Gun. A common word, but one which turns Deen Datta's world upside down.A dealer of rare books, Deen is used to a quiet life spent indoors, but as his once-solid beliefs begin to shift, he is forced to set out on an extraordinary journey; one that takes him from India to Los Angeles and Venice via a tangled route through the memories and experiences of those he meets along the way. There is Piya, a fellow Bengali-American who sets his journey in motion; Tipu, an entrepreneurial young man who opens Deen's eyes to the realities of growing up in today's world; Rafi, with his desperate attempt to help someone in need; and Cinta, an old friend who provides the missing link in the story they are all a part of. It is a journey which will upend everything he thought he knew about himself, about the Bengali legends of his childhood and about the world around him.Gun Island is a beautifully realised novel which effortlessly spans space and time. It is the story of a world on the brink, of increasing displacement and unstoppable transition. But it is also a story of hope, of a man whose faith in the world and the future is restored by two remarkable women.

    It’s the Great Depression and jobs are scarce, but it seems to Veda that Raymond uses religion as an excuse for why he can’t find work. He can’t work on the Sabbath, he can’t work around crude or vulgar men, and he will not join a union. After years of financial hardship, four babies, and what Raymond calls "Veda's accident”, Veda defies her church and files for divorce. The mysterious loss of her second husband is devastating and in order to raise her kids, she does things she is not proud of. Over the years she has blamed the church, Raymond, fate, and herself for her troubles, but it is Charlie’s recklessness that swallows up every bit of pride she has left.

    The Resurgent Indian Patriots. Self- appointed guardians of a nation seething with anger at the endless scams and scandals rocking its very foundation. Vigilantes who vow to stop corrupt politicians and colluding civil servants. Even if it means killing them.Colonel Krishna Athawale and his team of Special Forces officers rally to protect the country from the enemy within. They call themselves the K-Team. And no one is safe from their deadly intent.Hellbent on stopping them is Raghav Bhagat, rogue para commando, gun for hire and Krishnas bete noir.Caught in the crossfire is Vinod Bedi, Special Director CBI. Reena Bhagat, a glamorous news anchor, embittered by her husbands betrayal. And two young boys, Sachin and Azaan, torn apart by the loss of a parent.It doesnt get bigger.

    Twice divorced, with a bit of a drinking problem, he’s now dating Rory Roughton, a fiery sixth-generation Texan who’s as rich as she is beautiful—and hell-bent on keeping Steel on the straight and narrow. But then his best friend, Wes Stoddard, is nearly shot down flying in a load of pot, Rory is kidnapped by a Russian mercenary working for the most dangerous cartel in Mexico, and the Cuban Mafia decides they’d like the former DEA agent—dead. Steel is forced to take unsanctioned, unconventional—and mostly illegal—action in order to save himself and those closest to him . . .

    'You could find yourself out of the frying pan and into the fire.' Her past denied and dance championship dreams discarded, Cassie Sleight leaves home. In the seemingly idyllic coastal town of Keimera, she starts a career on the English staff of the local high school. Exposure to Mark Talbut, a man struggling to be modern yet threatened by power shifts in the workplace and in society, causes Cassie to assess her reactions as a teacher and a woman. As she does so, the secrets of her past surface. Will that past continue to choreograph Cassie’s present steps? What sort of woman does she become? ‘In and Out of Step' looks at how the world a person lives in shapes that person for good and for bad. It is a story about friendship and family, belonging, alienation, sexual harassment, and change. The title alludes to the way Cassie Sleight uses dance as a way to interpret life and process her reactions to it.

    Since then, she resolves to seal her heart for love convinced that she would never fall in love ever.just when she moves on with her life surrounded by friends who help her our to mend her broken heart, she meets jai, Mr. Perfect - her boss. At least, that's what Khushi thought about him. Despite her initial resistance, she falls in love with him.Disaster hits her again when she learns that he doesn't feel the same way about her. This time, Khushi decides on a stronger note that love was just not meant for her. And then, Manav, a carefree guy, steps into her life who promises to love her in every possible way.After being heart - broken twice, which still hurts, will khushi give love another chance knowing that it could be risking her heart again for the third time ?

    Aranya discovers that her family has been fighting a decade-long legal battle over her grandfather’s expansive estate, all the while not only keeping her in the dark, but also keeping her very existence out of the court’s knowledge!A cesspool of emotions, half-truths, betrayals, and the unspooling of long buried dirty family secrets threaten to overpower Aranya and disrupt what modicum of peace and balance she has in her life as a single mother of two children. At the centre of this storm is the one woman who, ever since the day Aranya was born, has had nothing but curses and abuses for her; who has deliberately kept her name out of the court; who has wished her dead for every day of her life; who refuses to now remember her birth. The woman who is her mother. Her own mother.This is the story of a woman fighting against power, money, deceit, and treachery for her right to be recognised as a daughter. A daughter by court order . . .

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    The stories are a strong reflection of the kind of life the author himslf led.

    Are things as they appear, or could there be help that even the resurrected can’t see?