Travelling to the past, parallel planets, and the future, it tells a story of stories that explores the universal themes of love and loss, time and transience, and travel and wanderlust.Enchanting and evocative, the tales of Agnes Chew transport you to places that run on lost time, missed opportunities, and deep-rooted aspirations. These are voyages fuelled by a sense of nostalgia, possibility, and hope. Ultimately, this debut collection raises fundamental questions on the ways in which we live our lives.

    It is a collection of short prose narratives that offer a blend of pataphysical humor and surreal nightmare: secret societies so secret that one cannot know if one is a member or not, music-hall acts that walk a tightrope from humor to horror, childhood memories of a man never born, and correspondence from countries that are more states of mind than geographical locales. Lying somewhere between Kafka's parables and the prose poems of Henri Michaux, Ferry's tales read like pages from the journal of a stranger in a familiar land. Though extracts have appeared regularly in Surrealist anthologies over the decades, "The Conductor" has never been fully translated into English until now. This edition includes four stories not included in the original French edition and is illustrated throughout with collages by Claude Ballare.Jean Ferry (1906-1974) made his living as a screenwriter for such filmmakers as Luis Bunuel and Louis Malle, cowriting such classics as Henri-Georges Clouzot's "Le Quai des orfevres" and script-doctoring Marcel Carne's "Les Enfants du paradis." He was the first serious scholar and exegete of the work of Raymond Roussel (on whom he published three books) and a member of the College de 'Pataphysique.

    Dot believes the wrath of God caused her baby to die. Teenage Tina is trolling internet dating sites for a father for another baby, and Janet’s failure to cry means her wedding is off. Stella, the support group leader, must help them while facing the old choices that cost her ever having a family of her own.Based on the stories of dozens of real survivors, Baby Dust is a moving tribute to the strength of mothers who must endure this impossible loss.

    It's 1915 so naturally he volunteers for war. In France he is assigned an administrative position in a small town and has a marvellous time. But when he gets to the trenches, where death and mindless destruction are the everyday, he starts to understand something about war. Funny, brutal and charming, here’s the First World War from the perspective of the inimitable Schlump.

    She describes her community before the Nazi occupation and the events that unfolded afterwards. When the Nazis conducted house searches for Jewish children, Gabi successfully hid in the dining-room dresser. The only thing retrieved from the home after the war was the dresser that saved Gabi's life. It now sits in author Kathy Kacer's home in Toronto. Kacer is Gabi's daughter and has based the story on her mother's experiences.

    television franchise, and explores the real-life crimes that inspired them. She also looks into the authenticity of the forensic investigations recreated for the dramatizations, and the painstaking real-life forensic process employed in every one of the actual cases?from notorious mass-murderer Richard Speck, to the massacre of Buddhist monks in an Arizona Temple, to a baffling case of apparent spontaneous combustion.

    Originally published in the Strand, in September 1929.

    The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. The Librarian of Auschwitz: Fourteen-year-old Dita is one of the many imprisoned by the Nazis at Auschwitz. Taken, along with her mother and father, from the Terezín ghetto in Prague, Dita is adjusting to the constant terror that is life in the camp. When Jewish leader Freddy Hirsch asks Dita to take charge of the eight precious books the prisoners have managed to smuggle past the guards, she agrees. The Tattooist of Auschwitz: In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust.Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight. And he was determined not only to survive himself, but to ensure this woman, Gita, did, too.

    Over the next five years, as the Nazi persecution of Europe’s Jews gathered momentum, Eva’s parents were forced to send their children into hiding, but she and her sister Marta could not avoid capture.In this remarkable memoir, Eva recounts her experiences at the Auschwitz-Birkenau concentration camp. There, she witnessed countless horrors and was herself subjected to torture, extreme deprivation, and medical experimentation at the hands of the notorious Dr Josef Mengele. When the Soviet army liberated the survivors of Auschwitz early in 1945, Eva and Marta faced a new challenge: crossing war-torn Europe to be reunited with their family.Narrated with the heartbreaking innocence of a young girl and the wisdom of a woman of eighty-three, Gazing at the Stars is a record of survival in the face of unimaginable evil. It is the culmination of Eva Slonim’s lifelong commitment to educating the world about the Holocaust, and to keeping alive the memory of the many who perished.‘Eva’s account of her experiences is remarkable in its detail, particularly when one considers her age. Through her 14-year-old eyes, the daily humiliations, deprivations and tortures of Auschwitz are thrown into sharp relief.’ - the Age‘An extraordinary memoir that is brimming with courage, hope and love in the face of evil. Slonim’s story . . . is a must read for everyone.’ - Books and Publishing OnlineEva Slonim (née Weiss) was born in Bratislava, Slovakia, in 1931. A survivor of the Holocaust, Eva relocated with her family to Melbourne in 1948. She married Ben Slonim in 1953, and together they had five children, and many grandchildren and great- grandchildren, fulfilling Eva’s wish to rebuild what was lost in Europe. A gifted storyteller, and deeply passionate about the importance of education and community, Eva has for many years given public talks on her experiences during the war.

    While there, she was caught by the Security Police, imprisoned and tortured.

    Navy, assigned to duty aboard the PC 477. The PCs were 173-foot, steel-hulled submarine fighters. Uncle Sam had thousands of seamen on hundreds of PCs convoying and patrolling in WWII. They were introduced in the desperate, early days of World War II, when the waters off America’s Atlantic coast were a graveyard of torpedoed ships. They performed essential, hazardous, and sometimes spectacular missions, yet the PCs were scarcely known at all outside the service. Here is the story of the wartime service of one of those ships. From Pearl Harbor to Guadalcanal, from Australia to the Solomon Islands, the PC 477 saw action throughout the South Pacific. Collecting numerous first-hand accounts from his shipmates, Art Bell, who eventually took command of the 477, gives us a detailed, compelling and often humorous memoir of life aboard a Navy ship during the war. It is a feast for World War II buffs and an essential reference for historians studying that period. The Navy didn’t even dignify PCs with names. But the crew of the PC 477 did. They called her “Peter Charlie.” Art Bell (1919 - 1988) was a respected Los Angeles attorney. He played baseball at UCLA with Jackie Robinson, saw action in World War II, and graduated from the USC Law School in 1951. His son, James Scott Bell, aided in the writing and editing of the book.

    Homes' novel, The End Of Alice: part romance, part horror story, darkly comic and sinister, "Alice" masterfully captures the extremes of sexual obsession and desire, luring the reader into the lives of characters simultaneously repellent and seductive. Over the five years it took to complete the novel, Homes assembled a collection of epistemological evidence, clues to the narrator's mind, his "confession," and photo scrapbook, his paintings, trinkets he pocketed: a ring, a watch, three teeth, the knife--all remnants of his lingering and deadly infatuation with a little girl called Alice. Appendix A is an exercise of imagination, occupying an unexpected space between truth and fiction, art and evidence.Text by A.M. Homes.

    There are voices in his head and the occasional seizure, and then his wife has a miscarriage on the same day his client dies of a heroin overdose. Tom becomes certain that the addicts he treats must have infected the womb of his wife.Lost and bitter after the miscarriage, Tom is in desperate need of a client who can give him some hope.James White is one such client -- a newly orphaned alcoholic dead bent on drinking again until he gets discharged and starts working at the Argos animal shelter. Rescuing the throw away pets of the city becomes his mission, and it is his alcoholic past that will guide him. Saving the Strays from euthanasia may be the only way he can save himself. A gritty novel with an edge yet surprisingly gentle and sweet, Stray will take you through the dog fighting dens and crack houses of Detroit where Stray souls can find connections in the most unusual of places.

    Original.

    A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it.The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.