Actually, Millie's relieved. She's happy to enjoy a man-free summer in Cornwall. But Orla has other ideas. She's determined that Millie should meet the man of her dreams. Trouble is, Millie's taste in men doesn't tally with Orla's. The one who really interests her is Hugh Emerson, and he's the man with whom Orla's adamant she mustn't get involved...

    But when the college senior, days from graduation, enters an abandoned Montana mine, he discovers the price of reckless curiosity. He emerges in May 1941 with a cell phone he can't use, money he can't spend, and little but his wits to guide his way. Stuck in the age of swing dancing and a peacetime draft, Joel begins a new life as the nation drifts toward war. With the help of his 21-year-old trailblazing grandmother and her friends, he finds his place in a world he knew only from movies and books. But when an opportunity comes to return to the present, Joel must decide whether to leave his new love in the past or choose a course that will alter their lives forever. THE MINE is a love story that follows a humbled man through a critical time in history as he adjusts to new surroundings and wrestles with the knowledge of things to come.

    As she steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back, her world is suddenly and irrevocably altered. In the numbing aftermath of the atomic bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, two years later, Hiroko travels to Delhi. It is there that her life will become intertwined with that of Konrad's half sister, Elizabeth, her husband, James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu. With the partition of India, and the creation of Pakistan, Hiroko will find herself displaced once again, in a world where old wars are replaced by new conflicts. But the shadows of history--personal and political--are cast over the interrelated worlds of the Burtons, the Ashrafs, and the Tanakas as they are transported from Pakistan to New York and, in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound these families together over decades and generations are tested to the extreme, with unforeseeable consequences.

     Annie Adams is days away from her thirty-second birthday and thinks she has finally found some happiness. She visits the world's most interesting places for her syndicated travel column and she's happily cohabiting with her movie director boyfriend Nick in Los Angeles. But when Nick comes home from a meeting with his therapist (aka "futures counselor") and announces that he's taking a break from their relationship so he can pursue a woman from his past, the place Annie had come to call home is shattered. Reeling, Annie stumbles into her neighborhood bar and finds Griffin-a grounded, charming chef who seems to be everything Annie didn't know she was looking for. Within three months, Griffin is Annie's husband and Annie finds herself trying to restart her life in rural Massachusetts. A wry observer of modern love, Laura Dave "steers clear of easy answers to explore the romantic choices we make" ("USA Today"). Her third novel is packed with humor, empathy, and psychological insight about the power of love and home.

    While she may be living with her father, and her acting career has taken a decidedly unexpected turn, she’s alive. And she’s intrigued by Sanji, the charming new elevator operator in her quaint Manhattan apartment building. There’s just something about the Mumbai-born, Oxford-educated, thoroughly modern elevator man that doesn’t quite add up.Sanji is dazzled by Chloe. They have so much in common: Both defiant. Both independent. Both determined to live by their own rules. But there’s one thing about Sanji that Chloe doesn’t know. Yet.However hesitant Chloe and Sanji’s burgeoning romance is—complicated by family, friends, neighbors, and the past—it also awakens them to life’s limitless possibilities.

    A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who love her.

    Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born. Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.

    But, after numerous rejections from publishers, she accepts an alternative proposition: Nicole Dupre died leaving behind a bestselling novel and an incomplete sequel, and the family need someone to finish it. Bridget is just thankful to have her foot in the publishing door. But as she gets to know Nicole’s grieving family, and the woman behind the writing, Bridget’s priorities begin to change …

    She’s done with college but still living at home, ready to launch a career but unable to find a job, and solidly stalled between boyfriends. When a lighthearted conversation in French with the manager of her favorite bakery turns into a job offer, Lexi accepts. But the actual glamour is minimal: the pay is less than generous, her co-workers are skeptical, her bank account remains vertically-challenged, and her parents are perpetually disappointed. Her only comfort comes from the flirtatious baker she has her eye–but even may not be who he seems to be!So when a handsome young executive dashes into the bakery to pick up his high profile company’s special order for an important meeting–an order Lexi has flubbed– she loses her compulsion to please. “What am I going to do?” he shouts. “Let them eat cake!” she fires back with equal passion and a nod to Marie Antoinette. And then, something inside Lexi clicks. Laissez la révolution commencer! Let the revolution begin! Instead of trying to fulfill everyone else’s expectations for her life, Lexi embarks on an adventure in trusting God with her future–très bon!This book is written from a lightly, organically, Christian world view.

    As she scrambles to maintain her fragile financial security and independence, she fears she may lose more than just The Shop on Main and her home.Nothing is working out like Bella planned--she finds out the man she is falling for, Owen Campbell, is the businessman at the center of all her problems.Owen has secretly longed to belong--somewhere--anywhere--his whole life. When he decides to give his long-lost brother, Jake, back his birthright, he unknowingly thwarts his briefly held hope of a place where he can put down roots and a family he longs for.Nothing is working out like Owen planned--neither Bella nor Jake wants anything to do with him.How can a man who is used to being in control and a woman determined to make it all on her own find a way to happiness?The Shop on Main is Book One of the Comfort Crossing series. Bella and her best friends, Jenny and Becky Lee, navigate the heartaches and triumphs of love and life in the small southern town of Comfort Crossing, Mississippi.

    Inside is an invitation – to a meeting with Life. Her life. It turns out she's been ignoring it and it needs to meet with her face to face.It sounds peculiar, but Lucy’s read about this in a magazine. Anyway, she can’t make the date: she’s much too busy despising her job, skipping out on her friends and avoiding her family.But Lucy’s life isn’t what it seems. Some of the choices she’s made – and stories she’s told – aren’t what they seem either. From the moment she meets the man who introduces himself as her life, her stubborn half-truths are going to be revealed in all their glory – unless Lucy learns to tell the truth about what really matters to her.

    The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.

    So when her older sister asks her to help care for their ailing grandmother, Zara agrees—despite strained family relationships.Though pale and tired, Nonna has lost none of her sharp mind. She’s fixated on finding something long forgotten, and she immediately puts Zara to work cleaning out the attic. Unexpectedly, amid the tedium of sifting through knickknacks and heirlooms, Zara also reconnects with a man she’s attracted to but whose complicated past makes romance seem impossible.But then Zara finds what Nonna was looking for: a wooden chest, an emerald broach, a leather-bound journal. As she immerses herself in stories of heroism and loss set against the backdrop of war-torn Italy in 1943, Zara finds answers to questions she didn’t know she had. And they change everything she thinks she knows about love, regret, and seizing the day.

    But when she learns that she’s inherited the estate of a complete stranger—a woman named Isabelle de Florian—her life is turned upside down.Cat arrives in Paris to find that she is now the owner of a perfectly preserved Belle Époque apartment in the ninth arrondissement, and that the Frenchwoman’s family knew nothing about this secret estate. Amid these strange developments, Cat is left with burning questions: Who was Isabelle de Florian? And why did she leave the inheritance to Cat instead of her own family?As Cat travels France in search of answers, she feels her grasp on her New York life starting to slip. With long-buried secrets coming to light and an attraction to Isabelle de Florian’s grandson growing too intense to ignore, Cat will have to decide what to let go of, and what to claim as her own.

    She has lived in six different cities and held countless meaningless jobs since graduating college. On the heels of leaving yet another city, Hannah moves back to her hometown of Los Angeles and takes up residence in her best friend Gabby’s guestroom. Shortly after getting back to town, Hannah goes out to a bar one night with Gabby and meets up with her high school boyfriend, Ethan.Just after midnight, Gabby asks Hannah if she’s ready to go. A moment later, Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan?In concurrent storylines, Hannah lives out the effects of each decision. Quickly, these parallel universes develop into radically different stories with large-scale consequences for Hannah, as well as the people around her. As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? How much in our life is determined by chance? And perhaps, most compellingly: Is there such a thing as a soul mate?Hannah believes there is. And, in both worlds, she believes she’s found him.