But aren’t rules meant to be broken? Nora Ridgeway was comfortable in her relationship; her boyfriend was not. Now, jobless, homeless, and boyfriendless, Nora sets out for Washington D.C. to prove to herself—and her mother—that she can actually “adult”. Her “No more bad decisions” policy is tested right away when her new boss proves to be tall, dark, and broodily handsome. Can she resist his adorable dimple to keep her job and her dignity? Andrew Forrester is Mr. I-Don’t-Do-Relationships. He’s focused on his career and doesn’t have time for emotional females. Until he watches his new assistant swimming in a bikini and wonders what it would be like to trace the drops of water on her body with his tongue. Unfortunately, rule #1 of having a subordinate is “No touching”. But, what if no one found out? Can Nora and Andrew figure out a way to navigate an office romance while still each getting what they want?

    A glossary of terms and a note on the authors is also given. This edition has been revised.

    The kind who whispers naughty things while looking like a cross between a billionaire businessman and a bad boy biker. He will pay.I will make his Christmas hell and be the one waving him goodbye with my middle finger as he packs his bags and rolls out.This roof isn't big enough for the two of us.Heck, neither is this town.Or this country. Maybe the entire world. He packs an ego to match his size. His swagger is sexy as all hell. He smells like pine soap and new money.I won't do it. Be his Mrs. Kringle or his HO HO HO. He isn't gonna jingle my bell or put that sexy mouth of his on mine.I won't let it happen. If only I could find a way to get the man out of my damn head. If I don't I'm totally scrooged.Note:This is a full length holiday romance with plenty of spice!

    Their friendship becomes a funny yet touching model for the ways in which human beings come to terms with the tragedy of living.

    Her parents announce their divorce and her boyfriend, Hayden, of a year breaks up with her for long legged hottie, Holly, all in one week. Katy’s luck might as well be buried with her dignity, when she is partnered up with Avalon High School’s own bad boy Liam Erickson.Katy follows Liam after he ditches her to go to a party, where she finds Hayden and Holly swapping spit in her face. Furious, Katy kisses Liam to get back at Hayden, leaving her with a re-bound girl and new class hoe reputation. Determined to save the last bit of her reputation, she proposes Liam a deal, a good reputation with his teachers, if he will ‘pretend’ to be her boyfriend, to stop the rumors. Katy deals with her parents’ divorce, her reputation being ruined and finds herself having more in common with Liam than she ever imagined. By the end, Katy can’t tell who is ‘pretending’ and who isn’t.

    He arrived in London in the summer of 2004, to take on the role of the manager at Russian billionaire Roman Abramovich’s Chelsea FC. His impact on English football was immediate, with his unmistakeable self-confidence, style, drive and ambition. Now he has moved on to Inter Milan where, once again, he has become the focus of media attention. But how did his career start? What led him to becoming one of the great enigmas of World Football?  This fascinating book charts his rise from relatively humble beginnings as assistant coach to Sir Bobby Robson, to become the most sought-after club manager in Europe.Readers will gain an insight into Mourinho’s management skills, as well as his whole footballing philosophy, and his approach to motivating his players. Mourinho himself writes of his move to Roman Abramovich's Chelsea FC and of approaches by other clubs; his ‘mind games’ with Sir Alex Ferguson as Manchester United are knocked out of Europe; and his fears for his personal safety and that of his family after receiving a death threat on the eve of what should have been the biggest night of his life.Long-term family friend, Portuguese journalist Luís Lourenço guides us through the formative years in Mourinho's coaching career, as he returns to Portugal from Barcelona at the turn of the millennium and embarks on the remarkable four-year journey which will lead him to Chelsea FC. A journey which includes short-lived yet turbulent spells at Portuguese giants Benfica and minnows União de Leiria, and culminates in a night of unforgettable glory for FC Porto and José Mourinho as they are crowned Champions of Europe.

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    I never wanted to see him again. Not after he humiliated me two years ago. Before we became step-siblings, I was foolish enough to fall for his pretense of having feelings for me, which I, too, had for him.But it all turned out to be a cruel joke, leaving me emotionally scarred. I have hated him ever since. Now our parents are married and I find out that we will be spending an entire week together. I will simply pretend that he doesn’t exist.But one look at him and I know that I am in trouble. His rugged good looks still invokes the same desire in me; nothing has changed after two years. To my horror he has set his wicked sight upon me and is determined to corrupt me in every sexual way possible. I try to resist his carnal ways. I know a relationship like this with my stepbrother is inappropriate, but my body wants a taste. Maybe the things he wants to do to me are not so horrifying after all. I just might like committing acts of sin with him...TASTE is another bestseller by Stephanie Brother! It is a stepbrother romance novella with no cliffhangers and a happily ever after! This is a first person point of view story.

    It’s what caused her to leave her hometown of Madison, North Carolina, and it’s what’s kept her away ever since. But when she needs to return home for her sister, Savannah knows that she must face the painful memories that Madison holds for her and the person she ran away from to begin with: Wade Devereaux, the first and only guy she’s ever loved. As soon as she sees him again, all of the feelings she used to have for him rise to the surface, but she knows that she must fight them. Wade has spent the past few years wondering why Savannah left so abruptly, ending their relationship without even telling him it was over. He wants her back, and he’s willing to do whatever it takes to prove it to her. But he wants answers, too, because all he has left are questions. He quickly realizes that getting an answer out of Savannah isn’t going to be easy, though. But what he can’t figure is what she could be hiding from him. Even more importantly, is it as bad as what he’s keeping from her? Disclaimer: This New Adult novel is best-suited for readers ages 18+ due to strong language, sexual situations, and other mature topics.

    "Murdoch works with an intellectual daring most writers only dream of".--The Philadelphia Inquirer.

    Crease tells the stories behind ten of the greatest equations in human history. Was Nobel laureate Richard Feynman really joking when he called Maxwell's electromagnetic equations the most significant event of the nineteenth century? How did Newton's law of gravitation influence young revolutionaries? Why has Euler's formula been called "God's equation," and why did a mysterious ecoterrorist make it his calling card? What role do betrayal, insanity, and suicide play in the second law of thermodynamics?The Great Equations tells the stories of how these equations were discovered, revealing the personal struggles of their ingenious originators. From "1 + 1 = 2" to Heisenberg's uncertainty principle, Crease locates these equations in the panoramic sweep of Western history, showing how they are as integral to their time and place of creation as are great works of art.

    A celebrated writing coach with a sense of humor and a gentle touch, she’s also a master writer herself with a long and distinguished career in both teaching and practicing the art of writing.The Book on Writing contains 25 chapters in three sections: A dozen essential but easy-to-apply guidelines to good writing, from the importance of clarity to the value of a conversational tone. Paula LaRocque believes learning is easier and more successful when we are not only told but also shown. So her Book on Writing is chockfull of actual writing examples that supplement and illustrate principles that apply as naturally to fiction as they do to nonfiction.How to tell a story—from building suspense, to effective description, to the uses of metaphor and literary devices. Paula LaRocque also deals with the narrative “engine” and the value of the archetype in plotting and characterization—as well as with pace and speed and leveling what she terms writing’s “speedbumps.” A clear and concise handbook that deals with common problems in grammar, usage, punctuation, and style—the kind of problems that often trouble even wordsmiths. The handbook also debunks pesky language “rules” that are actually myths. The Book on Writing is one-stop shopping for writers. Read it once, and you’ll be a better writer. Read it often, and you’ll be among the best.

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

    As an introvert, her life is a never-ending list of labels and criticism. Pressures to change come from everyone—including the one person she thought would love her unconditionally … her mother. All Neve wants is acceptance, but surrounded by extroverts it’s a wish that’s nearly impossible to fulfil.For Neve there’s only one solution: anyone disapproving must go. Even if it means only one person will remain.That person is her lifelong friend Blake Reynolds. He’s seen the fights with her mum, the breakdowns caused by attacks on her personality, and the battles for acceptance. Each time she is left shattered and questioning who she is, he’s the one to collect the pieces of her broken heart. Shielding her from the cruelty is his only concern. But how can he protect her when Neve is concealing a secret so dark?Blake thinks he knows everything about her, and with their relationship developing, he assumes Neve trusts him fully. However, there is one memory Neve is too ashamed of to share. Revealing it will test Blake’s loyalty beyond what she could ever ask, and Blake is the only friend she can’t afford to lose. He’s the one person capable of dragging her from the darkness plaguing her, but with pressures to conform increasing, even Blake may not be enough to pull her back this time.

    The Last World is the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames. Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. A metaphysical thriller both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse. A novel about exile, censorship, and the destruction of the planet, this is a cultural and political fable that is blazingly topical, yet timeless.