in a charged and dangerous psychological game that ended with the man's bizarre death. From one of the most ambitious and internationally celebrated writers of her generation, Hustvedt's The Blazing World is a polyphonic tour de force. It is also an intricately conceived, diabolical puzzle that addresses the shaping influences of prejudice, money, fame, and desire on what we see in one another. Emotionally intense, intellectually rigorous, ironic, and playful, this is a book you won't be able to put down.

    Orchard, owns that home. Around the time of Rose's disappearance, Mrs. Orchard was sent for a short stay in hospital, and Clara promised to keep an eye on the house and its remaining occupant, Mrs. Orchard's cat, Moses. As the novel unfolds, so does the mystery of what has transpired between Mrs Orchard and the newly arrived stranger.Told through three distinct, compelling points of view--Clara's, Mrs. Orchard's, and Liam Kane's--the novel cuts back and forth among these unforgettable characters to uncover the layers of grief, remorse, and love that connect families, both the ones we're born into and the ones we choose. A Town Called Solace is a masterful, suspenseful and deeply humane novel by one of our great storytellers.

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    For reasons best known to herself, Jack's widow, Amy, declines to join them. On the surface the tale of a simple if increasingly bizarre day's outing, Last Orders is Graham Swift's most poignant exploration of the complexity and courage of ordinary lives.

    Jonathan Safran Foer has called her writing “thrilling.” Jeanette Winterson has praised her for her “style, ideas, and punch.” Here, in a novel at once profound, playful, and exhilaratingly inventive, she transfixes us with a portrait of a family unraveled by a mysterious visitor.Amber—thirtysomething and barefoot—shows up at the door of the Norfolk cottage that the Smarts are renting for the summer. She talks her way in. She tells nothing but lies. She stays for dinner.Eve Smart, the author of a best-selling series of biographical reconstructions, thinks Amber is a student with whom her husband, Michael, is sleeping. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age twelve, thinks she’s her mother’s friend. Son Magnus, age seventeen, thinks she’s an angel.As Amber insinuates herself into the family, the questions of who she is and how she’s come to be there drop away. Instead, dazzled by her seeming exoticism, the Smarts begin to examine the accidents of their lives through the searing lens of Amber’s perceptions. When Eve finally banishes her from the cottage, Amber disappears from their sight, but not—they discover when they return home to London—from their profoundly altered lives.Fearlessly intelligent and written with an irresistible blend of lyricism and whimsy, The Accidental is a tour de force of literary improvisation that explores the nature of truth, the role of chance, and the transformative power of storytelling.

    Overflowing with magic, jokes and inventions, peopled with aviators, car salesmen, Chinamen and impresarios, Peter Carey's novel is a contemporary classic.

    The same world moves beneath each of them, and one by one, through seemingly random acts of selflessness, they discover the vital parts they have played in each other's lives, a realization that shatters the illusion of their separateness. Moving back and forth in time and across continents, The Illusion of Separateness displays the breathtaking skill of, "a truly special writer who does things with abstract language that is so evocative and original your breath literally catches in your chest" (Andre Dubus III).

    Readers and critics were enchanted; as NPR commented, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.Brimming with humour, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates the count’s endeavour to gain a deeper understanding of what it means to be a man of purpose.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

    Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.

    We tell them to stay alive or keep alive those who only live now in the telling. In Faha, County Clare, everyone is a long story...Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil - via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.The stories -- of her golden twin brother Aeney, their closeness even as he slips away; of their dogged pursuit of the Swains' Impossible Standard and forever falling just short; of the wild, rain-sodden history of fourteen acres of the worst farming land in Ireland -- pour forth in Ruthie's still, small, strong, hopeful voice.