Grief, longing, being away from near and dear…….. Colours not seen before, each story has a unique shade. Each reveals different pain. The story of the king titled perfectly as to Once Upon A Time…….. is the best example of this. The comedian in the Courts of the king helps him to win the heart of the most wise and beautiful damsel in the town. He uses all his wit so as to bring the beautiful maiden in the king’s palace. At the end, when he realizes that it is the wittiness that the lady was fallen for and not name or fame of the king, he pities himself. It could have been he himself who could have become the partner of the lady. She was not impressed with the king’s wealth neither craved for bravery. What she wished was a mind equivalent to her talents………. Alas……….

    It is a biography of well known hotelier Vithal Kamat (the CEO of five star Orchid Ecotel hotel in Mumbai) and a description of the chain of Kamat hotels and Orchid.

    The thirty nine short stories in this book will blow you away. Starting with a ghoststory by Rabindranath Tagore, India's most famous writer and ending with a fable by Kanishk Tharoor, a writer who has come of age in the twenty first century, these literary masterpieces showcase the extraordinary range and diversity of our story telling tradition. The first recognizably modern Indian short stories were written in Bengal (by Tagore andothers) in the second half of the nineteenth century and writers from other regions werequick to follow suit, often using the form to protest colonial oppression and the various illsafflicting rural and urban India. Over the next century and a half, some of the finest writers the world has seen produced outstanding fiction in every conceivable genre. Many of these stories find a place in this volume, as does work by emerging talent that has never been published in book form before. Here you will find stories of classical realism, ones rootedin folklore and myth, tales of fantasy, humour, horror, crime and romance, stories set invillages, small towns, cities and the moon. They will entertain you and shock you, they will lighten your mood and cast you down, they will move you and they will make you reflect onlife's big and little questions. Most of all, they will make you see the world differently as the greatest stories always do.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Gods, Demons and Others is a collection of short stories by R. K. Narayan adapted from Indian history and mythology, including epics like The Ramayana and The Mahabharatha. In this book, Narayan provides both vitality and an original viewpoint to ancient legends. Gods, Demons and Others is a collection of ancient tales from India's complex history and mythology presented in their traditional setting, albeit with Narayan's urbane and affectionate, satirical style, bereft of any didactic interludes. The selection of stories includes only those that center on outstanding personalities who transcend the boundaries of time and age. The book consists of 15 stories. LavanaThe story of Lavana, an asura from the Ramayana. ChudalaThe story of a king trying to attain self realisation. YayatiThe story of Yayati, an asura king. DeviThe story of the Goddess Devi, responsible for all, in Hindu mythology. ViswamitraStory of Viswamitra, one of the most revered rishis of ancient India, who attains enormous power but stays unsatisfied until he realizes that the power should not be used for self-gratification. ManmataStory of Manmata, the cupid of Indian mythology. RavanaStory of the asura king Ravana, Rama's nemesis in the Ramayana. ValmikiStory of Adi Kavi Valmiki, the author of the Ramayana who is said to have discovered the first loka that set the base for Sanskrit poetry. DraupadiStory of Draupadi, the wife of the Pandavas in the Mahabharatha. NalaThe story of how Nala a pure and righteous king is corrupted by a demon and thereby s...More: http: //booksllc.net/?id=2352047

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    Mistaken for a holy man, he plays the part and succeeds so well that God himself intervenes to put Raju's newfound sanctity to the test. Narayan's most celebrated novel, The Guide won him the National Prize of the Indian Literary Academy, his country's highest literary honor.

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.

    The inspiring story of one of the most courageous and promising Indian Police services (IPS) officers comes straight from the heart of his wife, Vinita. It traces the life and career of this fearless officer who showed exemplary valour at his postings-be it at the Naxalite-affected Bhandara district, Satara, Sangali, Solapur or Mumbai. It also brings out the details of his life which would inspire many a youngsters. While the Mumbai terror attacks are largely associated with the Taj Hotel, the Trident Hotel, Nariman House and Chhatrapati Shivaji Terminus (CST) due to wide media coverage, it was lesser-known Cama Hospital incident in which the quickest and the most decisive of action were taken, that too within the first few hours. The only Fidayeen to be ever captured alive Ajmal Kasab, was injured here and three officers-Hemant Karkare, Ashok Kamte, and Vijay Salaskar and their men made the ultimate sacrifice for this. Vinita Kamte's search for truth of the circumstances that led to the death of her brave husband who sacrificed his life for the nation is heart-rending. Vinita fought a tenacious battle along with her twin sister Revati to get to the truth-for which they also invoked the Right To Information Act (RTI) to understand the chronology of the events of that fateful night. The story answers many questions, but raises many more. The book promises to move your heart as it reveals the dynamic career of this brilliant officer who was also a great human being.About the Author: Vinita Kamte is the wife of IPS officer, Late Mr.Ashok Kamte, who was additional commissioner, East Region Mumbai, when he was killed in action in the Mumbai terror attack of November 26, 2008. Vinita has graduated in Bachelor of Socio-Legal subjects(BSL), Bachelor of Laws (LLB) and Masters in Labour Laws and Labour Welfare from Law College, Pune.Vinita Deshmukh is a senior journalist of 22 years standing. Presently, she is the editor of Intelligent Pune, a pro-active, public journalism weekly, which she launched in 2006. She was Senior Editor of the national daily, The Indian Express, Pune. An award winning journalist, she has won the prestigious Chameli Devi Jain award (2008)and The Statesman Award for Rural Reporting twice(in 1998 & 2005)

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    What happens when three ambitious, high-achieving, 20-something Mumbaikars become New Yorkers?A. Madness.Zipping through life’s ups and downs like a high-speed elevator during rush hour, buddies Shri, Shanks, and Neel hold on to each other, and their sanity, with a bro-hood bonding that chipkos them together, fevicol se.Neel’s the driven hedge fund guy, with a weakness for scotch and women. Tam Brahm Shanks, a techie, falls for the "wrong” girl. Good Son Shri, a banker, holds a secret he means to take to his grave. Their intertwined lives buzz with high-voltage drama — explosive secrets, super-charged romances, and a-fuse-a-minute meltdowns.There’s alcohol-fueled passion, Devdas style. Inter-racial hook-ups. Even a fake affair, because money can’t buy the real thing. When their skyscraper-sized dreams are tested, this “desified” saga of friends in Manhattan is like the city’s rapid transit express subway line. You won’t want any stops in between.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    Her mother is a maalish wali, paid to massage the tired bones of rich women. But Anita's life will change forever when she meets her elderly neighbour, a man whose shelves of books promise an escape to a different world.On the other side of Karachi lives Monty, whose father owns half the city and expects great things of him. But when a beautiful and rebellious girl joins his school, Monty will find his life going in a very different direction.Sunny's father left India and went to England to give his son the opportunities he never had. Yet Sunny doesn't fit in anywhere. It's only when his charismatic cousin comes back into his life that he realises his life could hold more possibilities than he ever imagined.These three lives will cross in the desert, a place where life and death walk hand in hand, and where their closely guarded secrets will force them to make a terrible choice.