Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day.Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin.Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago.Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."

    This Father Brown mystery is one of twelve from the first collection of short stories about the diminutive priest, "The Innocence of Father Brown."The complete text of G.K. Chesterton's short story "The Blue Cross" is reprinted unabridged. In addition, study materials appropriate for grades 7-12 are included, featuring word study, comprehension questions, and writing prompts.We meet Father Brown, Inspector Valentin, and the notorious criminal Flambeau for the first time. Valentin, head of the Paris Police, has tracked Flambeau across Europe and now, to the vicinity of London. It's only a matter of time but Flambeau is illusive. His only distinguishing feature? He's well over 6 foot tall.

    New Year’s Day is a time for new beginnings, but Minneapolis homicide detectives Sam Kovac and Nikki Liska are focused on endings: specifically, the tragic end of their latest murder victim, an unidentified young woman discovered on the side of the freeway. Believed to be the victim of a serial killer, Kovac and Liska are determined to do the girl the small justice of returning her body to her family as they investigate her case, but it is no simple task matching the broken corpse to any of the scores of missing persons reports, especially when no one seems to be looking for her.Meanwhile, recent widow Jeannie Reiser is frantic when she is unable to get in touch with her daughter, Rose, who, as an eighteen-year-old, is a legal adult rather than a missing child in the eyes of the law. Jeannie’s desperate attempts to get the police to believe her child is in trouble lead her closer and closer to the New Year’s Doe and to an evil even Sam Kovac and Nikki Liska may be unable to stop. Tami Hoag once again proves her place as “one of the most intense suspense writers around”* with The 1st Victim. Includes an early look at The 9th Girl, coming July 2013.

    should be taking it easy. Instead, she accepts a small consulting role on the set of a serial killer film shooting in Boston. D.D. figures she’ll be useful to someone for at least one night, serving as a police expert and making a little extra money in the bargain.It seems like a simple task—until the previous film consultant, a former Boston cop, is found beaten to death. Suddenly D.D.’s date with Hollywood gets serious. Extremely pregnant, on the trail of a killer, and surrounded by a hundred and four murder suspects in the middle of a graveyard, D.D. must quickly unravel a tangled web of lies. As another cast member is attacked, D.D. realizes that like it or not, her priorities have changed—and her last desperate hope is that she can catch a killer before she and her unborn baby face mortal danger.

    Soon he is mixed up in the affairs of Sir Francis Dashwood and his notorious Hellfire Club.

    There are missing jewels, new faces at the Abbey, and a prowling ghost that brings back unwelcome memories from a previous holiday—one that turned deadly. Is a new culprit recreating crimes of the past? And will Brisbane let Julia investigate—?

    Agatha’s never been able to cook, but she’s dead-set on making this the perfect holiday for local “crumblies". She’s decorated a tree while fending off her cats Hodge and Boswell, and even made a (lumpy) Christmas pudding in between swigs of rum.When Agatha dumps the pudding on the head of the local self-proclaimed lothario—an eighty-five year old with a beer belly and fingers like sausages—his death by dessert proves more than a trifle as mysteries mount higher than the season’s snowfall. So much for trying to do good by her neighbors. Now Agatha needs no less than a Christmas miracle to get herself out of this one...

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    It was initially rejected, along with four other stories, by The New Yorker, but was ultimately published in Harper's Magazine in September 1953. It was adapted for an episode of Alfred Hitchcock Presents and starred Barbara Bel Geddes. Originally broadcast on April 13, 1958, it was one of only 17 AHP episodes directed by Hitchcock himself. The story was subsequently adapted for Dahl's British TV series Tales of the Unexpected. Dahl included it in his short story compilation Someone Like You."Lamb to the Slaughter" demonstrates Dahl's fascination with horror (with elements of black comedy), a theme that would influence both his in adult fiction as well as his children stories.

    For devotees of Sherlock Holmes: ingenious, well-crafted stories by the author of The Scarlet Pimpernel.