As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

    A discovered life.What if you only had one day to find out who you really were?When Sabrina Boggs stumbles upon a mysterious collection of her father’s possessions, she discovers a truth where she never knew there was a lie. The familiar man she grew up with is suddenly a stranger to her.An unexpected break in her monotonous daily routine leaves her just one day to unlock the secrets of the man she thought she knew. A day that unearths memories, stories and people she never knew existed. A day that changes her and those around her forever.The Marble Collector is a thought-provoking novel about how the most ordinary decisions we make can have the most extraordinary consequences for how we live our lives. And how sometimes it’s only by shining on a light on someone else, that you can truly understand yourself.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    . . In the top-floor flat lives music exec Katie. She spends her days fighting off has-been rock stars and wondering how much cheesecake you'd need to eat yourself to death. Below her, a pair of muscular Poles share with a streetwise cabbie named Lydia, who has a sharp tongue, an even sharper brain but some unexpected soft spots. On the first floor is Fionn - a gardener who prefers the company of parsnips to people. But he looks like a fairy-tale prince and when he's offered his own television show, he's suddenly thrust into the limelight. And at the bottom of the house live Matt and Maeve, who are Very Much In Love and who stave off despair by doing random acts of kindness. But a mysterious visitor has just landed at 66 Star Street, bringing love, friendship and heartbreak, and a new-found optimism. Old secrets are working their way to the surface and all their lives are about to change in the most unexpected of ways . . .

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    An epic chronicle of one man's judgement and death, "The Death of Bunny Munro" is an achingly tender portrait of the relationship between father and son.

    The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon.This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls.  For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness?  But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever.  A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college.  A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

    Who like to read. Who take satisfaction in their work. Who are resolutely kind. Leonard and Hungry Paul is the story of two friends trying to find their place in the world. It is about the uncelebrated people of this world. And it asks a surprisingly enthralling question: Can kind people change the world?

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.