This electrifying chronicle recreates the chilling events that led up to the murder of Carol Montecalvo and takes readers inside the courtroom for the shocking trial of her husband Dan who, four years later, still professes his innocence. Photographs.

    On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again—and enthrall the nation. The young man who committed the murders would come to be known in the annals of American crime as the Mad Sculptor.   Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Robert Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage.   Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy—a stunning photographer's model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime.   Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders—a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century. Harold Schechter’s masterful prose evokes the faded glory of post-depression New York and the singular madness of a brilliant mind turned against itself. It will keep you riveted until the very last page.

    traded on the deformity that gave his hands and feet the look of lobster claws, to achieve fame as the "Lobster Boy". In November 1992, neighbor Christopher Wyant, in a conspiracy with Stiles's wife and stepson, shot Stiles in the head, leading to one of the most bizarre trials in criminal history.

    To that mix, add glamorous personalities, prominent Texas businessmen, gangland reprobates, and a whole parade of medical experts. At once a documentary account of events and a novelistic reconstruction of encounters among the cast of colorful characters, this anatomy of murder first chronicles the suspicious circumstances surrounding the death in 1969 of Joan Robinson--the pampered daughter of a Texas oil millionaire and the wife of plastic surgeon Dr. John Hill--then examines the bizarre consequences that followed it. For in 1972, having been charged by his father-in-law with Joan's death and having survived a mistrial, John Hill himself was killed, supposedly by a robber. So was the robber, by a cop, supposedly for resisting arrest. From the exclusive haunts of Houston's super-rich to the city's seamy underworld of prostitutes, pimps, and punks, author and investigative journalist Thomas Thompson tracks down all the leads and clues. And in a brutal tale of blood and money he uncovers some shocking and bitter truths.

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    Describes how, in 1991, four teenage girls were brutally raped, murdered, and set on fire in a small yogurt shop, a shocking crime that rocked the town of Austin, Texas and resulted in false confessions and an unexpected twist.

    Both came from fine Southern families, and dreamed of the Tara-like plantation where they would grow roses, raise horses, and move in the genteel circles of Atlanta society. Less than two months later, their dream exploded in terror and murder: their beautiful home mysteriously burned to the ground and Tom was convicted of the brutal slaying of his mother and father.Pat's only brother had died in a puzzling suicide, her grandparents-in-law were poisoned with arsenic, and no one—from her wealthy employers to her own children—was safe when Pat Allanson didn't get her way. It took Georgia lawmen more than two decades to stop her for good—if indeed they have.In this fascinating account, Ann Rule delivers a tour de force: a whirlwind of misguided love, denial, guilt, and passions out of control; a series of brilliantly manipulated crimes; the bizarre and horrifying tale of two families brought to ruin; and, at the center of it all, the heartless, supremely selfish sociopath whose evil hid behind soft words and gentle manners, but who destroyed—without mercy—those who loved her.

    A reprint of a hardcover edition.The most bizarre series of murders since Jack the Ripper triggered the greatest man-hunt in the annals of modern crime for Albert deSalvo, brutal sexual psychopath, who murdered thirteen women and held a city in the icy grip of terror for eighteen months.

    In Such Good Girls, R. D. Rosen tells the story of these survivors through the true experiences of three girls.Sophie Turner-Zaretsky, who spent the war years believing she was an anti-Semitic Catholic schoolgirl, eventually became an esteemed radiation oncologist. Flora Hogman, protected by a succession of Christians, emerged from the war a lonely, lost orphan, but became a psychologist who pioneered the study of hidden child survivors. Unlike Anne Frank, Carla Lessing made it through the war concealed with her family in the home of Dutch strangers before becoming a psychotherapist and key player in the creation of an international organization of hidden child survivors.In braiding the stories of three women who defied death by learning to be “such good girls,” Rosen examines a silent and silenced generation—the last living cohort of Holocaust survivors. He provides rich, memorable portraits of a handful of hunted children who, as adults, were determined to deny Hitler any more victories, and he recreates the extraordinary event that lured so many hidden child survivors out of their grown-up “hiding places” and finally brought them together.

    Louis, Missouri, mother who murdered her two sons—and nearly killed her daughter. Ellen Boehm, a single mom from St. Louis, Missouri, appeared devoted to her children. But in reality, she was unequipped for motherhood, financially strapped, and desperate. Within a year of each other, her sons, ages two and four, died mysteriously, and Boehm’s eight-year-old daughter suffered a near-fatal mishap when a hair dryer fell into the girl’s bath. While neighbors wondered how Boehm remained so calm through it all, Det. Sgt. Joseph Burgoon of St. Louis Homicide had darker suspicions.   Burgoon soon unraveled a labyrinth of deception, greed, and obsession that revealed a cold-blooded killer whose get-rich-quick scheme came at the cost of her children’s lives. Boehm had taken out insurance policies on her children with six different companies totaling nearly $100,000. Using police reports, case documents, and photos, veteran journalist John Coston recreates the events that led to one mother’s unspeakable acts of filicide—and a cop’s relentless pursuit of the truth.

    When Betty Isaacs walked out on her twelve kids, the youngest were packed off to foster-homes--divided up, Carl Isaacs recalls, ""like sticks of firewood."" He was ten then and from the time when, a few years ... More later, his mother told him he couldn't come back and live with her (""Don't let's rock the boat""), he didn't care about anything. Foster-homes, reform schools, escapes--it all led at 19 to a Maryland prison where, lo and behold, there was his half-brother Wayne Coleman, 26, a shiftless and somewhat dim character with a violent streak. Wayne's prison sidekick was a surprise: a black convict named George Dungee, Wayne's homosexual lover (to Carl, the ""nigger fuck-boy""), doing time for non-support(!). The trio escaped, picked up 15-year-old Billy isaacs (himself a reform school runaway, but trying to go straight), and headed south. Aimless travel eventually brought them to a rural road near Donalsonville, Ga., where they tried to burglarize a house trailer belonging to Jerry and Mary Alday. Various Alday family members showed up unexpectedly, but Wayne had a solution--""Let's blow 'em away."" It was a challenge and, insane as it seems, Carl couldn't back down:he was the leader, and his status with his brothers was all he had. Five male Aldays murdered; Mary Alday gang-raped and murdered. Once it started, Carl made certain the woman was his ticket to the electric chair--he wanted it, anything but being raped again himself by the black studs in the general prison population. Carl, Wayne, and George all drew death sentences but, ten years later, still languish on Death Row amid legal appeals, while at least one Alday relative regrets not having accepted an offer of a lynching. Howard (American Saturday, Zebra) tries hard to elevate this senseless tragedy into something more than a simple horror story--where-did-they-go-wrong flashbacks to Carl's and Billy's childhoods, interspersed with scenes of the hard-working, God-fearing Aldays--but everything other than the gore here seems manufactured. - Kirkus

    Story's office.In riveting detail, veteran crime writer Jack Olsen tells the searing story of a small group of courageous women who decided to bring a doctor to justice — and unearthed a legacy of pain and anger that would divide their families, their neighbors, and an entire town.

    In 1931, Spence shocked Arkansas when she avenged her father's murder in a DeWitt courtroom. The state soon discovered that no prison could hold her. For the first time, prison records are unveiled to provide an essential portrait. The legend of Helen Spence refuses to be forgotten--despite her unmarked grave.

    Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters. But within a month of arriving at what the locals called Starvation Heights, the women were emaciated shadows of their former selves, waiting for death. They were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed who would stop at nothing short of murder to achieve her ambitions. As their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, Dora Williamson sent a last desperate plea to a friend in Australia, begging her to save them from the brutal treatments and lonely isolation of Starvation Heights.In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history.