But look closer. Lester Burnham's wife, Carolyn, regards him with contempt, his daughter, Jane, thinks he's a loser, and his boss is positioning him for the ax.Captivated by Jane's sultry high school friend Angela, Lester decides to make a few changes in his mere existence—changes that are less mid-life crisis than a life reclaimed. The freer he gets, the happier he gets, which is even more maddening to his wife and daughter. Complicating matters, Lester finds an unexpected ally in Ricky, the teenage son of the new next-door neighbors, who sees life through a camera lens that has lately focused on Jane Burnham.In pursuit of his new vision of the American dream, Lester is about to learn that the ultimate freedom comes at the ultimate price.The 1999 winner of five Academy Awards®, including Best Picture and Best Original Screenplay, American Beauty boasts an accomplished cast led by two-time Academy Award® Best Actor winner Kevin Spacey (The Usual Suspects) and Oscar® nominee Annette Bening (The Grifters). The ensemble cast also includes Thora Birch (Ghost World), Wes Bentley (The Claim), Mena Suvari (American Pie), Peter Gallagher (Mr. Deeds), Allison Janney (NBC's The West Wing), Scott Bakula (NBC's Quantum Leap), Sam Robards (A.I.: Artificial Intelligence), and Chris Cooper (Adaptation).American Beauty marks the feature film directorial debut of award-winning theater director Sam Mendes (The Blue Room, Cabaret). The film is produced by Dan Jinks (Nothing to Lose) and Bruce Cohen (The Flintstones in Viva Rock Vegas) from an original screenplay by Alan Ball (HBO's Six Feet Under). Stan Wlodkowski (One Hour Photo) and Alan Ball are the co-producers.

    Illustrated.

    

    Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet "Samantha" , a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other.

    The complete Oscar RM -nominated screenplay by the writer/director of Boogie Nights, featuring an exclusive introduction by Anderson, and never-before-published interview in which he discusses the themes and relationships explored in Magnolia, plus a 16-page photo section with 45 color and b&w movie stills and behind-the-scenes photographs.

    They are immediately attracted. Despite knowing this may be the only time they will see each other, in the next few hours in the city of Vienna, they share everything and promise to meet again.    Nearly a decade later, Jesse, now a novelist on a publicity tour, sees Celine in a bookstore in Paris. Again their time is short, and they spend it reestablishing the connection they experienced on their first meeting. Romantic, poignant, understated, and often profound, these two screenplays are sure to become classics in their own right.

    

    Filmed on location in the streets of Mumbai and starring largely unknown actors, 'Slumdog Millionaire' is directed by Danny Boyle, who with films including 'Trainspotting' and '28 Days Later' has earned an international following.

    Its protagonist Leonard (Guy Pearce) is a puzzle, even to himself. He sports the trappings of an expensive lifestyle, yet he lives in seedy motels, and seems to be on a desperate mission of revenge to find the man who murdered his wife. Worse, Leonard suffers from a rare form of amnesia that plagues his short-term memory, so in order to keep track of his life, he must surround himself with written reminders, some of them etched onto his own flesh. In this state, Leonard finds that nothing is what it seems, and no one can easily be trusted.Following (1998) was Christopher Nolan's micro-budgeted debut feature. Bill (Jeremy Theobald), a lonely would-be writer, spends his considerable free time stalking strangers at random through the streets of London. This vicarious form of 'research' takes an unexpected turn when Bill is caught out by one of his quarries: a suave cat burglar who introduces him to the art of breaking and entering. Soon Bill is striking up a liaison with a girl whose flat he has turned over. But Bill discovers too late that he is out of his depth.This volume includes both screenplays, plus an interview with Christopher Nolan and Jeremy Theobald in which they talk to James Mottram about the making of Following, and a piece by Christopher Nolan and his brother Jonathan Nolan, author of the story on which Memento was based, in which they recall the conception of the film.

    Script of Whiplash.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.

    Book by McLure, James

    Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

    There were three extraordinary children in the Tenenbaum family; Chas Tenenbaum (Ben Stiller) was a financial expert and started buying real estate in his early teens; Margot Tenenbaum (Gwyneth Paltrow) was an acclaimed playwright and won a Pulitzer Prize in the 9th grade; Richie Tenenbaum (Luke Wilson) was a champion tennis player ranked 2nd in the world by the age 17. They were brilliant. They were famous. They were unlucky enough to be the children of a man named Royal Tenenbaum (Gene Hackman). Now for the first time in 25 years, they're all living together under the same roof. After having largely gone their separate ways they're looking to mend fences--and themselves in the process.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    He is the unwitting star of a nonstop, 24-hour-a-day documentary soap opera called The Truman Show, with every moment of his life broadcast to a worldwide audience. Everyone around him is an actor. He is a prisoner in a made-for-TV paradise. This is the story of his escape.Rarely has a first-time collaboration between a writer and director produced such a stunning result. In this book, both Niccol and Weir's lively talents and creative force come to light, as each contributes some highly original material to amplify the brilliant107-page shooting script, reproduced here in facsimile. Niccol has given us another version of The Truman Show, in photos and captions—in effect, our very own photo album. For his contribution, Peter Weir chose to let us in on the intricately detailed, often hilarious "backstory," which he wrote as part of his preparation, and eventually shared with the cast and crew during production. Also included are complete cast and crew credits.