Part One considers the distinguishing features of the various Cycle of tales and the personages who figure most prominently in them. Part Two reveals the cosmological framework within which the action of the tales takes place. Part Three consists of a discussion of the themes of certain classes of stories which tell of Conceptions and Births, Supernatural Adventures, Courtships and Marriages, Violent Deaths and Voyages to the Other World, and an attempt is made to understand their religious function and glimpse their transcendent meaning.

    He examines its relation to religion, science, philosophy, art, literature and politics before introducing us to the different types of magic, the kinds of people who practiced magic, and the reasoning behind their beliefs. This book places magic at the crossroads of medieval culture, shedding light on many other aspects of life in the Middle Ages.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.

    At every stage of civilization, people have relied on symbolic expression, and advances in science and technology have only increased our dependence on symbols. The language of symbols is considered a science, and this informative volume offers an indispensable tool in the study of symbology. It can be used as a reference or simply browsed for pleasure. Many of its entries — those on architecture, mandala, numbers, serpent, water, and zodiac, for example — can be read as independent essays. The vitality of symbology has never been greater: An essential part of the ancient arts of the Orient and of the Western medieval traditions, symbolism underwent a 20th-century revival with the study of the unconscious, both directly in the field of dreams, visions, and psychoanalysis, and indirectly in art and poetry. A wide audience awaits the assistance of this dictionary in elucidating the symbolic worlds encountered in both the arts and the history of ideas.

    The selections are divided into three sections: the first is classical authors on the ancient celts - a huge selection including both the well known Herodotos, Plato, Aristotle, Livy, Diogenes Laertius, and Cicero - and the obscure-Pseudo-Scymnus, Lampridius, Vopsicus, Clement of Alexandria and Ptolemy I. The second is early Irish and Hiberno-Latin sources including early Irish dynastic poetry and numerous tales from the Ulster cycle and the third consists of Brittonic sources, mostly Welsh. This edition includes three new early Irish tales, translated by Mairin Ni Dhonnchadha: The Birth of Aed Slaine; Fingal Ronain, and the Story of Mis and Dubh Rois.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    Father of Lies. Harbinger of Destruction. Exiled and tortured by the gods, Loki swears vengeance. He will summon the mighty Fenris Wolf and the legendary Midgard Serpent, and they will lead an army of giants and all the dead in Niflheim. Brimming with the power of the most destructive being in the Nine Worlds, he will not rest till Asgard is in ashes and all the gods are dead under his heel.

    Press]

    Noted French scholar and linguist discusses the gods of the continental Celts, the beginnings of mythology in Ireland, heroes, and the two main categories of Irish deities: mother-goddesses — local, rural spirits of fertility or of war — and chieftain-gods: national deities who are magicians, nurturers, craftsmen, and protectors of the people.

    His comprehensive study covers all the British Isles and the whole sweep of history from the earliest written records to the present day.

    Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century AD to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology. Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

    Definitive and lively articles focus on the great tales and traditions of the age and includes information on daily and nightly customs andactivities; religious beliefs of the pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastical.While most books on medieval folklore focus primarily on the West, this unique volume brings together an eclectic range of experts to treat the subject from a global perspective. Especially remarkable are the surveys of the major medieval traditions including Arab-Islamic, Baltic, English, Finno-Ugric, French, Hispanic, Hungarian, Irish, Italian, Jewish, Scandinavian, Scottish, Slavic, and Welsh.For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place to look.The contributors:Ulrich Marzolph -- Arab-IslamicThomas A. DuBois -- BalticJohn McNamara & Carl Lindahl -- EnglishThomas A. DuBois -- Finno-UgricFrancesca Canad� Sautman -- FrenchSamuel G. Armistead -- Hispanic�va P�cs -- HungarianJoseph Falaky Nagy -- IrishGiuseppe C. Di Scipio -- ItalianEli Yassif -- JewishStephen A. Mitchell -- ScandinavianJohn McNamara -- ScottishEve Levin -- SlavicElissa R. Henken & Brynley F. Roberts -- Welsh

    [This book is] our first authoritative sketch of the great myths of the Sumerians, their myths of origins, of creation, the nether world, and the deluge. The book . . . makes entrancing reading and for the general reader it opens up a whole new vista undreamed of before."--Theophile J. Meek Samuel Noah Kramer was Clark Research Professor Emeritus of Assyriology at the University of Pennsylvania, where he was also Curator Emeritus of the Tablet Collections. 1998 184 pages 5 1/4 x 8 23 illus. ISBN 978-0-8122-1047-7 Paper $14.95s �10.00 World Rights History

    In Goddess, authors David Leeming and Jake Page gather some 75 of the most potent and meaningful of these tales in an extraordinarily rich and readable introduction to this divine figure as she has emerged from prehistory to the present. Told as a biography, we follow Goddess from her first Ice Age appearances as the all-encompassing, all-giving, and all-taking Earth, to her re-emergence as a powerful force in the myths of modern religion, psychology, and science. In tales of the Changing Woman of the Navajos and of Hera, Pandora, Eve, and Lilith, we see her traduced and sublimated by rising, and then, dominant, patriarchal cultures and civilizations, but never totally suppressed. In familiar and unfamiliar myths, Goddess comes alive, pulsing with her own energy, irrepressible behind her many cultural masks. She can be the Universe itself, the source of all being, the holy Virgin, the Earth-Mother nurturer, the madly hysterical destroyer, the femme fatale, or the consort or mother of God. She is presented here not as myth, but as a true archetype, a potential being who exists in all of us, a force who long preceded her male counterpart as an appropriate metaphor for the Great Mystery of existence. As compelling as any novel, Goddess is also a journey into the human heart. Observing Goddess over the centuries--worshiped, belittled, denied, rediscovered--we gain new insight into the changing role of women, our continuing development as a species, and our deepest concerns about ourselves, our world, and the human destiny.

    This title provides a complete guide to the mythical beasts and beings from a variety of cultures around the world, including Mesopotamian, ancient Greek, ancient Egyptian and Chinese, Japanese, Nordic, Celtic and Native American.