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    “Every writer who writes anything in this country is made to feel he has committed a crime,” Georgi Vladimov said. Dissident, he said, is a word that “they force on you.” His mother, a victim of Stalin’s anti-Semitic policy, had been interred for two years in one of the camps from which Vladimov derived the wrenching detail of Faithful Ruslan. The novel circulated in samizdat for more than a decade, often attributed to Solzhenitsyn, before its publication in the West led to Vladimov’s harassment and exile. A starving stray, tortured and abandoned by the godlike “Master” whom he has unconditionally loved, Ruslan and his cadre of fellow guard dogs dutifully wait for the arrival of new prisoners—but the unexpected arrival of a work party provokes a climactic bloodletting. Fashioned from the perceptions of an uncomprehending animal, Vladimov’s insistently ironic indictment of the gulag spirals to encompass all of Man’s inexplicable cruelty.

    Reissue.

    

    Twelve powerful works of fiction, including Pushkin's "The Queen of Spades," Gogol's "The Overcoat," Turgenev's "The District Doctor," Dostoyevsky's "White Nights," Tolstoy's "How Much Land Does a Man Need?," plus "The Clothes Mender" by Leskov, "The Lady with the Toy Dog" by Chekhov, "Twenty-Six Men and a Girl" by Gorky, "Lazarus" by Andreyev, and more.

    From Simon & Schuster, Conversations with Joseph Brodsky is Solomon Volkov's exploration of a poet's journey through the 20th century.A portrait of Nobel Prize-winning poet Joseph Brodskey is painted through fifteen years of interviews with the author, depicting his childhood years in war-torn Leningrad, his time in Kruschev's Russia, and his love of the work of fellow poets Auden and Frost.

    Drawing artistic inspiration from his personal experience, these powerful, evocative stories are set in the late nineteenth- and early twentieth-century Russia of his youth, in the countries that he visited and in France, where he spent the last thirty years of his life. In the title story, for example, a family's tour of fashionable European resorts comes to an unexpected end; 'Late Hour' describes an old man's return to the little Russian town in the steppes that he has not seen since his early youth; while 'Mitya's Love' explores the darker emotional reverberations of sexual experience. Throughout his stories there is a sense of the precariousness of existence, an omnipresent awareness of the impermanence of human aspirations and achievements.007 Introduction017 The Gentleman from San Francisco (1915)038 The Primer of Love (1915)048 Chang's Dreams (1916)065 Temir-Aksak-Khan (1916)069 Long Ago (1922)077 An Unknown Friend (1923)087 At Sea, At Night (1923)095 Graffiti (1924)101 Mitya's Love (1924)160 Sunstroke (1925)168 Night (1925)180 The Cancasus (1937)185 Late Hour (1938)192 Visiting Cards (1940)199 Zoyka and Valeria (1940)213 The Riverside Tavern (1943)220 A Cold Autumn (1944)

    History, culture, and politics are blended and juxtaposed; weather reports, current news, fashions and psychology jostle together with people from Petersburg society in an exhilarating search for the identity of a city and, ultimately, Russia itself. 'The one novel that sums up the whole of Russia.'—Anthony Burgess

    Former Bolshoi ballerina Nina Revskaya auctions off her jewelry collection and becomes overwhelmed by memories of her homeland, the friends she left behind amidst Stalinist aggression, and the dark secret that brought her to a new life in Boston.

    You give him your photograph, specify when and where to find you, then sit back and prepare to die. Murdered, you will be of greater interest than ever you were in life. More to him than met the eye will be the judgment. A mysterious killing lives long in the popular memory.Our hero meticulously plans his own demise, except for one detail: what if he suddenly decides he wants to live? This darkly funny tale is Kurkov on top form.

    It describes a chivalric expedition undertaken in the late 12th century by a minor prince in the land of Rus’ to defeat, against overwhelming odds, a powerful alliance in a neighboring territory. The anonymous poet who chronicled this adventure packed unprecedented metaphorical agility, keenness of observation, and fascinating imagery into the lean and powerful tale of the doomed campaign. Discovered in the late 18th century and only narrowly distributed, the original manuscript was destroyed in a fire, leading to endless debate about the provenance and authenticity of the extant versions. It also served as the basis of Borodin’s opera Prince Igor. Translated by Vladimir Nabokov, the verses that constitute The Song of Igor’s Campaign are presented in their original rhyme and meter, and Nabokov’s extensive annotations provide illuminations on all the aspects of the text.

    Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.

    This collection-- dazzling, diverse, sophisticated-- demonstrates the enormous range of her talent between two camps-- alongside such contemporary issues as mortgage debt and medical error.

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.