Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    Here, he confronts memories of his time at public school and relives the intense, passionate affair he shared with fellow student Stephen Walker. This forces him to come to terms with himself at last.

    I'm just in an alien world. . .Being Charles James Stewart, Jr., AKA Charlie the Second, means never "fitting in." Tall, gangly and big-eared, he could be a poster boy for teenage geeks. An embarrassment to his parents (he's not too crazy about them, either), Charlie is a virtual untouchable at his high school, where humiliation is practically an extracurricular activity. Charlie has tried to fit in, but all of his efforts fail on a glorious, monumental scale. He plays soccer--mainly to escape his home life--but isn't accepted by his teammates who basically ignore him on the field. He still confuses the accelerator with the brake pedal and as a result, has not only failed his driving exam six times, but also almost killed himself and his driving instructor. He can't work on his college essay without writing a searing tell-all. But what's freaking Charlie out the most is that while his hormones are raging and his peers are pairing off, he remains alone with his fantasies.But all of this is about to change when a new guy at school begins to liven things up on the soccer team--and in Charlie's life. For the first time in his seventeen years, Charlie will learn how it feels to be a star, well, at least off the field. But Charlie discovers that even cool guys have problems as he embarks on a deliciously sexy, risk-filled journey from which there is no turning back. . .

    He was always the outsider, never the star. But the summer of 1972 was a turning point in the life of fifteen-year-old Walter. It was the time when he realized that his great passion for dance would never be matched by his talent; the time when he discovered the funny agony of first love' and the time when he watched his brother declining into a cruel, untimely death.It is only when, twenty-four years later, Walter returns to fight for the survival of his childhood Eden, his family's lakeside summer home, that he finally discovers a way to reconcile himself to the past in a way that gives hope for the future.

    "There's no moving away from this wrenching, beautifully told story".--Los Angeles Times.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.

    Taking the advice (and financial support) of a wealthy aunt, he decides to "toss the tiara and get a life." Unfortunately, Daniel's only degrees are in "extensive show tune knowledge, advanced lip-synch, and how to cover up a five o'clock shadow." With his best friend beginning to die from AIDS, his ex-boyfriend prowling around, and his ex-boyfriend's new boyfriend making a pass at Daniel, what's a boy to do but throw himself into intensive weeding and planting of his new apartment garden? And if a handsome stranger should smile down at him from a nearby window, so much the better. Timothy James Beck's debut novel is detailed, realistic, and continually interesting. His main character spends so much energy exhaustively "processing" what happens to him, however, that this might as well have been a lesbian novel. With a little editing, It Had to Be You would have been a much stronger book, but patient readers will agree that Beck shows great promise along the lines of Felice Picano and Neal Drinnan. --Regina Marler

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    They share a 15-year-old son, Wesley, who lives on the upper East Side with his mother and doctor stepfather. Trying to get to know his impressive, distant father better, he moves in for a semester with him his male partner in a mid-town brownstone. George, the partner, is a former actor — by his own account “fifteen years past fabulous.” Charming, funny, smart and compassionate, George manages a struggling theater district restaurant and becomes the model for the kind of man Wesley would someday like to be.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    An ordinand, he has had a breakdown while serving at the altar. The Church has sent him to a London therapist, rather than a priest, for confession. During the course of his cure, while living in an unfamiliar world of outcasts, fundamentalists, and AIDS sufferers, he is forced to face the reality of his own physical passion: first for a humble rent boy, then for a sadomasochistic pimp, and, finally, for a priest. The healing begins as he gradually comes to terms with his own history.

     What happens when a closeted jock, a scrawny, out and proud nerd, and a pair of bratty cheerleaders develop superpowers in a small-town high school? Can they stop a pair of super-powered classmates hellbent on reshaping the student body in a darker image? Or will teen angst, jealousy, and ill-timed romance doom them all? Fast, fun, and sexy, Queeroes is where unlikely teen heroes must face their darkest fears to become their truest selves.“Science fiction has just been put on notice—total fabulousness has landed and is here to stay.” — SPACE: The Imagination Station“Queeroes is jam-packed with action, romance, and enough ka-pow to keep you speed-reading to the heartfelt end.”—Play Magazine

    In boarding school and on trips with his mother into the countryside, Matthew navigates his budding sexuality and complicated new relationships with trepidation and hardship until he is forced to confront Finistère—lands end—where the brutal truths of the world can be found. Finistère was a profound achievement in the early years of the 1950's, and sold over 350,000 copies. This new edition, which returns this beautiful book to print, includes an appendix of historical materials about the book and author, as well as an introduction by Michael Bronski, author of such books as Culture Clash, The Pleasure Principle, and Pulp Friction.

    Meredith, Brandon, and Greg gain popularity, while Stephen is viciously treated as an outcast. Then two violent deaths destroy the already delicate bonds of their friendship.When the friends are drawn back together, new facts about their mutual history are exposed and what was held to be a tragic accident is revealed as murder. As the true story emerges, other secrets begin to unravel with more dangerous, far-reaching consequences.A Density of Souls is a stunning debut novel that uncovers the darker side of the teenage psyche.