But as she grows older, she learns that many people in her small, rural town believe her father is Cecil Jesso, the local drug dealer--a man both feared and ridiculed. Weaving through a maze of gossip, community, and the complications of family, Some People's Children is a revealing and liberating novel about the way others look at us and the power of self-discovery.

    Before long, however, she realizes that her feelings for this charismatic, extremely guarded stranger are far from straightforward. In the meantime, her troubled teenage patient, Annie, runs away from home and soon will reinvent herself in New York as an aspiring and ruthless actress, as unencumbered as humanly possible by any personal attachments. And Mitch, Grace’s ex-husband, who is a therapist as well, leaves the woman he’s desperately in love with to attend to a struggling native community in the bleak Arctic. We follow these four compelling, complex characters from Montreal and New York to Hollywood and Rwanda, each of them with a consciousness that is utterly distinct and urgently convincing. With razor-sharp emotional intelligence, Inside poignantly explores the many dangers as well as the imperative of making ourselves available to—and responsible for—those dearest to us.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    Not only do they enjoy their relationship as mother and daughter, they're in business together as the team that fronts the popular home renovation show Gut It! All is well with these two strong women, but when the network tells Caroline that Jamie is to replace her as host, Caroline feels betrayed by her daughter and old in the eyes of the world.Jamie is unsettled by the cast change and devastated by her mother's anger, but she has little time to brood when a tragic accident leaves her two-year-old half-brother in her care. Accustomed to a life of order and precision, Jamie suddenly finds herself out of her depth, grappling with a toddler who misses his parents and a fiancé who doesn't want the child.Amid such devastation, Caroline and Jamie find themselves revising the blueprints they've built their lives around. With loyalties shifting and decisions looming, mother and daughter need each other; but the rift between them is proving difficult to mend. As the women try to remake themselves and rebuild their relationship with each other, they discover that strength and even passion can come from the unlikeliest places. For Caroline, it's an old friend, whose efforts to seduce her awaken desires that have been dormant for so long that she feels foreign to herself. For Jamie, it's a staggering new attraction that allows her to breathe again-and breathe deeply-for the first time in forever.A riveting novel from a master storyteller, Barbara Delinsky's Blueprints reminds us that sometimes love appears when we least expect it, and when we need it most.

    Douglas (a.k.a. Mt. Drug) High, all the girls have feathered hair, and the sweet scent of Love's Baby Soft can't hide the musk of raw teenage anger, apathy, and desire. Sara Shaw is a girl full of fever and longing, a girl looking for something risky, something real. Her only possible salvation comes in the willowy form of the mysterious Justine, the outlaw girl in the torn skirt. The search for Justine will lead Sara on a daring odyssey into an underworld of hookers and johns, junkies and thieves, runaway girls and skater boys, and, ultimately, into a violent tragedy.

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    Her family owns the Hopewell, a small Art Deco hotel in the heart of New York City. When each of the Martins turns fifteen, they are expected to take over the care of a suite. For Scarlett's fifteenth birthday, she gets both a room called the Empire Suite and a permanent guest named Mrs. Amberson. Scarlett doesn't quite know what to make of this C-list starlet and world traveler.And when she meets Eric, an astonishingly gorgeous actor who has just moved to the city, her summer takes a second unexpected turn. Before the summer is over, Scarlett will have to survive a whirlwind of thievery and romantic missteps. But in the city where anything can happen, she just might be able to pull it off.

    But while waiting in the pediatrician’s office, she opens a magazine to a quiz about addiction and starts to wonder…Is a Percocet at the end of the day really different from a glass of wine? Is it such a bad thing to pop a Vicodin after a brutal Jump & Pump class…or if your husband ignores you?The pills help her manage the realities of her good-looking life: that her husband is distant, that her daughter is acting out, that her father’s Alzheimer’s is worsening and her mother is barely managing to cope. She tells herself that they let her make it through her days…but what if her increasing drug use, a habit that’s becoming expensive and hard to hide, is turning into her biggest problem of all?With a sparkling comedic touch and a cast of unforgettable characters, this remarkable story of a woman’s slide into addiction and struggle to find her way back up again is Jennifer Weiner’s most masterful work yet.

    But the belongings she's treasured for so long just don't seem to fit who she is now.So Gina makes a resolution. She'll keep just a hundred special items - the rest can go.But that means coming to terms with her past and learning to embrace the future, whatever it might bring . . .

    She knows her cousin is hiding her desire for another baby from her spouse, Bill Horton's wife is mysteriously missing, and now this...After the shock of seeing Anne Porter in all her extramarital glory, Frances vows to stay in her own lane. But that's a notion easier said than done when Anne's husband throws her out a couple of days later. The repercussions of the affair reverberate through the four carpool families--and Frances finds herself navigating a moral minefield that could make or break a marriage.

    She's a lowly assistant editor at GirlTime magazine, she drives an ancient Toyota, and she has a history of choosing men who fall several thousand feet below acceptable boyfriend standard. Not to mention that she shares an apartment with a scruffy , tactless roommate, her best girlfriends are a little too perfect, and the most affectionate male in her life—her cat, Fatboy—occasionally pees in her underwear draw.Then Helen gets the telephone call she least expects: Her father has had a massive heart attack. Initially brushing off his death as merely an interruption in her already chaotic life (they were never very close, after all), Helen is surprised to find everything else starting to crumble around her. Her pushy mother is coming apart at the seams, a close friend might be heading toward tragedy, and, after the tequila incident, it looks as though Tom the vet will be sticking with Dalmatians. Turns out getting over it isn't going to be quite as easy as she thought.

    One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident and about the accusations that led to her uncle's death does more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

    Banning me from the phone and restricting my computer privileges are the most tyrannical parental gestures I can think of. Don’t they realize that Hope’s the only one who keeps me sane? I don’t see how things could get any worse.”When her best friend, Hope Weaver, moves away from Pineville, New Jersey, hyperobservant sixteen-year-old Jessica Darling is devastated. A fish out of water at school and a stranger at home, Jessica feels more lost than ever now that the only person with whom she could really communicate has gone. How is she supposed to deal with the boy- and shopping-crazy girls at school, her dad’s obsession with her track meets, her mother salivating over big sister Bethany’s lavish wedding, and her nonexistent love life?A fresh, funny, utterly compelling fiction debut by first-time novelist Megan McCafferty, Sloppy Firsts is an insightful, true-to-life look at Jessica’s predicament as she embarks on another year of teenage torment--from the dark days of Hope’s departure through her months as a type-A personality turned insomniac to her completely mixed-up feelings about Marcus Flutie, the intelligent and mysterious “Dreg” who works his way into her heart. Like a John Hughes for the twenty-first century, Megan McCafferty taps into the inherent humor and drama of the teen experience. This poignant, hilarious novel is sure to appeal to readers who are still going through it, as well as those who are grateful that they don’t have to go back and grow up all over again.

    Born on the exact same day as Her Majesty, Queen Elizabeth II, Canadian Georgina Witley is invited to an eightieth birthday lunch at Buckingham Palace. All she has to do is drive to the airport and board the plane for London. Except that Georgie drives off the edge of the road, her car plunging into a thickly wooded ravine. Thrown from the car, injured, and unable to move, she must rely on her full store of family memories, her no-nonsense wit, and a recitation of the names of the bones in her body--an exercise from childhood--to remind her she is still alive. As Georgina lies stranded and helpless, she reflects on her role as a daughter, mother, sister, wife, and widow, on lost loves and painful secrets.