Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    Disguised among the normal citizens of modern-day New York, these magical characters have created their own peaceful and secret society within an exclusive luxury apartment building called Fabletown. But when Snow White's party-girl sister, Rose Red, is apparently murdered, it is up to Fabletown's sheriff, a reformed and pardoned Big Bad Wolf (Bigby Wolf), to determine if the killer is Bluebeard, Rose's ex-lover and notorious wife killer, or Jack, her current live-in boyfriend and former beanstalk-climber.Collecting: Fables 1-5

    Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

    Spanning ages and continents from Ancient India to Rome and China in A.D. 600, Volume II is hip, funny, and full of info.B & W illustrations.

    Princes Rama and Laksham are duty-bound to take command and, in a world enshrouded by darkness, are mankind's last beacons of hope.

    It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in Death.Collecting: East Of West 1-5

    Jesse Moynihan takes these fifty thousand years of socio-religious postulation and throws them in the blender to create one epic—and irreverent—battle royal between alien gods, ancient Greek titans, interplanetary assassin droids, and humanity itself. An eon-spanning comedy, Forming details the spawning of worlds and the trajectory of consciousness on Earth. The first in a trilogy of books, Nobrow collects the first volume of Moynihan's acclaimed webcomic in a specially designed graphic novel with a foil debossed cloth spine.

         In the eighteenth century, forty-seven samurai avenged the death of their master in a plot that would take over two years to complete. After succeeding in their mission, the masterless samurai—known as ronin—all committed ritual suicide. The story, which is a national legend, remains the most potent example of Japan's deeply rooted cultural imperative of honor, persistence, loyalty, and sacrifice.     The historical event has inspired many writers and artists over the years and numerous fictionalized versions and adaptations have emerged. In The 47 Ronin, Sean Michael Wilson has created a historically factual portrait, enhanced by evocative and often lyrical drawings by Akiko Shimojima. While there are other depictions of the story in manga form, this version stands out as being the most accurate and most compelling. Wilson and Shimojima have made the characters nuanced and relatable.

    They slayed demons and protected their devotees fiercely. From Parvati to Ashokasundari and from Bhamati to Mandodari, this collection features enchanting and fearless women who frequently led wars on behalf of the gods, were the backbone of their families and makers of their own destinies.India's much-loved and bestselling author Sudha Murty takes you on an empowering journey-through the yarns forgotten in time-abounding with remarkable women who will remind you of the strong female influences in your life.

    Eventually Madam Xanadu returns to Europe as mystic advisor to Marie Antoinette, and as political tensions begin to boil, the Phantom Stranger makes his return. This time he seeks to kick-start the revolution and ensures that Paris's streets run red - a blood sacrifice that will keep certain demonic forces at bay.Readers will also be happy to discover that the fan-favorite character Death from THE SANDMAN makes a special appearances Madam Xanadu wagers her immortality in a game of chance against.Collecting: Madame Xanadu 1-10

    The lovely Sharaz-de, captive to a cruel and despotic king, must each night spin tales to entertain her master and save her head from the executioner. Her tales are filled with evil spirits, treasures, risk, and danger, but ever at their center hold the passions of gods and men.

    In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    When a savage creature known only as the Adversary conquered the fabled lands of legends and fairy tales, all of the infamous inhabitants of folklore were forced into exile. Disguised among the normal citizens of modern-day New York, these magical characters have created their own peaceful and secret society within an exclusive luxury apartment building called Fabletown. When Snow White's party-girl sister, Rose Red, is apparently murdered, it's up to Fabletown's sheriff, the reformed and pardoned Big Bad Wolf, to find the killer. Meanwhile, trouble of a different sort brews at the Fables' upstate farm where non-human inhabitants are preaching revolution – and threatening Fabletown's carefully nurtured secrecy.

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.