A genius of social satire delivered with a very dry wit, Powell builds his comedies on the foibles of British high society between the wars, delving into subjects as various as psychoanalysis, the film industry, publishing, and (of course) sex. More explorations of relationships and vanity than plot-driven narratives, these slim novels reveal the early stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in Powell’s epic A Dance to the Music of Time.  From a View to a Death takes us to a dilapidated country estate where an ambitious artist of questionable talent, a family of landed aristocrats wondering where the money has gone, and a secretly cross-dressing squire all commingle among the ruins.   Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.

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    This book portrays the relationship between a quiet young shop assistant from Ulster and her wealthy employers.

    Her mission is to emotionally reunite them. She organises a festival to bring them together, during which an amazing story unfolds, often funny, sometimes sad, always compelling, and with a twist in the tail!

    But what elements of nature and nuture combined to make this notorious character? An entertaining view is presented by Titus Petronius, Nero's pleasure-loving Advisor on Taste, through whose eyes we see the tumultuous, and ultimately tragic, life of the emperor. But is it a view we can trust? As their relationship develops, Petronius finds to his dismay that his personal sympathies lie more with the mad emperor than with the forces that seek to keep him in check. Caught between his own beliefs and the political realities of his time, he finds himself walking a path which will lead him and others inevitably to disaster.

    But when he tricks the King himself, Sahasramalla realises that there is no longer anyone left to rob and wonders what to do next. Near by, a monk named Vasudda is speaking. Vasudda's words make Sahasramalla realise how many people he has cheated and betrayed. Taken from the Vardhamana-desana, a Jain classic, the story of Sahasramalla is told with compassion. Even a thief is given the option to repent and make up for his crimes.

    When he catches a flock of sparrows, the king sparrow promises to reward him richly if he sets the birds free. Bhola agrees and is rewarded with a cow whose dung is pure gold!A wandering sanyasi comes to a village. The richest man refuses him alms but his brother who is poor gives him food and shelter. The sanyasi gives the poor man a magic flute. But his jealous brother cannot bear to see his good fortune.In these witty folk tales from Madhya Pradesh and Karnataka, kindness and wisdom are always rewarded.

    Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.

    It is known for its feminist message, as it eulogizes women's talents and challenges gender roles.

    This tale of seduction is itself a seduction, with a plot that could be said to slowly unveil itself before arriving at last at an unexpected consummation.Summoned by Madame de T—— to her country house, the young hero of Deion's novella is taken on a tour of the grounds, only the beginning of a night that not only will be full of unanticipated delights but will give rise to unforeseen, perhaps unanswerable, questions. Lydia Davis's definitive translation of Denon's slim masterpiece is accompanied by the French text. Peter Brooks's illuminating introduction explores the mysteries of No Tomorrow's original publication and the subtleties of Denon's ethics of pleasure.

    The wise, like Nigrodha Kumar, cherish their companions. Pottik's selfless loyalty is rewarded by unexpected riches. On the other hand, for the selfish ingrate Shakha there awaits only a shameful loneliness. Rich or poor, ugly or handsome, powerful or helpless, a friend is one whom you can trust and for this luxury, you should repay your friend with respect and honor.

    Later, the memory of the hills and forests which are his home call him back. Kacha goes back to his people and is made the Kaka or village chief. However, the Hegade or feudal lord authorised to collect tribute on behalf of the king, exploits the villagers by demanding in excess and keeping more than half for himself. Kacha is determined to fight this tyranny. The Elusive Kaka is adapted from the Kannada play, Kakana Kote, written by Masti Venkatesha Iyengar. It speaks of the bond that the Kurubas have with the forest and how they must fight to preserve it, if they must preserve themselves.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    The text covers various aspects of their lifestyles, such as their food and drinks; clothes and ornaments; perfumes and incense; addictions and intoxicants; amusements and pastimes; rituals of circumcision; marriage and harem life. This well-written book with colour illustrations and photographs will be a delight to the lay reader as well as the serious scholar.

    Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.