And between new friends, a very cute boy, and a rescue pup named Sir Pat, Marnie realizes that being the main character doesn’t mean rewriting your life entirely. It’s about finding the right cast of characters, the love interest of your dreams, and, most important, embracing your story, flaws and all.With a hilariously sharp voice, a sweet and fulfilling romance that features a meet-cute in an animal shelter, and a big family that revels in causing big problems, this charming comedy of errors will have readers cheering for Marnie during every step of her obstacle-ridden journey toward embracing who she truly is.

    With only the Virgin Mary to call on for guidance as her parents struggle to make it big, Hollywood fashion, she must navigate her huge new public high school, complete with Crips and Bloods and Persian gang members, and a car-based environment of 99-cent stores and obscure fast-food franchises and all-night raves. She forges friendships with Henry, who runs his mother's movie memorabilia store, and the bewitching Deva, who introduces her to the alternate cultural universe that is Topanga Canyon. And then the 1994 earthquake rocks the foundations not only of Eugenia's home but of the future she'd been imagining for herself.

    There’s a story out there buried in the muck, and Jordan Walsh, coming from a family of esteemed reporters, wants to be the one to dig it up. But it’s 1955, and the men who dominate the city room of the Chicago Tribune have no interest in making room for a female cub reporter. Instead Jordan is relegated to society news, reporting on Marilyn Monroe sightings at the Pump Room and interviewing secretaries for the White Collar Girl column.Even with her journalistic legacy and connections to luminaries like Mike Royko, Nelson Algren, and Ernest Hemingway, Jordan struggles to be taken seriously. Of course, that all changes the moment she establishes a secret source inside Mayor Daley’s office and gets her hands on some confidential information. Now careers and lives are hanging on Jordan’s every word. But if she succeeds in landing her stories on the front page, there’s no guarantee she’ll remain above the fold.…

    When badly battered body parts were discovered three days later, the investigation concluded that they were Emily's and the case was closed as an accidental drowning.Now Kate has returned to her hometown in the Catskills for the first time since her sister's death, for a work retreat. While at her boss's lake house, she briefly spies a familiar face.It's Emily.She's all grown up, but Kate knows her sister's face better than anyone. The sighting reignites the doubts Kate has always had, and forces her to revisit all the mysterious circumstances that surrounded that day. As she desperately tries to track down the girl she saw at the lake house with the help of her hometown ex-boyfriend, Kate discovers shocking secrets from the past, confronts her own guilt from that day, and becomes obsessed with uncovering the answer to one question.What really happened to Emily?

    

    In both lives, they are drawn to the landmark Colorado Street Bridge, or "Suicide Bridge," as the locals call it, which suffered a lethal collapse during construction but still opened to fanfare in the early twentieth century automobile age. When the refurbished structure commemorates its 80th birthday, one of the planet's best known small towns is virtually unrecognizable from its romanticized, and somewhat invented, past.Wrought with warmth and wit, Jacobs' debut novel digs into Pasadena's most mysterious structure and the city itself. In their exploits around what was then America's highest, longest roadway, Nick Chance and his impish mutt interact with some of the big personalities from the Progressive Age, including Teddy Roosevelt, Upton Sinclair, Charles Fletcher Lummis, and Lilly and Adolphus Busch, whose gardens were once tabbed the "eighth wonder of the world." They cavort and often sow chaos at Cawston Ostrich Farm, the Mount Lowe Railway, the Hotel Green and even the Doo Dah Parade. But it's the secrets and turmoil around the concrete arches over the Arroyo Seco, and what it means for Nick's destiny, that propels this story of fable versus fact. While unearthing the truth about the Colorado Street Bridge, in all its eye-catching grandeur and unavoidable darkness, the characters of Arroyo paint a vivid picture of how the home of the Rose Bowl got its dramatic start.

    A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life.Eleven years after they began fostering, the Moscatellis are raising three children as their own and Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. Before long, this stranger in their midst has strengthened the bond in this unusual family, showing them how to contend with outside forces that want to tear them apart. Heartfelt and enthralling, All the Children Are Home is a moving testament to how love can survive in the face of devastating losses.

    Obsessed with Sam’s fate, Janey has tracked down Irene Lindquist, the owner of a local island-hopping airline, whom she believes might actually be the legendary Irene Foster, Mallory’s onetime student and flying partner. Foster’s disappearance during a round-the-world flight in 1937 remains one of the world’s greatest unsolved mysteries. At first, the flinty Mrs. Lindquist denies any connection to Foster. But Janey informs her that the wreck of Sam Mallory’s airplane has recently been discovered in a Spanish desert, and piece by piece, the details of Foster’s extraordinary life emerge: from the beginnings of her flying career in Southern California, to her complicated, passionate relationship with Mallory, to the collapse of her marriage to her aggressive career manager, the publishing scion George Morrow.As Irene spins her tale to its searing conclusion, Janey’s past gathers its own power. The duel between the two women takes a heartstopping turn. To whom does Mallory rightfully belong? Can we ever come to terms with the loss of those we love, and the lives we might have lived?

    But for Clara Darden and Virginia Clay, it represents something quite different.For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded—even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter—Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece—an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

    But it’s here that Eve, her three siblings, and their parents will settle in July, 1875. Within a few years, Eve’s father, Hap, has made good on his assurances. They have a large, weathered clapboard house and a comfortable life, thanks to Hap’s job on a steamboat. Eve and her twin sister, Ivy, are blossoming into young women. Yet as Ivy grows more involved in medicine making under the tutelage of a neighboring black woman, her path leads away from the family.Eve, an aspiring writer, loves her home though she longs to see the wider world beyond its swamps and shores. But when she discovers a secret Ivy’s been keeping, Eve must decide between protecting the family name or saving her sister. With the help of a half-Creek Indian tracker, Max Harjo, Eve sets out to find Ivy, beginning a journey that will dare her to follow her ambitions and her passion wherever they lead.

    Only one contender can claim the coveted island throne; each will gamble life and limb to win. Captain. Sister. Maiden. Csilla Abado yearns to prove her strength to the seasoned pirates who balk at her youth and to her elder sister who has always craved Csilla’s captainship. She will risk everything to become the first pirate queen, no matter the cost. Dealer. Son. Legacy. Kane Blackwater wants to leave behind the dirty gold and shady trades he’s made to keep his father’s ship, the Iron Jewel, alive. The Trials represent a new beginning—yet rumors of a secret heir are swirling, threatening his hopes of becoming the pirate king. Stowaway. Daughter. Storm. Lorelei Penny longs for nothing more than to avenge her mother’s death. Stowing away on the Iron Jewel was supposed to get her closer to the killer, but instead she finds herself caught up in the deadly battle where loyalty and desire collide. Csilla. Kane. Lorelei. Each on a mission. The sea, however, has other plans. Dark tides are rising, and if they aren’t careful, they’ll surely drown.

    You know, the typical easy life of a woman.There is one thing Serena thought she knew. Her mother hated her. But now Serena must come face to face with the truth she learns after her mother’s death. Maybe her mother didn’t hate her, but loved her so much that she changed everything for her.

    Though his royal blood controls the power of the sun, he's now responsible for the lives of all the Chicome people. And despite all Ahkin's efforts, the sun is fading--and the end of the world may be at hand.For Mayana, the only daughter of the Chicome family whose blood controls the power of water, the old emperor's death may mean that she is next. Prince Ahkin must be married before he can ascend the throne, and Mayana is one of six noble daughters presented to him as a possible wife. Those who are not chosen will be sacrificed to the gods.Only one girl can become Ahkin's bride. Mayana and Ahkin feel an immediate connection, but the gods themselves may be against them. Both recognize that the ancient rites of blood that keep the gods appeased may be harming the Chicome more than they help. As a bloodred comet and the fading sun bring a growing sense of dread, only two young people may hope to change their world.Rich in imagination and romance, and based on the legends and history of the Aztec and Maya people, The Seventh Sun brings to vivid life a world on the edge of apocalyptic disaster.

    Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted,

    Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient Redwoods. Colleen, desperate to have a second baby, challenges the logging company’s use of herbicides that she believes are responsible for the many miscarriages in the community—including her own. Colleen and Rich find themselves on opposite sides of a budding conflict that threatens the very thing they are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.