. . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    This new translation of The Princesse de Clèves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.

    Stephen Cox, professor of literatureat the University of California at San Diego, spoke on "The LiteraryAchievement of The Fountainhead" and David Kelley, executive director of TheObjectivist Center, discussed "The Code of the Creator." This commemorativemonograph contains the text of both lectures and other material about AynRand's classic novel.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    Alone and poor, she fights fiercely to give her son the very best. Gary chronicles his childhood with her in Russia, Poland, and on the French Riviera. And he recounts his adventurous life as a young man fighting for France in the Second World War. But above all, he tells the story of the love for his mother that was his very life, their secret and private planet, their wonderland "born out of a mother's murmur into a child's ear, a promise whispered at dawn of future triumphs and greatness, of justice and love." A romantic, thrilling memoir that has become a French classic.

    

    For the first time ever, The Silo Saga boxed set brings together all of the work in Hugh Howey's ground-breaking, best-selling, acclaimed series, including the individual novels Wool, Shift, and Dust, as well as original essays by the author, and a bonus chapbook of short fiction, Sil 0 Stories .

    If human beings are determined by their genes and their environment, how can they claim to be free to want or do anything? Where are Jacques and his Master going? Are they simply occupying space, living mechanically until they die, believing erroneously that they are in charge of their Destiny? Diderot intervenes to cheat our expectations of what fiction should be and do, and behaves like a provocative, ironic and unfailingly entertaining master of revels who finally show why Fate is not to be equated with doom. In the introduction to this brilliant new translation, David Coward explains the philosophical basis of Diderot's fascination with Fate and shows why Jacques the Fatalist pioneers techniques of fiction which, two centuries on, novelists still regard as experimental.

    Preface by André Gide. Translated by Stuart Gilbert.

    She was born in Paris and raised for much of her childhood by her grandmother at her estate in the province of Berry, which Sand later used as the setting for many of her novels. She adopted an unconventional lifestyle, donning male attire and smoking in public, and in 1831 left her husband, whom she had married at 18 in 1822, to enter upon a period of 'romantic rebellion' before legally separating in 1835 and taking custody of their two children. She had affairs with a number of prominent literary figures including Prosper Merimee and Alfred de Musset, and a long relationship with the composer, Chopin. By the age of 27 she was the most popular writer in Europe, remaining immensely influential throughout her lifetime and long after her death. In 1836 the first of several compendia of her writings was published in 24 volumes and in total four separate editions of her 'Complete Works' were published in her lifetime. Mauprat, first published in serial form in April and May 1837, is a tale of love and education which, like many of Sand's novels, borrows from various fiction genres - the Gothic novel, chivalric romance, the Bildungsroman, detective fiction and the historical novel. The book was adapted into a silent film in 1926 on which Luis Bunuel worked as assistant director. Reprinted from an English translation by Stanley Young which also includes a biographical sketch of Sand by Edmund Gosse.

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The themes of the book explore the problem of morals, the problem of society and the problems facing writers. An appendix to this edition (Vintage, 1973) contains excerpts from the Gide's notebooks which he kept while writing this book.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.