All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?

    Born into slavery in Tennessee, Mary Fields became famous as “Stagecoach Mary,” a cigar-chomping, cardplaying coach driver who never missed a delivery. Bass Reeves, the first black Deputy US Marshal west of the Mississippi, was one of the wiliest lawmen in the territories, bringing thousands of outlaws to justice with his smarts. Bob Lemmons lived to be 99 years old and was so good with horses that the wild mustangs on the plains of Texas took him for one of their own.

    But what will happen when they encounter a group of humans?Humorous and entertaining, Jeffrey Brown’s signature comical touch enlivens the scientific and historical content, including a special paleontologist section that helps to dispel common Neanderthal myths.

    In the Nathan Hale’s Hazardous Tales series, author Nathan Hale channels his namesake to present history’s roughest, toughest, and craziest stories in the graphic novel format.One Dead Spy tackles the story of Hale himself, who was an officer and spy for the American rebels during the Revolutionary War. Author Hale highlights the unusual, gruesome, and just plain unbelievable truth of historical Nathan Hale—from his early unlucky days at Yale to his later unlucky days as an officer—and America during the Revolutionary War.

    But there's nothing ordinary about her art. Her doodles are mischievous . . . and rarely do they stay in Doodleville, the world she's created in her sketchbook. Instead, Drew's doodles prefer to explore the world outside. But after an inspiring class trip to the Art Institute of Chicago--where the doodles cause a bit too much trouble--Drew decides it's time to take her artistic talents to the next level. Enter the Leviathan--Levi, for short. He's bigger and better than anything Drew has ever created before. He's a monster, but a friendly one. That is, until Levi begins to wreak havoc on Drew's other doodles--and on the heroes her classmates have dreamt up. Levi won't be easily tamed, and it seems there is a link between the monster's bad behavior and Drew's feelings. With the help of her loyal art club friends, will she be able to save Doodleville--and Levi--before it's too late?

    She catches them and creates wonderful creatures to play with until she falls asleep, and in the morning brings them back to life in the whimsical drawings. When a mysterious new girl appears at school, Sandy's drawings are noticed for the first time... but Morfie's fascination with Sandy's talent soon turns into something far more sinister.

    Her dad expected Ozge, like her sister, to become an engineer. She tried to hear her own voice over his and the religious and militaristic tensions of Turkey and the conflicts between secularism and fundamentalism. Could she be a scuba diver like Jacques Cousteau? A stage actress? Would it be possible to please everyone including herself?In her unpredictable and funny graphic memoir, Ozge recounts her story using inventive collages, weaving together images of the sea, politics, science, and friendship.

    Don Brown brings his journalistic eye and attention to individual stories to help teens contextualize what they already know about the day, as well as broaden their understanding of the chain of events that occurred in the attack’s wake.

    Trevor Noah shares his story of growing up in South Africa, with a black South African mother and a white European father at a time when it was against the law for a mixed-race child like him to exist. But he did exist--and from the beginning, the often-misbehaved Trevor used his smarts and humor to navigate a harsh life under a racist government.

    But in reality, Jacks is just a Crocs-wearing, internet-savvy old lady who sells roadkill skeletons online. It’s creepy, sure, but Snap thinks it's kind of cool, too. Snap needs a favor from this old woman, though, so she begins helping Jacks with her strange work. Snap gets to know her and realizes that Jacks may in fact have real magic—and an unlikely connection to Snap’s family’s past.

    Her wish comes true when her dad decides to bring her along on a business trip. She can't wait to finally meet her extended family and stay in the brownstone where her dad grew up. Plus, she wants to visit every landmark from the Apollo to Langston Hughes's home.But her family, and even the city, is not quite what Amara thought. Her dad doesn’t speak to her grandpa, and the crowded streets can be suffocating as well as inspiring. But as she learns more and more about Harlem—and her father’s history—Amara realizes how, in some ways more than others, she can connect with this other home and family.This is a powerful story about family, the places that make us who we are, and how we find ways to connect to our history across time and distance.

    A charming and vivid narrative scrapbook of the eighteen-year-old author's sketches, mini-graphic novels, photographs and captions, it captures her wit, her observations and her creative talent as she takes us through the three central themes in her life: 'Love', 'Friends, Art and Otters' and 'Me'.Resonant of Laura Dockrill's MISTAKES IN THE BACKGROUND and with the powerful naïve illustrative style of cult Japanese artist Yoshitomo Nara, this is a collector's gift for teenagers and all who have the teenage experience still in their hearts. Readers will emphasise with this witty and honest journal of a girl getting to grips with impending adulthood. A must-have for all hipster teenagers and anyone who appreciates the raw creativity of youth. Enchanting and poignant.

    Much has been written about this larger-than-life pitcher, but when it comes to Paige, fact does not easily separate from fiction. He made a point of writing his own historyand then re-writing it. A tall, lanky fireballer, he was arguably the Negro League's hardest thrower, most entertaining storyteller and greatest gate attraction. Now the Center for Cartoon Studies turns a graphic novelist's eye to Paige's story. Told from the point of view of a sharecropper, this compelling narrative follows Paige from game to game as he travels throughout the segregated South. In stark prose and powerful graphics, author and artist share the story of a sports hero, role model, consummate showman, and era-defining American.

    This is the day that will change their lives forever. With the German occupation threatening their family's safety, the boys' parents decide Maurice and Joseph must disguise themselves and flee to their older brothers in the free zone. Surviving the long journey will take every scrap of ingenuity and courage they can muster. If they hope to elude the Nazis, they must never, under any circumstances, admit to being Jewish.The boys travel by train, ferry, and on foot, facing threats from strangers and receiving help from unexpected quarters. Along the way they must adapt to the unfamiliar world beyond their city and find a way to be true to themselves even as they conceal their identities.

    This system works for centuries until evil Mr. Underton tries to steal the Power. If he succeeds, the Kurbs will take back the City, reducing it to a dark and frozen tundra. It's up to Carlos and Sarah to find the Power — housed in a subway token — and keep the City safe, despite secrets of Sarah's history that are entwined with the token. What ensues is a race against darkness. A race against the lies of the past. And most of all, a race against time