Each day he would set forth, with a pouch full of colored pencils and a sketchpad, to visit different neighborhoods. This stunning book records the city that he got to know during his adventures, a gritty, vibrant place, full of ordinary people going about their daily lives. Realistically rendered city views or posters of pop stars contrast with cartoon sketches of iconic objects or droll vignettes, like a housewife walking her pet pig and a Godzilla statue in a local park.With wit, a playful sense of humor, and the colored pencils of his kit, Florent Chavouet sets aside the question of urban ugliness or beauty and captures the Japanese essence of a great city.

    By that afternoon, she saw the world—quite literally—upside down. By New Year’s Day, she was unable to form a coherent sentence. And after hours in the ER, days in the hospital, and multiple questions and tests, her doctors informed her that she had had a stroke. For months afterward, Lee outsourced her memories to a journal, taking diligent notes to compensate for the thoughts she could no longer hold on to. It is from these notes that she has constructed this frank and compelling memoir.In a precise and captivating narrative, Lee navigates fearlessly between chronologies, weaving her childhood humiliations and joys together with the story of the early days of her marriage; and then later, in painstaking, painful, and unflinching detail, the account of her stroke and every upset—temporary or permanent—that it caused. Lee illuminates the connection between memory and identity in an honest, meditative, and truly funny manner, utterly devoid of self-pity. And as she recovers, she begins to realize that this unexpected and devastating event has provided a catalyst for coming to terms with her true self—and, in a way, has allowed her to become the person she’s always wanted to be.

    “What is a body in a stolen country,” Yoon asks. “What is right in war.”Moving readers through time, space, and different cultures, and bringing vivid life to the testimonies and confessions of the victims,Yoon takes possession of a painful and shameful history even while unearthing moments of rare beauty in acts of resistance and resilience, and in the instinct to survive and bear witness.

    . . A woman in an arranged marriage struggles to connect with the son she hid from her husband for years . . . A well-meaning sister unwittingly reunites an abuser with his victims . . . Through the lives of an indelible array of individuals--musicians, housewives and pastors, children and grandparents, the men and women who own the dry cleaners and the mini-marts--Yoon Choi explores the Korean American experience at its interstices: where first and second generations either clash or find common ground; where meaning falls in the cracks between languages; where relationships bend under the weight of tenderness and disappointment; where displacement turns to heartbreak. Suffused with a profound understanding of humanity, Skinship is, ultimately, a searing look at the failure of intimacy to show us who the people we love truly are.

    In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women—sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces—Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

    citizen, using it as a starting point for her exploration of the rights, liberties, and protections that are traditionally associated with American citizenship. Tapping into history, politics, and literature, she elucidates how accidents of birth--such as national origin, race, and gender--that once determined the boundaries of Americanness still their shadows today.

    It is a story told through the eyes of two ordinary travelers who attempt to portray local lifestyles and narratives by means of photography. Since the project’s launch on Instagram, it has become a worldwide Internet sensation, emerging as a leading news feature and gathering millions of views on social media and the news sites that covered it. In each stunning image, photographer Murad Osmann is led to a new location by his girlfriend, Nataly Zakharova.These images remind us that in the hustle and bustle of daily life, we so often forget to stop and appreciate the things that surround us—the historical and architectural heritage left to us by our ancestors. Readers join Osmann from the point of view of the main character and are taken on a journey to different historical and cultural sites. The project aims to acquaint readers with different lifestyles. For Osmann and Zakharova, this theme seems infinite, as there are an endless number of places to visit on our planet. Paging through the book, readers will be invited to see something familiar to them from another point of view, via the lens of Osmann’s camera.Follow Zakharova and Osmann on a trip around the world, through such locations as Moscow, Madrid, Ibiza, Hong Kong, New York, and London.

    Nguyen’s poems ache with loneliness and desire and the giddy terrors of allowing yourself to hope for love, and revel in moments of connection achieved.

    A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness―how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness.

    Anyone will tell you that! But for all the rosy sentiments surrounding friendship, most people don’t talk much about what it really takes to stay close for the long haul.Now two friends, Aminatou Sow and Ann Friedman, tell the story of their equally messy and life-affirming Big Friendship in this honest and hilarious book that chronicles their first decade in one another’s lives. As the hosts of the hit podcast Call Your Girlfriend, they’ve become known for frank and intimate conversations. In this book, they bring that energy to their own friendship—its joys and its pitfalls. An inspiring and entertaining testament to the power of society’s most underappreciated relationship, Big Friendship will invite you to think about how your own bonds are formed, challenged, and preserved. It is a call to value your friendships in all of their complexity. Actively choose them. And, sometimes, fight for them.

    Equal parts grim and buoyant, here is an intimate portrait of trauma, family, addiction, and body. What About the Rest of Your Life exposes the harrowing terrain where there is no boundary between love and abuse. Unapologetically raw, Yim reinvents the recovery narrative through an immigrant's lens.PRAISE FOR WHAT ABOUT THE REST OF YOUR LIFE:“So achingly beautiful I want to sing. I want to set things on fire. I want to put this book in your hands and say, ‘Here. You have to read this. Right goddamn now.’” -Megan Stielstra, The Wrong Way to Save Your Life“Never before has a book made me fall in love so quickly. What About the Rest of Your Life signals a courageous, crucial, and authentic new voice in literature." -Jenny Boully, Book of Beginnings and Endings"Sung Yim has absorbed and chronicled the new unsettled America in a memoir that vibrates with grief as it attempts to uncover the nexus of masked identities in the Midwest. Theirs is the voice of a generation who is left with the pieces of a disassembled culture. What About the Rest of Your Life is a sustained movement of life, its rawness, gaping holes, and found joys."-Re'Lynn Hansen, author of To Some Women I Have Known“Read this book built from dopamine and the hollows of its absence, this book I’m obsessed with. It will gut you and it will refill you." -Elissa Washuta, My Body Is a Book of Rules“This book is fucking brilliant.” -Glenn Taylor, A Hanging at Cinder Bottom“The kind of book that gets you somewhere new, somewhere more honest and shot through with the hard emotion of living. A striking debut.” -T Fleischmann, Syzygy, Beauty: An Essay"Sung Yim has written an enthralling memoir. It's powerful, vulnerable, and deeply pleasurable. It's a harrowing house fire of a book. Everything that Sung Yim burns up with their excellent prose becomes sanctified, gutted, and glorious."-David Stuart MacLean, The Answer to the Riddle Is Me

    By 1988 she was living at home but was brain dead after a tragic cycle of misunderstanding, over-medication, and culture clash: "What the doctors viewed as clinical efficiency the Hmong viewed as frosty arrogance." The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty—and their nobility.

    Mei-Ling Hopgood had an all-American upbringing, never really identifying with her Asian roots or harboring a desire to uncover her ancestry. She believed that she was lucky to have escaped a life that was surely one of poverty and misery, to grow up comfortable with her doting parents and brothers. Then, when she's in her twenties, her birth family comes calling. Not the rural peasants she expected, they are a boisterous, loving, bossy, complicated middle-class family who hound her daily life by phone, fax, and letter, in a language she doesn't understand until she returns to Taiwan to meet them. As her sisters and parents pull her into their lives, claiming her as one of their own, the devastating secrets that still haunt this family begin to emerge. Spanning cultures and continents, Lucky Girl brings home a tale of joy and regret, hilarity, deep sadness, and great discovery as the author untangles the unlikely strands that formed her destiny.

    Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it." —Annie LeibovitzAnnie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

    When a cake mix-up and a harsh review threaten all of her hard work and her livelihood, she never thought the jaded food critic would turn out to be her one-night stand. And she sure as hell never thought she’d see her gorgeous Korean unicorn again. But when Landon Kim waltzes into her bakery trying to clean up the mess he had a huge hand in making, Aubrey is torn between throwing and hearing him out.When she hears his plan to help save her business, Aubrey knows that spending three weeks in California wine country working with Landon is a sure recipe for disaster. Her head is telling her to take the chance to save her bakery while her heart—and her hormones—are at war on whether to give him a second chance. And it just so happens that Landon’s meddling friends want them to spend those three weeks as close as possible...by sharing a villa.When things start heating up, both in and out of the kitchen, Aubrey will have to make a choice—to stick it out or risk her heart.