But was she a cunning vixen or a tragic wife and mother? As this extraordinary biography shows, the first queen to bear the name Elizabeth lived a life of tragedy, love, and loss that no other queen has since endured. This shocking revelation about the survival of one woman through vilification and adversity shows Elizabeth as a beautiful and adored wife, distraught mother of the two lost Princes in the Tower, an and innocent queen slandered by politicians.

    

    Depicting the great age of Anglo-French rivalry from the deposition of Edward II to the downfall of Richard II, Froissart powerfully portrays the deeds of knights in battle at Sluys, Crecy, Calais and Poitiers during the Hundred Years War. Yet they are only part of this vigorous portrait of medieval life, which also vividly describes the Peasants' Revolt, trading activities and diplomacy against a backdrop of degenerate nobility. Written with the same sense of curiosity about character and customs that underlies the works of Froissart's contemporary, Chaucer, the Chronicles are a magnificent evocation of the age of chivalry.

    But, as Leanda de Lisle’s gripping new history reveals, they are a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’s lap—and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past—those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary’s reign, Elizabeth’s fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline.Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family’s determined and flamboyant ambition.

    It was 4 August 1265 and he was about to face the royal army in the final battle of a quarrel that had raged between them for years. Outnumbered, outmanoeuvred and certain to lose, Simon chose to fight, knowing that he could not possibly win the day. The Song of Simon de Montfort is the story of this extraordinary man: heir to a great warrior, devoted husband and father, fearless crusader knight and charismatic leader. It is the story of a man whose passion for good governance was so fierce that, in 1258, frustrated by the King’s refusal to take the advice of his nobles and the increasing injustice meted out to his subjects, he marched on Henry III’s hall at Westminster and seized the reins of power. Montfort established a council to rule in the King’s name, overturning the social order in a way that would not be seen again until the rule of Oliver Cromwell in the seventeenth century. Having defeated the King at the Battle of Lewes in 1264, Montfort and his revolutionary council ruled England for some fifteen months, until the enmity between the two sides exploded on that August day in 1265. When the fighting was over, Montfort and a host of his followers had been cut down on the battlefield, in an outpouring of noble blood that marked the end of chivalry in England as it had existed since the Norman Conquest. Drawing on an abundance of sources that allow us to trace Montfort’s actions and personality in a depth not possible for earlier periods in medieval history, Sophie Thérèse Ambler tells his story with a clarity that reveals all of the excitement, chaos and human tragedy of England’s first revolution.

    Acclaimed historian G. J. Meyer reveals the flesh-and-bone reality in all its wild excess.In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country.The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.  The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.

    You certainly wouldn't give her your baby. But in the late nineteenth century, that's exactly what a lot of women did. Why? Because in an era when having a child out of wedlock was so severely frowned upon, Amelia Dyer took advantage of this. She advertised in the press offering to "adopt" unwanted babies, charged the poor grief-stricken mums GBP 10 for the privilege, took the wee babes off their hands - and then drowned them in the River Thames. Pocketing the cash, she strangled her victims with white tape, then wrapped their bodies either in brown parcel paper or in a carpet bag, to be recovered only weeks - or months - later. As well as relating the story, the authors explore the circumstances that enabled such crimes to be committed. Unregulated "adoption" was a widely acknowledged problem. The Child Protection Act did not yet exist. In Mrs Dyer's case, though, such shameless profiteering did not, ultimately, go unpunished: the police finally located Mrs Dyer, kept her under surveillance and then mounted a "sting" operation, using a young woman to pose as a potential customer. Amelia Dyer was arrested when she opened her front door to find two policemen on her doorstep. Finally confessing, she said, "You'll know all mine by the tape around their necks." She was hanged in 1896.

    "Her Majesty most graciously consented to supply notes on her childhood and youth, and at the same time to correct matters of fact, especially in reference to the period before her accession to the throne, and, more generally, throughout the volume.I am, therefore, enabled to present, for the first time, an accurate account of the childhood and youth of Queen Victoria."Richard Rivington Holmes

    It was fought by two badly matched armies that met in atrocious conditions on St Crispin's Day 1415, and resulted in an extraordinary victory that was celebrated in England long before Shakespeare immortalised it in Henry V. It has always been held to be the triumph of the longbow against the armoured knight, and of the common man against the feudal aristocrat, but those are history's myths. Bernard Cornwell, who has long wanted to write this story, depicts the reality behind the myths.Nicholas Hook is an English archer. He seems born to trouble and, when his lord orders him to London as part of a force sent to quell an expected Lollard uprising, Nick's headstrong behaviour leads to him being proscribed an outlaw. He finds refuge across the Channel, part of an English mercenary force protecting the town of Soissons against the French. What happened at the Siege of Soissons shocked all Europe, and propels Nick back to England where he is enrolled in the archer companyof the doughty Sir John Cornwaille, a leader of Henry V's army. The army was superb, but sickness and the unexpected French defiance at Harfleur, reduce it to near-shambolic condition. Henry stubbornly refuses to accept defeat and, in appalling weather, leads his shrunken force to what appears to be inevitable disaster.Azincourt culminates in the battle. Seen from several points of view on the English side, but also from the French ranks, the scene is vivid, convincing and compelling. Bernard Cornwell has a great understanding of men at war and battlefields and this is his masterpiece. This is what it must have been like to fight at Agincourt.

    Much of the serious work on her life and historical importance has never been translated from German, and almost all has concentrated on the years of her struggle with Stephen for the English crown. This book examines her career as a whole, including the years as consort of the Emperor Henry V and as regent in Normandy for her son Henry II. It illustrates the problems of female succession in the early twelfth century, and gives a balanced assessment of Matilda's character and achievements in the context of her own times.

    Brown?" These questions are explored in the context of two broader stories: love and marriage in the English royal family, and the evolution of marriage practice in England. How were royal consorts chosen? Did royal brides use witchcraft? Where did people get married in the past? The answers to such questions provide the fascinating context within which the six disputed royal marriages must be understood.

    The profound transformations in government and society during the revolution forced the French to come up with new ways of thinking about their place in the world and led to what we know today as liberalism, conservatism, terrorism, and nationalism.

    This work looks at the Scotland's turbulent history.

    Browning explores the often-changing war aims of the major belligerents-Austria, France, Great Britain, Prussia, Piedmont-Sardinia, and Spain-and links diplomatic and military events to the political and social context from which they arose.

    At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause.He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived? This exemplary new history uses contemporary chronicles plus a wide range of documentary material—including the Prince's own letters and those of his closest followers—to tell the tale of an authentic English hero and to paint a memorable portrait of society in the tumultuous fourteenth century.