In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    But the human legacy of the British Empire will be left behind in the shape of sixty-two Anglo-Burmese children, born to local women after affairs with foreign men. Half-castes, they are not acknowledged by either side and they are to be abandoned with no one to protect them. Their teacher, Grace Collins, a young Englishwoman, refuses to join the European evacuation and instead sets out to deliver the orphans to the safety of India. She faces impossible odds because between her and India lie one thousand miles of jungle, mountains, rivers and the constant, unseen threat of the Japanese. With Japanese soldiers chasing them down, the groups chances of survival shrink - until they come across a herd of fifty-three elephants who, with their awesome strength and kindness, quickly become the orphans only hope of survival. Based on a true story, Elephant Moon is an unforgettable epic tale of courage and compassion in the midst of brutality and destruction.

    Ruth Park richly creates the turmoil of those early days of their courtship in the dusty outback, filled with beautifully drawn characters that will make you laugh as much as cry.Ruth Park�s Australian classics take you from the barren landscapes of the outback to the colourful slums of Sydney with convincing depth, careful detail and great heart.

    But as their search uncovers unforeseen dangers and exposes an unexpected ardour, is Alice ready for the truths they’ll uncover? An emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin

    Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. In The Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.The first in-depth look in English at this influential literary figure, The Pity of Partition demonstrates the revelatory power of art in times of great historical rupture.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    1798.Beatrice Sinclair, a grieving young widow facing financial destitution, has travelled from Hampshire to Hyderabad to visit her brother, an employee of the British East India Company. There, she is astonished to discover that he has married a beautiful Indian girl and lives with his wife's extended family in a dilapidated palace, the Jahanara Mahal - famed for the theft of a fabled diamond many years ago.As an outsider in an unfamiliar world, Bee faces many challenges - not least of all building a new and meaningful life after the heartbreak she has endured. Meanwhile the French and British forces become locked in a battle over India's riches, and matters are complicated further by the presence of the dashing Harry Wyndam: a maverick ex-soldier and suspected spy.With rebellion in the air, Bee must decide where her loyalties lie . . .

    Family secrets, a lost sister, forbidden loves, domestic assaults—Mary discovers as she grows up that life is much more complicated than she had ever imagined. Her secret passion for her English teacher is filled with problems and with the arrival of a promising Korean suitor, Joon-Ho, events escalate in ways that she could never have imagined, catching the entire family in a web of deceit and violence.A unique and imaginative debut novel, Kay’s Lucky Coin Variety evocatively portrays the life of a young Korean Canadian girl who will not give up on her dreams or her family.

    Writing in Italy's Il Giorno, Giancarlo Vigorelli has announced, "One must make room for Fallaci next to Hemingway and Malraux. For Whom the Bell Tolls and Man's Hope are to the Spanish Civil War what Inshallah is to the dirty genocide of Lebanon." In France, Le Figaro has praised Inshallah's Goya-like depictions of the disasters of war, and Le Nouvel Observateur has called it "The Iliad in Beirut." At the center of this teeming, extraordinary novel is the divided city of Beirut, besieged and battered by foreign armies, rival Lebanese factions, and fundamentalist terrorists. In the opening pages we witness the devastating suicide bombing of the American and French marine barracks in 1983, and in its aftermath we meet the large and colorful cast of soldiers in the Italian contingent of the trilateral peacekeeping force, as well as the women of Beirut and the residents whose lives are caught up in the conflict. The loves and hates, hopes and anxieties, heroic actions and cowardly betrayals, reflect the horror and madness of this brutal, never-ending nightmare. Inshallah is a war novel about destiny, a study of love in all its aspects. It is engrossing, dramatic, funny, and always intensely readable. Only Oriana Fallaci, with her unique breadth of experience and masterful command of language and image, could have written such a profound novel, one filled with compassion for men and women, a work that will long stand as a monumental testament to the imperishable human spirit.

    Uniquely and richly African, at the same time it reveals Achebe's keen awareness of the human qualities common to men of all times and places.

    Set against the Independence struggles of two British colonies, Of Marriageable Age is ultimately a story of personal triumph against a brutal fate, brought to life by a multicultural cast of characters:Savitri, intuitive and charismatic, grows up among the servants of a pre-war English household in the Raj. But the traditional customs of her Brahmin family clash against English upper-class prejudice, threatening her love for the privileged son of the house. Nataraj, raised as the son of an idealistic doctor in rural South India, finds life in London heady, with girls and grass easily available… until he is summoned back home to face raw reality.Saroj, her fire hidden by outward reserve, comes of age in Guyana, South America, the daughter of a strictly orthodox and very racist Hindu father. Her life changes forever on the day she finally rebels against him. ... and even against her gentle, apparently docile Ma.But Ma harbours a deep secret… one that binds these three so disparate lives and hurtles them towards a truth that could destroy their world.Reviews'A big book, big themes, an exotic background and characters that will live with you forever… unputdownable.' Katie Fforde'Beautifully and cleverly written. A wondrous, spellbinding story which grips you from the first to the last page… I can't recall when I last enjoyed a book so much.' Lesley Pearse'It's a wonderful panoramic story and conveys such vivid pictures of the countries it portrays I was immediately transported and completely captivated. A terrific writer.' Barbara Erskine'From the first page I was hooked with this enchanting book… unputdownable.' Audrey Howard'A vast canvas of memorable characters across a kaleidoscope of cultures… her epic story feels like an authentic reflection of a world full of sadness, joy and surprise.' The Observer--This text refers to an out of print or unavailable edition of this title.

    Honoring the tradition of noted historical fiction writers such as Ken Follett, Philippa Gregory, and James Clavell, The Opium Lord's Daughter artfully weaves true events and characters into the narrative, offering the reader a selective glimpse into a world populated with rogue drug traders, imperialist government officials, religious zealots, scrappy survivors. Su-Mei, the eponymous protagonist, is a young woman unbounded by convention. From the moment we meet little Su-Mei, she valiantly resists her wealthy and powerful father—one of the largest opium traders in mid-19th century China—who attempts to force her into the barbaric practice of foot binding. Through her, readers look with fresh eyes upon antiquated and harmful traditions, and understand how time and experiences truly shape a person during their life's journey.  Her defiance sets in motion a series of events, forever altering her fate, as well as the fates of those she holds dear. Su-Mei is forced to rapidly come-of-age and muster her heroic spirit to survive her crumbling world. Taboo romances, tumultuous adventures, and heart-wrenching tragedies befall Su-Mei and her loved ones throughout the course of the story. The Opium Lord's Daughter is an expedition through the destruction of a culture, underscoring the hold and havoc drug empires continue to exert in society, even to this day. A must read for fans of Shogun, Downtown Abbey, Outlander and other sweeping tales rooted in history!

    She arrived there just a few days old, wrapped in a blue blanket. Her one hope is to find her mother or father and have a family of her own.Fostered out several times, Blue finds it difficult to fit in. Is there no one out there who really wants her? No one who can really love her?Blue must put up with the orphanage, with the distant and strict care of the nuns. She does have her friends, Mary and Jessie and Molly and Lil, but they’re not family. They’re not enough.In her heart, Blue is desperate to find out who she really is. The closed file in stern Sister Regina’s office holds the secret of her identity. And that is forbidden territory. . . .