It is an insightful account of the larger governance phenomenon in India—coalition politics—as seen through the eyes of one of the chief architects of the post-Congress era of Indian politics.From the inexplicable defeat of the Congress in the 1996 general elections and the rise of regional parties like the TDP and the TMC, to the compelling factors that forced the Congress to withdraw support to the I.K. Gujral government and the singular ability of Sonia Gandhi to forge an alliance with diverse political parties that enabled the Congress to lead the coalitions of UPA I and II, Pranab Mukherjee was a keen observer and an active participant in the contemporary developments that reshaped the course of the country’s political, economic and social destiny.Beyond the challenges, complications and compulsions of coalition governments, this book is also a recollection of Mukherjee’s journey as the Cabinet Minister in the key ministries of defence, external affairs and finance, beginning from 2004. He recounts each of these events with candour—the path-breaking meeting with Henry Kissinger in 2004 that altered the course of the Indo–US strategic partnership, his timely advice to Bangladesh Army Chief Moeen Ahmed in 2008 that led to the release of political prisoners there and the differing views with RBI Governor D. Subbarao on the structure of the FSDC.The third volume of Mukherjee’s autobiography is a sharp and candid account of his years at the helm. It offers the most authoritative account of contemporary Indian politics by one of the tallest leaders and statesmen of our generation.

    It could be the depression or the hallucinations, or it could be the little black creature that crawls in his window at night. Whatever the case, it is becoming a problem.The debut novel from Joshua S. Porter is a dark, comic and moving story of self-realization in a contemporary moral free zone.

    By day, he is a normal, bubbly teenager whose prime concerns are cricket, family and friends. The night holds the secrets of the life of a child who sneaks away to confabulate with Akram and his fledgling group of tearaway terrorists. Akram—so handsome, so exciting. But what Aftab doesn’t realise—so dangerous. Aftab is in complete awe of Akram and is willing to follow him to the end of the earth. And Akram is more than willing to send him there...

    This is an account of a youth from interior Maharashtra. He fights his way through just to complete his secondary education. His landless father tilling lands for others, thinks his son's education not only unaffordable but unwise also, He helplessly watches his mothr permanently fated to thankless labour, contineously working for an evergrowing family deep in the cluthes of customs and superstitions. He had to wrestle with hardships and hunger to complete his school education. This autobiographical novel is an authentic tale as much of the author and his family as of any of the hundreds of landless families from rural interiors.

    This forced people into a situation in which they would have to compromise. Imagine the horror.These days, we're living through The Breakdown. It's a time of enormous political engagement, but many of us feel ill equipped to truly understand and debate all the issues currently rocking our world.With sections including How Other People Think; A Tour of the Battlegrounds; and Making Change Happen, this superbly clear-sighted, light-hearted and judgement-free book will give you all the tools you need to understand the different arguments, to work out what is happening and why - and then to do something about it.In a shifting political landscape that can at times be frustrating, emotional or confusing, The Breakdown is an oasis of calm in a turbulent world.

    The close community is stunned to learn that it's Lisa Moran, a popular teacher who disappeared two days earlier.DS Lucy Golden is assigned to the case. For her, it's personal. As an Achill native, she knows that sometimes great evil can lurk in plain sight. Having moved back from Dublin, she has spent the last ten years trying to prove herself to her colleagues after her husband was jailed for fraud. This is her chance to put the past behind her. Her teenage son Luc's behaviour, however, is increasingly troubling and Lucy doesn't have time for distractions.When another body is found in an abandoned property on the bog, with links to a murder 20 years ago, the stakes are raised - but a pattern is emerging. Can Lucy put the pieces together? Or will her family crisis mean the murderer claims his next victim?

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Renowned for her natural talent and haunting beauty, Waheeda Rehman’s career spans an astonishing array of key films in Indian cinema, including Pyaasa, Abhijan, Mujhe Jeene Do, Guide, Teesri Kasam and Rang De Basanti.In this engaging book of conversations with Nasreen Munni Kabir, Waheeda Rehman proves to be a lively raconteur, speaking about her life and work with refreshing honesty, humour and insight: from the devastating loss of her parents when she was young to making a life in cinema on her own terms, from insightful accounts of working with extraordinary film practitioners like Guru Dutt, Raj Khosla, Satyajit Ray, Raj Kapoor, Dev Anand and Vijay Anand to her friendship with stars like Nargis and Nanda.A slice of cinema history told through compelling anecdotes and astute observations, Conversations with Waheeda Rehman provides a rare view of a much-adored and award-winning actress of Indian cinema.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Bhyrappa was originally a philosopher, but he turned towards novel writing to reveal the meaning of life that he understood. This is one of his best sellers. It reflects the conflict between orthodox and traditional rituals and the changing life styles and values of this generation. He has superbly jotted down the feelings and uproar on a family level. The original work in Kannada has been bestowed upon by the Karnataka Sahitya Academy Award while the Kannada movie based on this has won the National Award. After the Sahitya Academy decided to confer awards to translated books, this was the first book to get the award in Marathi.

    From Ann Siang Road in Singapore to Matnog in Sorsogon, from Amsterdam to Tokyo to Hawaii, they explore love, loss, life, and loneliness in this collection, hoping to finally find their place in this world.

    He is an only son of the rich banker. Rahul is totally attached to his father but does not care for his mother. Read the book to find out why….Rahul is exulted with his efforts at work paying off and plans a holiday with his best friend Sanjay Srivastav who lives in Mumbai with his wife Reema, kids Sasha and Rehaan and most importantly, his sister, Meghna. Rahul recalls meeting Meghna just before they parted six years ago. Meghna works for a website and also teaches modern dance as she loves it. She’s thrown for a toss when Rahul comes visiting. She had thought he had forgotten them.But how could Rahul do that? Sanjay’s his best friend and Rahul had always treated their home as his own. Sanjay’s mother had been more of a mother to Rahul than his own. Rahul had stayed away after moving to England or so Meghna believes. Thus begins the story of Rahul and Meghna, the teasing, the flirting, the anger, the tears… …will they find love?ASIN: B00KUPUURS

    This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.

    He is witness to their struggle as modern Indians to hold on to a semblance of truth and sanity in the face of alienation, squalor, violence, and loss of hope. Nagarkar's explosive style and irreverent approach caused an equally explosive reaction when Seven Sixes was first published in 1974. Critics have struggled to reconcile its apparent nihilism with its underlying sense of optimism.

    A story of friendship, love, betrayal, and obsession. Rudra, a stranger Arya didn't remember meeting; but he knew more about her than she did about herself. Who was this stranger? Why did he seem so familiar? Why was she attracted to him? From the day he visited Arya’s house, Rudra had wanted to take her in his arms and tell her everything. But, he refrained himself and decided to wait for her to remember... and recognize him. Will she remember him... or will he have to lose her once again. 'Bestowed' - A saga of love!https://notionpress.com/read/bestowed