But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

    Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners, scientific advances dazzled the public with visions of a world transformed, and the rich outdid one another with ostentatious displays of wealth. Against this background, Marconi races against incredible odds and relentless skepticism to perfect his invention: the wireless, a prime catalyst for the emergence of the world we know today. Meanwhile, Crippen, “the kindest of men,” nearly commits the perfect crime. With his superb narrative skills, Erik Larson guides these parallel narratives toward a relentlessly suspenseful meeting on the waters of the North Atlantic. Along the way, he tells of a sad and tragic love affair that was described on the front pages of newspapers around the world, a chief inspector who found himself strangely sympathetic to the killer and his lover, and a driven and compelling inventor who transformed the way we communicate. Thunderstruck presents a vibrant portrait of an era of séances, science, and fog, inhabited by inventors, magicians, and Scotland Yard detectives, all presided over by the amiable and fun-loving Edward VII as the world slid inevitably toward the first great war of the twentieth century. Gripping from the first page, and rich with fascinating detail about the time, the people, and the new inventions that connect and divide us, Thunderstruck is splendid narrative history from a master of the form.

    Elsewhere, aspiring actress Jasmine Sharp is reluctantly earning a crust working for her uncle Jim's private investigation business. When Jim goes missing, Jasmine has to investigate for real.

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)

    Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more.This is the true story of their search for—and identification of—the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide—and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.

    On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

    There is no direct evidence of murder, but the body bears marks of what seems to be a ritual beating. The investigation falls to Will Henry Lee, a failed cotton farmer newly appointed as Delano's first chief of police. Lee's obsession with the crime begins a story that weaves through the decades, following the life of a small southern town and the role of three police chiefs in unraveling the crime. Chiefs is the best kind of thriller, where the investigation plays out against the drama beneath the surface of a seemingly placid community, seething with the pressures of race, love, hate, and; always; political power, extending from the town fathers all the way to Washington, DC. With a new foreword by the author, this volume will be a collector's treasure for all fans of Stuart Woods.

    But one night, at a symposium in Moscow concerning the release of secret Soviet archives, he is approached by Papu Rapava, a former Kremlin bodyguard with a story to tell. No one but the desperate Kelso would believe the tale, for what Rapava describes is a sort of Holy Grail among researchers: an actual diary left by Joseph Stalin himself. Such an artifact, if it's genuine -- and if Kelso can survive the fascist Vladimir Mamantov, who wants it for his own agenda -- would be the coup of a lifetime for the discredited researcher.Before Kelso can learn the location of the diary, Rapava disappears, and Kelso's search for the former bodyguard leads him to the man's daughter, a whore selling herself in the new Moscow of drugs, corruption, and the Russian mafia. With an unscrupulous American journalist hot on their heels, a major of the new KGB close behind, and the shadowy Mamantov following them all, the two follow a trail that leads from Moscow's seedy underbelly to the industrial city of Archangel, where Russia once built her fleets of submarines, to a remote camp on the edge of the Siberian nothingness, and finally to a shocking conclusion that bites like the wind blowing off the tundra. What Kelso sees as the coup of his career might turn out to be the catalyst for an actual coup in Russia. There is a legacy behind the diary, a legacy of evil and death, and Fluke Kelso is unwittingly about to unleash it on the world.

    On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, was found murdered in the privy behind the dissenting chapel she had regularly attended in Bromley, Kent. The community was appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the autopsy revealed that Harriet was six months pregnant. Drawing on the coroner's reports and witness testimonies, the novel unfolds from the viewpoints of each of the main characters, each of whom have a reason to want her dead. Harriet Monckton had at least three lovers and several people were suspected of her murder, including her close companion and fellow teacher, Miss Frances Williams. The scandal ripped through the community, the murderer was never found and for years the inhabitants of Bromley slept less soundly. This rich, robust novel is full of suggestion and suspicion, with the innocent looking guilty and the guilty hiding behind their piety. It is also a novel that exposes the perilous position of unmarried women, the scandal of sex out of wedlock and the hypocrisy of upstanding, church-going folk.

    A city on edge. On street corners, newsboys hawk the shocking headline: KENNEDY IS DEAD. In the city’s underworld, a mob war rages. But what terrifies Bostonians most is the mysterious killer who has already claimed a dozen victims, a murderer whose name is indelibly linked to their city: the Boston Strangler. This is the electrifying backdrop of William Landay’s magnificent new novel, a story of one Irish-American family, a city under siege, and the long shadow cast by the most infamous killer of his day . . . For the three Daley brothers, sons of a Boston cop, crime is the family business. They are simply on different sides of it. Joe is the eldest, a tough-talking cop whose gambling habits—fast women, slow horses—drag him down into the city’s gangland. Michael is the middle son; a Harvard-educated lawyer working for an ambitious attorney general, he finds himself assigned to the embattled Strangler task force. And Ricky, the devil-may-care youngest son, floats above the fray as an expert burglar—until the Strangler strikes too close to home.As Joe’s mob debts close in around him . . . and Michael becomes snarled in a murder investigation gone very wrong . . . and Ricky is hunted by both sides of the law, the three brothers—and the women who love them—are forced to take sides. Now each must look deeper into a killer’s murderous rage, into their family’s own lethal secrets, and into the one death that has changed them forever. As William Landay’s complex, compassionate, and terrifying novel builds to a climax, two mysteries will collide—and a shattering truth will be revealed.From the Hardcover edition.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    London spiraled into mourning -- crowds sported black armbands in grief -- and railed against Conan Doyle as his assassin. Then in 1901, just as abruptly as Conan Doyle had "murdered" Holmes in "The Final Problem," he resurrected him. Though the writer kept detailed diaries of his days and work, Conan Doyle never explained this sudden change of heart. After his death, one of his journals from the interim period was discovered to be missing, and in the decades since, has never been found. Or has it? When literary researcher Harold White is inducted into the preeminent Sherlock Holmes enthusiast society, The Baker Street Irregulars, he never imagines he's about to be thrust onto the hunt for the holy grail of Holmes-ophiles: the missing diary. But when the world's leading Doylean scholar is found murdered in his hotel room, it is Harold - using wisdom and methods gleaned from countless detective stories - who takes up the search, both for the diary and for the killer.

    A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.

    There is a reward for his capture. A hired killer is stalking him. He is alone and anonymous in the huge, pitiless modern city. Adam has nowhere to go but down - underground. He decides to join that vast army of the disappeared and the missing that throng the lowest level of London's population as he tries to figure out what to do with his life and struggles to understand the forces that have made it unravel so spectacularly. His quest will take him all along the River Thames, from affluent Chelsea to the sink estates of the East End, and on the way he encounters all manner of London's denizens - aristocrats, prostitutes, priests and policewomen amongst them - and version after new version of himself.William Boyd's electric follow-up to Costa Novel of the Year Restless is a heart-in-mouth conspiracy novel about the fragility of social identity, the scandal of big business, and the secrets that lie hidden in the filthy underbelly of every city.