Robbie's sexual energy captivates the attention of men and women alike; his literal and figurative brightness is a startling foil to the dreariness of his childhood friend, Francis. With a hand as sensitive as it is exuberant, Brecht Evens's first graphic novel in English captures the strange chemistry of social interaction as easily as he portrays the fragmented nature of identity. The Wrong Place contrasts life as it is, angst-ridden and awkward, with life as it can be: spontaneous, uninhibited, and free.

    QU33R is an all-new project featuring queer comics legends as well as new talents that picks up where No Straight Lines left off. We've set down our history, now QU33R shines a light on our future!QU33R had its genesis in an all-color queer comic zine called THREE, which featured three stories by three creators or teams per issue. Rob Kirby published three installments of THREE annually from 2010 to 2012, and the series did well, garnering not only an Ignatz nomination for Outstanding Anthology or Collection but also earning Rob the Prism Comics Queer Press Grant in 2011.Producing the anthology was immensely gratifying, but featuring just three comics and publishing only once per year meant a lot of cartoonists weren’t getting the exposure they deserved. The publishing opportunities for queer cartoonists and queer subject matter are still limited, even today, and Rob longed for a wider distribution than he was able to manage on his own. He approached Northwest Press about doing a bigger compendium of all-new work.While THREE was happening, Justin Hall was preparing his book No Straight Lines: Four Decades of Queer Comics, which Fantagraphics published in the summer of 2012. No Straight Lines traced the history of queer comics from their humble beginnings in the late '60s/early '70s all the way up to the present. The book was a whopping, award-winning success. Rob got to thinking that a follow-up volume—a sort-of-sequel focusing on all new work—would seal the deal, informing the world at large that we are still here, still queer, and still producing fresh and innovative work. He wanted to include not only several queer comics veterans, but also some fresh new faces and a few folks who haven’t necessarily belonged to the orthodox "queer comics scene" but have been doing non-heteronormative work all along.

    A brilliant visual storyteller, Redniss has hand-designed more than 100 color collages to tell Curie’s story, fascinating in its scientific significance and its sometimes whimsical, sometimes haunting mix of romance and intrigue. Bringing together archival photos, images, and clippings with dazzling line drawings and a compelling narrative, Radioactive is far more than just an art book or a graphic novel: It is a stunning visual biography and a true work of art.

    Youth Is Wasted collects several of Noah Van Sciver's most outstanding short stories from his critically acclaimed, award-nominated comic book series, Blammo, as well as various anthology submissions.

    As befits his animation background, Annable's fluid art pulses with life, in stories that practically jump off the page. Alternately poetic and hilarious, Grickle presents a strange twist on the everyday with heart and humor. If you've experienced Grickle before, this is the greatest collection yet. If you haven't, there's no better introduction than Book of Grickle!

    Most women carry some form of mental load--about their work, household responsibilities, financial obligations, and personal life, but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair. In her strips, Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Her comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.

    by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Ever since, fans have been hungry for more, and now their wait is finally over!This volume collects the long-out-of-print, fan-favorite comics previously published in Nickelodeon Magazine and with the Airbender DVDs, plus over seventy brand-new comics pages. That's twenty-six stories set in Airbender continuity, by a host of top-notch talent, many of whom worked on the original animated series!* A must-have for any Airbender fan!* Twenty-six in-continuity stories, plus bonus content!* The latest release in an ongoing partnership between Nickelodeon and Dark Horse, to bring you the very best in Airbender books!

    

    They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

    Parrish’s emotionally loaded, painted graphic novel is is a visual tour de force, always in the service of the author’s themes: navigating queer desire, masculinity, fear, and the ever-in-flux state of friendships.

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power

    These artists, including Harry Grant Dart, Milt Gross, Charles M. Payne, Harry Hershfield and Charles Forbell, foreshadowed and influenced the comics medium of today.

    Legendary cartoonist Yoshihiro Tatsumi is the grandfather of alternative manga for the adult reader. Predating the advent of the literary graphic novel movement in the United States by thirty years, Tatsumi created a library of literary comics that draws parallels with modern prose fiction and today's alternative comics. Designed and edited by one of today's most popular cartoonists, Adrian Tomine, The Push Man and Other Stories is the debut volume in a groundbreaking new series that collects Tatsumi's short stories about Japanese urban life. Tatsumi's stories are simultaneously haunting, disturbing, and darkly humorous, commenting on the interplay between an overwhelming, bustling, crowded modern society and the troubled emotional and sexual life of the individual.

    So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone. Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be