Jeff has loved Georgianne since they were kids and he doesn't think there's room in Georgianne's life for anyone else but him. Now he's ready to kill everyone in her life. Original.

    Beaumont's talents also helped bring to life such cinematic terrors as 'The Premature Burial' and 'The Masque of the Red Death'. As a writer of short stories, his contribution to the landscape of our nightmares is unequalled. The Howling Man is the definitive collection of Beaumont's most haunting work. Here are the classics - "The Hunger," "Miss Gentilbelle," "Free Dirt," along with five never-before-published stories. The Howling Man features introductions by Robert Bloch, Dennis Etchison, Ray Bradbury, Harlan Ellison, Roger Corman, Richard Matheson and many other masters of horror and dark fantasy. They offer illuminating tributes to Beaumont - as a friend, a colleague, and a man whose dark magic left an indelible stamp on modern horror fiction, and on their own imaginations.

    Robert Cargill returns to the terrain of the Queen of the Dark Things to continue the story of Colby Stevens . . .A Triceratops and an Ankylosaurus join forces to survive a zombie apocalypse that may spell extinction for their kind in "Hell Creek" . . .In a grand old building atop a crack in the world, an Iraq War veteran must serve a one-year term as a punisher of the damned condemned to consume the sins of others in the hope that one day he may find peace in "In a Clean, White Room" (co-authored with Scott Derrickson) . . .In "The Town That Wasn’t Anymore," the village of Pine Hill Bluff loses its inhabitants one at a time as the angry dead return when night falls to steal the souls of the living . . .And in the title story, "We Are Where the Nightmares Go," a little girl crawls through a glowing door beneath her bed and finds herself trapped in a nightmarish wonderland—a crucible of the fragments of children’s bad dreams.These tales and four more are assembled here as testament to Cargill’s mastery of the phantasmagoric, making We Are Where the Nightmares Go and Other Stories a collection of unnerving horror and fantasy will keep you up all night and haunt your waking dreams.

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    There they will confront madness, murder, and the ultimate evil so that their billionaire host might find the key to life beyond the grave. But as they learn, dead souls dwell in The Pines. And death is just the beginning...

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    It’s how so many of our most beloved stories start.Fairy tales have dominated our cultural imagination for centuries. From the Brothers Grimm to the Countess d’Aulnoy, from Charles Perrault to Hans Christian Anderson, storytellers have crafted all sorts of tales that have always found a place in our hearts.Now a new generation of storytellers have taken up the mantle that the masters created and shaped their stories into something startling and electrifying.Packed with award-winning authors, this anthology explores an array of fairy tales in startling and innovative ways, in genres and settings both traditional and unusual, including science fiction, western, and post-apocalyptic as well as traditional fantasy and contemporary horror.From the woods to the stars, The Starlit Wood: New Fairy Tales takes readers on a journey at once unexpected and familiar, as a diverse group of writers explore some of our most beloved tales in new ways across genres and styles.

    Feel it. Tearing at your nails, gritty between your teeth, filling your nostrils. Consume it until it has consumed you. For there you will find the voices that have called from the shadows, the ones that promise to cherish you only to rip your body to shreds.In Everything That’s Underneath, Kristi DeMeester explores the dark places most people avoid. A hole in an abandoned lot, an illness twisting your loved one into someone you don’t recognize, lust that pushes you farther and farther until no one can hear yours cry for help. In these 18 stories the characters cannot escape the evil that is haunting them. They must make a choice: accept it and become part of what terrifies them the most or allow it to consume them and live in fear forever.

    Now the final nightmare must explode. Now the killing frenzy must begin...

    . . Bradbury?You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . "almost."Ray Bradbury--peerless storyteller, poet of the impossible, and one of America's most beloved authors--is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.TABLE OF CONTENTSSam Weller and Mort Castle - IntroductionRay Bradbury - Second HomecomingNeil Gaiman - The Man Who Forgot Ray BradburyMargaret Atwood - HeadlifeJay Bonansinga - HeavySam Weller - The Girl In The Funeral ParlorDavid Morrell - The CompanionsThomas F. Monteleone - The ExchangeLee Martin - Cat on a Bad CouchJoe Hill - By The Silver Water Of Lake ChamplainDan Chaon - Little AmericaJohn McNally - The Phone CallJoe Meno - Young PilgrimsRobert McCammon - Children Of The Bedtime MachineRamsey Campbell - The Page Mort Castle - LightAlice Hoffman - ConjureJohn Maclay - MaxJacqueline Mitchard - Two Of A KindGary Braunbeck - Fat Man And Little BoyBonnie Jo Campbell - The TattooAudrey Niffenegger - Backwards In SevilleCharles Yu - Earth: (A Gift Shop)Julia Keller - Hayleigh's DadDave Eggers - Who Knocks?Bayo Ojikutu - Reservation 2020Kelly Link - Two HousesHarlan Ellison - Weariness

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.