A stressed-out New York men's magazine editor gets posted to the UK and realises happiness is more easily achieved by adopting the British attitude to life - expecting the worst and going to the pub.

    By day he passed through mountains covered in nine feet of snow, hamlets burned and emptied by the Taliban, and communities thriving amid the remains of medieval civilizations. By night he slept on villagers' floors, shared their meals, and listened to their stories of the recent and ancient past. Along the way Stewart met heroes and rogues, tribal elders and teenage soldiers, Taliban commanders and foreign-aid workers. He was also adopted by an unexpected companion-a retired fighting mastiff he named Babur in honor of Afghanistan's first Mughal emperor, in whose footsteps the pair was following. Through these encounters--by turns touching, confounding, surprising, and funny--Stewart makes tangible the forces of tradition, ideology, and allegiance that shape life in the map's countless places in between.

    Through dense forests, daunting mountains, and pristine beaches, the trio makes its way — in a drug-induced haze. Soon the drugs become an all-consuming addiction that changes the lives of Mann and his friends forever. This is an engaging travelogue and frank memoir evokes the magical realism of South American literature. “Darkly comic, ultimately shocking, and packed with astute observations.” — Geographical

    Fueled by an unmistakable lust for life and adventure and a singular gift for storytelling, Chatwin treks through “the uttermost part of the earth”— that stretch of land at the southern tip of South America, where bandits were once made welcome—in search of almost forgotten legends, the descendants of Welsh immigrants, and the log cabin built by Butch Cassidy. An instant classic upon its publication in 1977, In Patagonia is a masterpiece that has cast a long shadow upon the literary world.

    Seeking the land behind the headlines, Bard sets out to discover the essence of a country convulsed by Islamist violence. What of the old, mystical Pakistan has survived and what has been destroyed? We meet charismatic tribal chieftains making their last stand, hereditary saints blessing prostitutes, gangster bosses in violent slums and ecstatic Muslim pilgrims. Navigating a minefield of coups, conspiracies, cock-ups and bombs, Bard is reluctant to judge, his ear alert to the telling phrase, his eye open to Pakistan s palimpsest of beliefs, languages and imperial legacies. His is a funny, hashish- and whisky-scented travel book from the frontline, full of open-hearted delight and a poignant lust for life. Like a cat with nine lives, Bard travels and parties his way to the remotest corners, never allowing his own fragile health to deter him.

    Hoping to escape her predictable American life in the States, she runs away in search of adventure and self-discovery.The story reveals daily life in France, and the encounters with wonderful and not so wonderful characters along the way.It is perfect reading for anyone tempted to run away and ideal for a book club.

    The Elvis Is Alive Museum in Wright City, Missouri. The Velvet Museum (“Velveteria”) in Portland, Oregon. A 13-foot Styrofoam scale model of Stonehenge. The Largest Ball of Twine in Cawker City, Kansas . . . or is it in Darwin, Minnesota? Roadside attractions are the staples of the American road trip. Many are slowly disappearing from our highways and byways. Are they culture or kitsch? Are their creators artists or innovators? Listeners are invited along for the ride to decide for themselves.

    Gough chronicles her encounters with both humor and wisdom as she covers the globe on her own. "Passionate and poetic." - San Francisco Examiner

    O'Hanlon takes us into the bug-ridden rain forest between the Orinoco and the Amazon--infested with jaguars and piranhas, where men would kill over a bottle of ketchup and where the locals may be the most violent people on earth (next to hockey fans).

    Their impressive cities, tall pyramids, shining goldwork, and intricate textiles constitute one of the greatest artistic traditions in history.For the second edition, Rebecca Stone-Miller has added new material covering the earliest mummification in the world at Chinchorros, wonderful new Moche murals and architectural reconstructions, the latest finds from the Chachapoyas culture, and a greater emphasis on shamanism. Throughout, Stone-Miller demonstrates how the Andean peoples adapted and refined their aesthetic response to an extremely inhospitable environment.

    Join the horn-honking, signal-flashing, wheelie-popping pair as they endure painful bee stings, painful snakebites and (when they talk to girls) painful humiliation.

    Yet there is another tale to tell.Dotted throughout this remote land are pianos — grand instruments created during the boom years of the nineteenth century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood.How these pianos travelled into this snow-bound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decemberist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle.The Lost Pianos of Siberia is largely a story of music in this fascinating place, following Roberts on a three-year adventure as she tracks a number of different instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful — and peppered with pianos.

    The rumors are convincing enough to have inspired a handful of scientific expeditions over the years, including a recent solo effort by American explorer and cryptozoologist Rory Nugent. After a ritual exorcism in Brazzaville, Nugent made his way by plane, boat, and foot to the lake's muddy shores, an environment little changed since the age of the dinosaurs. Paddling and trekking for weeks, living on snakes and snails, he finally spotted a brontosaurus-like shape far across the water. But when he tried to get closer, his guides ordered him back at gunpoint, explaining that "the god can approach man, but man never approaches the god."

    Tim Cahill reports on the road trip to end all road trips: a journey that took him from Tierra del Fuego to Prudhoe Bay, Alaska, in a record-breaking twenty three and a half days.

    In 2001, at the age of thirty-three, Ekow Eshun-born in London to African-born parents-embarks on a trip to Ghana in search of his roots, and in this rich narrative he evokes both the physical and emotional aspects of his travels. Eshun makes his way to Accra, Ghana's cosmopolitan capital city; to the storied slave forts of Elmina; to the historic warrior kingdom of Asante. He reflects on earlier pilgrims who followed the same path-W. E. B. DuBois, Richard Wright, Malcolm X-and on the millions of slaves shipped to the West from the Ghanaian coast. He recalls the racially charged years of his youth, and he considers the paradoxes and possibilities in contemporary Britain for someone like himself. Finally, he uncovers a long-held secret about his lineage that will compel him to question everything he knows about himself and about where he comes from. Written with exquisite particularity of place and mind, and with rare immediacy and candor, "Black Gold of the Sun" tells a story of identity, belonging, and unexpected hope.