Hans Christian Andersen Medal-winner Lisbeth Zwerger brings her singular vision to a glorious picture-book adaptation of the haunting story of an enchanted swan princess. She has based her version on Tchaikovsky's original 1877 ballet, which had a happy ending, unlike the later, better-known, 1893 version. Her illustrations, luminous, lyrical, filled with grace and beauty, evoke the brilliance of the ballet and the universal appeal of this beloved fairy tale.

    With the rigorous research of a scholar and the eloquent prose of a novelist, Judith Chernaik takes us into Schumann's nineteenth-century Romantic milieu, where he wore many "masks" that gave voice to each corner of his soul. The son of a book publisher, he infused his pieces with literary ideas. He was passionately original but worshipped the past: Bach and Beethoven, Shake­speare and Byron. He believed in artistic freedom but struggled with constraints of form. His courtship and marriage to the brilliant pianist Clara Wieck--against her father's wishes--is one of the great musical love stories of all time. Chernaik freshly explores his troubled relations with fellow composers Mendelssohn and Chopin, and the full medi­cal diary--long withheld--from the Endenich asylum where he spent his final years enables her to look anew at the mystery of his early death. By turns tragic and transcendent, Schumann shows how this extraordinary artist turned his tumultuous life into music that speaks directly--and timelessly--to the heart.

    But now I’ve got no choice.By the end of the week, I must give up my treasured military commission and take the throne. Given what my family’s already endured, I'll do it, too. There's no escape for me.Then, out on the edge of my beloved Aegean Sea, a dreamy-eyed American girl falls into my arms...and life as I know it will never be the same.Looks like we’ve got a brand new kind of fairy tale on our hands.

    Now, nearly a year later, Lana is still picking up the pieces when she is blindsided by the appearance of her adopted daughter Micki's birth father. He comes bearing startling news: that Micki's birth mother was a rock and roll star who lived fast and died young. His glamorous life leaves Micki star struck by its possibilities. But life's unexpected twists and turns are taking their toll. Still reeling from her father's death and envious of her sister's newfound celebrity, good girl Beth spirals out of control. Her grades drop and she starts running with a dangerous crowd. Just when Lana feels that she can no longer handle her fractured family, she finds support from an unexpected source. And discovers that opening her heart helps it to heal...that the bonds between mothers and daughters can bend, but won't ever break...and that families are never perfect-but their love for each other can be...

    Revealing the band's wilder, freer incarnation as seen in the Zoo TV tour, this biography offers stunning photos and never-before-published interviews, anecdotes, and stories.

    No matter how much she studies, Ellie Glass can't prepare for every aspect of life. A fact she realizes after a chance encounter with a young musician leaves her scrambling to speak in coherent sentences. Scruffy, long-haired, and undeniably sexy, Ben is the exact opposite of her type. So why is it that Ellie can’t stop thinking about him?When fate intervenes and the two are thrown together for a second time, Ellie gets more than she bargained for. With the help of her friends and a newfound romance, she begins to redefine herself and slowly realizes that happiness isn't something you can plan for. This is the captivating story of an undeniable attraction, the choices that we make, and ultimately, the unexpected power of love.**Formerly published under the title On an Edge of Glass**

    After releasing several massively popular albums and singles, the young singer has cemented his status as today's most talked about personality in pop music. His fans are famous for their devotion and vivid forms of expressing their admiration, creating a frenzy known as ''Bieber Fever''. In order to find out more about this young superstar and his works - read this book.

    Two choices. One chance to follow her dreams.Emily has come a long way since she lost her two passions fifteen years ago: music, and Rob. She's a psychologist at NYU who helps troubled college students like the one she once was. Together with her caring doctor husband, Ezra, she has a beautiful life. They're happy. They hope to start a family. But when a tragic event in Emily's present too closely echoes her past, and parts of her story that she'd hoped never to share come to light, her perfect life is suddenly upturned. Then Emily hears a song on the radio about the woman who got away. The melody and voice are hauntingly familiar. Could it be? As Emily's past passions come roaring back into her life, she'll find herself asking: Who is she meant to be? Who is she meant to love?

    Life on Planet Rock describes how Lonn Friend, the editor of RIP, became the Zelig-like chronicler of the biggest musical moments of that time from introducing Guns N Roses (in nothing but a top hat, underwear, and cowboy boots) to sitting in during the making of Metallica s Black Album. Life on Planet Rock provides revealing portraits of artists as varied as Kurt Cobain, Gene Simmons, Alice Cooper, Axl Rose, James Hetfield, Steven Tyler, and many more. Part oral history, part candid and humorous memoir, it is a wormhole back to a fast-moving time in music that saw tastes flash from new wave to hair metal to grunge, told as only someone who was there through it all could tell it."

    A bound combination of Books I and II in the Fretboard Logic guitar lesson series. Volume I explains the guitar's unique tuning and a basic set of fretboard patterns. Volume II integrates this foundation into an exploration of chords, scales, and arpeggios.

    Vexation Lullaby is pure raw pleasure from start to finish." —Lily King, author of EuphoriaPeter Silver is a young doctor treading water in the wake of a breakup—his ex-girlfriend called him a "mama's boy" and his best friend considers him a "homebody," a squanderer of adventure. But when he receives an unexpected request for a house call, he obliges, only to discover that his new patient is aging, chameleonic rock star Jimmy Cross. Soon Peter is compelled to join the mysteriously ailing celebrity, his band, and his entourage, on the road. The so-called "first physician embedded in a rock tour," Peter is thrust into a way of life that embraces disorder and risk rather than order and discipline. Trailing the band at every tour stop is Arthur Pennyman, Cross's number-one fan. Pennyman has not missed a performance in twenty years, sacrificing his family and job to chronicle every show on his website. Cross insists that "being a fan is how we teach ourselves to love," and, in the end, Pennyman does learn. And when he hears a mythic, as-yet-unperformed song he starts to piece together the puzzle of Peter's role in Cross's past.

    In "Musimathics," Loy teaches us the tune, providing a friendly and spirited tour of the mathematics of music -- a commonsense, self-contained introduction for the nonspecialist reader. It is designed for musicians who find their art increasingly mediated by technology, and for anyone who is interested in the intersection of art and science.In Volume 1, Loy presents the materials of music (notes, intervals, and scales); the physical properties of music (frequency, amplitude, duration, and timbre); the perception of music and sound (how we hear); and music composition. Calling himself "a composer seduced into mathematics," Loy provides answers to foundational questions about the mathematics of music accessibly yet rigorously. The examples given are all practical problems in music and audio.Additional material can be found at http: //www.musimathics.com.

    He was the beat behind three of the world's most enduring and significant bands.He wasn't just in the right place at the right time. Along with Keith Moon, John Bonham, and Charlie Watts, Jones is regarded as one of the greatest drummers of all time, sought after by a wide variety of the best-known and best-selling artists to bring his unique skill into the studio for the recording of classic albums and songs—including, of course, the Rolling Stones's "It's Only Rock 'n' Roll (But I Like It)."And Jones is no shallow rock star. He may play polo with royalty from across the globe now, but this is the story of a ragamuffin from the East End of London, a boy who watched his bandmates, friends since his teens, die early, combated dyslexia to find a medium in which he could uniquely excel, and later found a way through the wilderness years when the good times seemed to have gone and he had little to fall back on. Kenney Jones has seen it all, played with everyone, and partied with all of them. He's enjoyed the highs, battled the lows, and emerged in one piece. Let the Good Times Roll is a breathtaking immersion into music past that leaves readers feeling as if they lived it too.

    Author Jason Blume, a songwriter with the rare distinction of having had songs on the Country, Pop, and R&B charts simultaneously, has packed this book with such key aids as the three-step lyric writing technique used by the pros; lyric, melody, and demo checklists; and tools for self-evaluation–plus many other exercises that work. Blume’s warm, humorous style features motivational anecdotes and entertaining stories of how hit songs came to be written and recorded. Get Six Steps to Songwriting Success, and get on the charts!From the Trade Paperback edition.

    The rudderless genius behind their ascent was a man named Ronnie Van Zant, who guided their five-year run and evolved not just a new country/rock idiom but a new Confederacy in constant conflict with old Southern totems and prejudices. Placing the music and personae of Lynyrd Skynyrd into a broader cultural schema for the first time, Whiskey Bottles and Brand-New Cars is based on interviews with surviving band members and others who watched them. It gives a new perspective to a history of stage fights, motel-room destructions, cunning business deals, and brilliant studio productions, offering a greater appreciation for a band that, in the aftermath of its last plane ride, has sadly descended into self-caricature as the sort of lowbrow guns-’n’-God cliché that Ronnie Van Zant wanted to chuck from around his neck. No other book on Southern rock has ever captured the “Free Bird”–like sweep and significance of Lynyrd Skynyrd. Ribowsky’s cohesive narrative gives the band its full due while not ignoring the cruel irony and avoidability of the band’s tragic end.