Orphaned as a child, she is raised by her severely religious aunt, Emily. Starved of love, she falls for the first man who shows her affection, Barry Swan. And when Grace falls pregnant, Emily disowns her.Barry and Grace marry and, for a while, she knows happiness. Barry adores her and is a wonderful father, but Grace feels that something is missing. When Barry indulges her passion for ballroom dancing, the gap seems to be filled - until she meets Philip Golding. He sweeps Grace off her feet, showing her what she believes is a better way of life. But as he draws her into a web of deceit, she discovers that all that glitters is not gold...

    But do they really? If you took a bird’s-eye view of Mount Barker, you’d see ordinary Australians living on their ordinary suburban blocks in an ordinary regional town. Get closer. Peer through a window. You might see Nathan Long, obsessively recording the incessant bark of a neighbourhood dog, or the Wheeler family sitting down for a meal and trying to come to terms with a shocking discovery. If you listen, you may hear tales of fathers and their wayward sons, of widows who can’t forgive themselves, of children longed for and lost, of thwarted lust and of pure, incorruptible love. Within the shadows is an unspeakable crime. Rebekah Clarkson has created a compelling, slow-burning portrait of a town in the midst of major change as it makes the painful transformation from rural idyll to aspirational suburbia. What looked like redemption is now profound loss. What seemed spiteful can now be forgiven.

    Subtle horror unexpected is many times more chilling and terrifying than horror that smacks you in the face.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

     Hunting a murderer in the seething mass of people shopping in the North West's biggest shopping centre, Lizzie finds herself trapped in a glass lift with four other people when it suddenly stops between floors.A young girl looking ready to give birth at any moment begins to panic, an old man tries to take charge whilst the other captives in the lift, an engaged couple whose relationship worries Lizzie, are desperate to get out.The lights go out, the shopping centre is evacuated. Lizzie has to rely on her wits to keep everyone calm and get the lift down to safety without alerting the murderer that she's onto them.

    There's something horrible in that storm over the ocean. What does "feed the pig" mean? What are those ropes in the sky? Why is Dad acting so funny? In these dark tales you will experience every type of horror imaginable. It is so gruesome, frightening, and demented that only the bravest of readers will make it through these pages.

    Each emotionally involving story illuminates a different kind of love: star-crossed, intense, needy, eternal, unrequited, even comical. Wilder’s protagonists will be instantly recognizable to his fans: men and women who stumble into relationships that can fulfill them or knock them out cold. Which one it will be depends, often, on the smallest of gestures or reactions. Wilder’s stories include:• “In Love for the First Time,” about a lover so shy and studious that he’s a “funny duck” who has to be led by the hand by his equally inexperienced girlfriend• “About Being in Love,” featuring coarse but charming Buddy Silverman, who yearns for connection but looks for it in exactly the wrong kind of woman• “The Woman in the Red Hat,” who shows a writer who has only explored love in his books what the real thing feels like.

    What she finds when she arrives is more unsettling and frustrating than she could have predicted. Wylie is nowhere to be found, not in the tiny apartment he shares with a grungy band of eco-warriors, or lingering close to his suspiciously well-maintained Caprice. As Wylie continues to evade her, Lynn becomes certain that Angus, one of her brother’s environmental cohorts, must know more than he is revealing. What follows is a tale of ecological warfare, bending sensibilities, and familial surprises as Lynn searches for her missing person.

    From My Mother's Garden, the parable of an old woman who refuses to accept the consequences of the Chernobyl disaster, to The Young People of Moscow, which describes an extraordinary day in the life of an aging couple selling antiquated Soviet poetry in an underground bazaar, these intricately woven narratives provide unforgettable slices of a Russia that is at once both exotic and disconcertingly familiar.

    There are cheating husbands. There are private clubs, crowded restaurants, psychiatric wards. There is one magic cinema and everyone has a secret of some kind.Russell Smith is the author of Girl Crazy and How Insensitive. Confidence, recently longlisted for the 2015 Frank O'Connor International Short Story Award, is his US debut.

    He had violent hallucinations based on the Iraq war and the reports of terrorism and violence constantly playing on his hospital TV tuned into CNN. He believed his family to be in danger, but he had no way to communicate with them. For a long time after the whole ordeal, he had trouble knowing what had happened. What was real and what wasn't. If part of the core of who we are is our memory, what does it mean when the memory is still there, but false?

    He shares a book-laden Victorian house with his loving wife, Zipper. He owns two suits, one of which he was married in. He is a courageous eater, save brussels sprouts. His knowledge of wine is vague and best defined as Napa, good; Australian, better; French, better still. Kir royale is his drink of occasion. For an Englishman he makes a poor cup of tea. He believes women are quantifiably wiser than men, and would never give Zipper the slightest reason to mistrust him or question his love. Zipper simply describes Ambrose as the only man she has ever loved. Without adjustment.Then, just as he is turning fifty, Ambrose is told by his doctor that he has one month to live. Reeling from the news, he and Zipper embark on a whirlwind expedition to the places he has most loved or has always longed to visit, from A to Z, Amsterdam to Zanzibar. As they travel to Italian piazzas, Turkish baths, and other romantic destinations, all beautifully evoked by the author, Zipper struggles to deal with the grand unfairness of their circumstances as she buoys Ambrose with her gentle affection and humor. Meanwhile, Ambrose reflects on his life, one well lived, and comes to understand that death, like life, will be made bearable by the strength and grace of their devotion. Richardson’s lovely prose comes alive with an honesty and intensity that will leave you breathless and inspired by the simple beauty and power of love. The End of the Alphabet is a timeless, resonant exploration of the nature of love, loss, and life.

    In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out. While most of these stories take place in Munro's home territory - the small Canadian towns around Lake Huron - the characters sometimes venture to the cities, and the book ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories "autobiographical in feeling, though not, sometimes, entirely so in fact." A girl who can't sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.

    Marvel at the mirror dug up in secret and better off buried . . . Thrill at a pair of lovers, whose promises to each other lead them down a disturbing path. Observe the haunted house . . . Come closer, dear reader – the hour of the festival is upon us . . .

    Born With A Tooth, Boyden's debut work of fiction, is a collection of thirteen beautifully written stories about aboriginal life in Ontario. They are stories of love, unexpected triumph, and a passionate belief in dreams. They are also stories of anger and longing, of struggling to adapt, of searching but remaining unfulfilled. The collection includes 'Bearwalker', a story that introduces a character who appears again in Boyden's novel Three Day Road. By taking on a new voice in each story, Joseph Boyden explores aboriginal stereotypes and traditions in a most unexpected way. Whether told by a woman trying to forget her past or by a drunken man trying to preserve his culture, each story paints an unforgettable and varied image of modern aboriginal culture in Ontario. An extraordinary first book, Born With A Tooth reveals why Joseph Boyden is a writer worth reading.