The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater. A writer whose work Jonathan Franzen has called "hilarious . . . cracklingly intelligent . . . and original in every sentence," Lerner captures what it's like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.

    The novel tries to capture the humanity and heartbreak of one man's struggle to navigate the vicissitudes of life as a working writer in America.

    In that small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men though he is just as desperate to convince White of the power of faith as White is desperate to deny it. Their aim is no less than this: to discover the meaning of life. Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

    At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success... It was I who killed her." Thus begins the much-hyped first novel by 20-year-old Oxford undergraduate Richard Mason. Your typical murder mystery The Drowning People is not, for we are given the identity of the killer--the who--immediately. The puzzle in this introspective novel is why--why did 70-year-old James Farrell murder his aristocratic wife, Sarah? The answer lies nearly 50 years into the past as the book ranges from Prague to London, from France to a remote castle in Cornwall. At its core is an intoxicating love affair between 22-year-old James, a talented violinist and hopeless romantic, and Ella Harewood, an American heiress to an English title, trapped by her heritage and destiny. A beautifully written exploration of self-absorbed first love and its tragic consequences, The Drowning People soars beyond the highest of expectations placed upon it.

    There, in a villa built atop a rare desert spring, they live apart from society, supported by the income from Jacob's invention, the Rosenbloom Loop, a piece of technology that has revolutionized the nascent art of filmmaking. There, Bloom grows up in the shadow of his father's grief, with only a pair of servants, the house's ghosts, and his own artistic muse for company. But Jacob can't forever protect his family from his past—the dramatic series of events that has taken him from the Hebrew Orphan Asylum on New York City's Lower East Side and into the graces of beautiful twin girls, and finally to this fragile refuge in pre-Hollywood Los Angeles. And Bloom, now an eccentric dark genius, can't live alone at the top of the mountain forever. Prodded by his newly discovered half brother, in every way his opposite, Bloom will have to come down to meet the world. Otherwise the orange farmers and the vaqueros, the speculators and the developers, the artists and the barons of the silver screen, will surely come up the mountain to meet him. Triumphant and enthralling, Mount Terminus marks a magnificent return for David Grand; it's the novel he was born to write.

    Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

    Among them is Zoyd Wheeler who is preparing for his annual act of televised insanity (for which he receives a government stipend) when an unwelcome face appears from out of his past.An old nemesis, federal prosecutor Brock Vond, storms into Vineland at the head of a heavily armed strike force. Soon Zoyd and his daughter, Prairie, go into hiding while Vond begins a relationship with Zoyd's ex-wife and uses Prairie as a pawn against the mother she never knew she had.Part daytime drama, part political thriller, Vineland is a strange evocation of a twentieth-century America headed for a less than harmonic future.

    

    When Benjamin Button's father arrives at hospital he is surprised and ashamed to find his new baby boy is a weathered, aged man, to all appearances no younger than seventy years old. As time goes by, young Benjamin comes to no longer require a cane, his hair ceases to be grey, his limbs become less frail, his wrinkles less deep, but still the world around him fails to come to terms with his oddness, as he ages towards infancy and beyond...

    It is now sadly dilapidated, flea-infested, and home to ten very different individuals and their families. Elif Shafak gives us a bird’s-eye insight into each apartment, and we see their comic and tragic lives unfold.

    If there's a line between the real and the digital, between meat and the game, between past and present, then hold this book close to your mouth and whisper it into the pages. Please. Maybe the kid in there'll hear you. His name is Nolan Dugatti. He's lost, see, running down hall after hall, something both ancient and not-yet born galloping up behind him on a hundred legs, each individual footfall a sound he knows, a way of shuffling that he's always known. His father? Except it can't be. Unless of course this is another novel from Stephen Graham Jones. Not quite horror, not quite science fiction, but like his five or six other books, a story trembling at some pupal stage between meat and the game, where words will sometimes stop their crawl across the page and crane their neck around at the sky, nod about what they see there--you--then unfold their wings, drift up into another world altogether.

    When she meets Max, a beguiling romantic hero who tells her on date one that he's going to marry her, it feels like all is going to plan.A new relationship couldn't have come at a better time - her thirties have not been the liberating, uncomplicated experience she was sold. Everywhere she turns, she is reminded of time passing and opportunities dwindling. Friendships are fading, ex-boyfriends are moving on and, worse, everyone's moving to the suburbs. There's no solace to be found in her family, with a mum who's caught in a baffling mid-life makeover and a beloved dad who is vanishing in slow-motion into dementia.Dolly Alderton's debut novel is funny and tender, filled with whip-smart observations about relationships, family, memory, and how we live now.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.