Julia Cates was one of the country's preeminent child psychiatrists until a shocking tragedy ruined her career. Retreating to her small western Washington hometown, Julia meets an extraordinary six-year-old girl who has inexplicably emerged from the deep woods nearby—a child locked in a world of unimaginable fear and isolation. To Julia, nothing is more important than saving the girl she now calls Alice. But Julia will need help from others, including the sister she barely knows and a handsome doctor with secrets of his own. What follows will test the limits of Julia's faith and strength, as she struggles to find a home for Alice . . . and for herself.

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    He has just been decorated for extraordinary bravery under fire, been given command of the fourth-rate Drakkar, learned from his father's deathbed that he as a fully grown illegitimate brother, and will soon be dispatched on a special mission chasing pirates in the Caribbean…and that's just in the first fifteen pages! Honoring his dying father, the eponymous "Fighting James Anthony," Vice Admiral of the Blue, Gil takes his half-brother Gabriel into the ship's company as a senior midshipman. As Drakkar sails, Captain Anthony soon realizes having his brother aboard might not be the family reunion he hoped for when he encounters the resentment of one of his officers, Lieutenant Witzenfeld.But the real conflict lies ahead with the menacing pirate raiders who must be captured to end the depredations against peaceful English merchants. There Drakkar will find the feared pirate frigate Reaper and have her entire crew tested in savage combat!Boson Books also offers HMS Seawolf and Barracuda by Michael Aye. For an author bio, photo, and sample read visit bosonbooks.com

    Marshal Raylan Givens, the captivating hero of the hit FX series Justified. Now three of Leonard’s best novels—Get Shorty, Tishomingo Blues, and Killshot—are together in one classic ebook collection.

    Yet before year's end three returned, and returned damaged. In 2015, a brutal murder forces those three men, now in their sixties, to journey back to London and finally confront the dark truth they have run from for five decades. Runaway is a crime novel covering fifty years of friendships solidified and severed, dreams shared and shattered and passions lit and extinguished; set against the backdrop of two unique and contrasting cities at two unique and contrasting periods of recent history.

    She thinks migrating to a foreign land would be the only hope. The only qualification she has to migrate to a foreign country is to be a housemaid. That salary would be way better than in Sri Lanka, flying to Saudi Arabia as a housemaid would be a dream come true.Yet day after day, Kamala comprehends her mistake and regrets her stupid actions of leaving her beloveds. She is trapped by the secured walls of the Arabian house and by the rules, regulations and her negligence on working. She gets punished by horrific physical and mental abuse by the hands of her employer. Finally trapped her in a room as a punishment with nonpayment of her salary.When she tries to escape she is being physically tortured by the employer with nailing her body feet beating her with chains and sticks. Finally, when she escapes and returns to her mother land, everything what she worked have gone on a waste by her husband and leaving it all for nothing.Why I wrote this book.Labor migration to the Middle East has become a main feature of Sri Lankan economy strategies making it the second biggest foreign exchange earnings. Migration is likely to continue in the future. Foreign embassies continued to receive many reports that employers abused foreign women working as domestic servants. Some embassies of countries with large domestic servant populations maintained safe houses to which their citizens may flee to escape work situations that included forced confinement, withholding of food, nonpayment of salaries, beating and other physical abuse, and rape.These are few stories... "One particular day I dropped a saucer which broke into pieces. My employer was angry and he heated up five nails and drove them into my hand. When I shouted out in pain my employer's wife held a knife to my neck," she said.Why you should read this book?When you Google Sri Lanka all you see is a beautiful island with beautiful sceneries and nature surrounded by lovely sandy beaches, diverse landscapes ranging from plains to highlands, rainforests, wildlife and exotic food.But not many know how the Sri Lankan lower middle class suffer. How everyday is a challenge for them to make their ends meet. How much they suffer to keep their families alive, insufficient money to feed their children and to spend for their education.I was inspired by so many stories about how these migrant workers suffer. I have been fortunate enough to help these people and listen to their stories.This shows us how cruel the world is. Another side of life which many has not seen, or even think about, simply a nightmare. Why cannot the governments take any action about this? Non-government organizations? Is there anyone at all? When they send their hard earn money with high hopes, most of the time husbands waste money on alcohol and gambling, children go astray and get abused. These women and families fall of from the frying pan into fire. Time, money, pain all gets wasted. Everything end up in tears.This story will give you the inner aspect in depth about the middle class migrant workers and their lives, how hard they work, how much they sacrifice, how hard they hide their feelings and pain, suffer and struggle to survive every day.This book is a story about a family that went through this horrific abuse and torture. Hope you enjoy this book.Scroll up and grab your copy now.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    England: the country her husband fled for reasons she does not fully understand; the country Suzanne has secretly spent the last five years fighting against as a French spy.The trip takes Suzanne and her husband to the heart of London society — the world Malcolm grew up in. A glamorous labyrinth of unwritten rules and unvoiced codes. Yet the glittering ballrooms of London are not free of the intrigues of the Napoleonic Wars. The search for stolen papers that could tip the international balance of power pits Malcolm and Suzanne against each other. Suzanne faces a stark choice between her loyalty to her cause and her love for the man she married—in order to spy on him.

    Women of the Sparrow family have unusual gifts. Elinor can detect falsehood. Her daughter, Jenny, can see people's dreams when they sleep. Granddaughter Stella has a mental window on the future -- a future that she might not want to see. In The Probable Future this vivid and intriguing cast of characters confronts a haunting past -- and a very current murder -- against the evocative backdrop of small-town New England. By turns chilling and enchanting, The Probable Future chronicles the Sparrows’s legacy as young Stella struggles to cope with her disturbing clairvoyance. Her potential to ruin or redeem becomes unbearable when one of her premonitions puts her father in jail, wrongly accused of homicide. Yet this ordeal also leads Stella to the grandmother she was forbidden to meet and to a historic family home full of talismans from her ancestors. Poignant, arresting, unsettling, The Probable Future showcases the lavish literary gifts that have made Alice Hoffman one of America’s most treasured writers.

    And she's suffered from night terrors where a shadowy man pursues her. The Shadow Man found her once before when she was sixteen years old and slaughtered her parents. And now, nine years later, he's found her again.The Shadow Man is killing people as he works his way closer to Tara. She can see the murders through his eyes, the clues left behind, and he wants it that way. He takes things from each victim: blood, skin, and other items he needs for his bizarre ritual. But it's all leading up to the most important and central piece of the ritual - Tara.Tara wants to run. She wants to hide - it's what she's always done. But she makes a decision to fight back, to stop the Shadow Man before he kills again.

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

    In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    Our 1940s heroes are the brilliant mathematician Lawrence Waterhouse, crypt analyst extraordinaire, and gung-ho, morphine-addicted marine Bobby Shaftoe. They're part of Detachment 2702, an Allied group trying to break Axis communication codes while simultaneously preventing the enemy from figuring out that their codes have been broken. Their job boils down to layer upon layer of deception. Dr. Alan Turing is also a member of 2702, and he explains the unit's strange workings to Waterhouse. "When we want to sink a convoy, we send out an observation plane first... Of course, to observe is not its real duty—we already know exactly where the convoy is. Its real duty is to be observed... Then, when we come round and sink them, the Germans will not find it suspicious."All of this secrecy resonates in the present-day story line, in which the grandchildren of the WWII heroes—inimitable programming geek Randy Waterhouse and the lovely and powerful Amy Shaftoe—team up to help create an offshore data haven in Southeast Asia and maybe uncover some gold once destined for Nazi coffers. To top off the paranoiac tone of the book, the mysterious Enoch Root, key member of Detachment 2702 and the Societas Eruditorum, pops up with an unbreakable encryption scheme left over from WWII to befuddle the 1990s protagonists with conspiratorial ties.

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)

    Reprint.