Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class.

    Quinn Walker returns from the Great War to the New South Wales town of Flint: the birthplace he fled ten years earlier when he was accused of a heinous act.A LIE UNFORGIVABLEAware of the townsmen's vow to hang him, Quinn takes to the surrounding hills. Here, deciding upon his plan of action, and questioning just what he has returned for, he meets Sadie Fox.A BOND UNBREAKABLEThis mysterious girl seems to know, and share, his darkest fear. And, as their bond greatens, Quinn learns what he must do to lay the ghosts of his past, and Sadie's present, to rest.

    Struggling to come to terms with her rampant fertility, disillusioned with a haughty obstetrician, and infuriated by an inordinate amount of peeing, Amy finds solace in a decision to homebirth. After all, it worked for the cavewomen, right? But as a tropical cyclone threatens to whip down the main street, Amy finds herself facing more than biology.Peace, Love and Khaki Socks explores what it is to be a woman, an expectant mother, a lover and a friend in a patriarchy. Sometimes horrifying, sometimes hilarious and always honest, this unforgettable story is one woman’s struggle to turn the ordinary into something extraordinary.

    There, he learns to live among a group of men divided by culture and allegiance.As tensions at the isolated camp escalate, the doctor’s long-held beliefs are thrown into question and he is forced to confront his dark past: the promise he made in Japan and its devastating consequences.

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    At the age of 13 Sidney Kidman ran away from home with only five shillings in his pocket. He went on to become a horse dealer, drover, cattle buyer and bush jockey and he also ran a coach business. Above all, Kidman created a mighty cattle empire of more than a hundred stations, fighting droughts, bushfires, floods and plagues of vermin to do so. His enterprise and courage won him a huge fortune and made him a legend.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    . .It’s 1929, and the world is changing. Cars are no longer the privilege of the rich. Hemlines are rising. Movies are talking. And more and more women are entering the workforce.For Edwina Baker, however, life on her family’s farm in Western Queensland offers little opportunity to be anything other than daughter, sister and, perhaps soon, wife.But Edwina wants more. She wants to see the world, meet new people, achieve things. For while she has more business sense than her younger brother, it will be Aiden who one day inherits the farm.Then the circus comes to town. Banned from attending by her father, Hamilton, Edwina defiantly rides to the showground dressed as a boy. There she encounters two men who will both inadvertently alter the course of her life: pastoralist Mason with his modern city friends; and Will, a labourer who also dreams of escape.And when the night ends in near-disaster, this one act of rebellion strikes at the heart of the Baker family. Yet it also offers Edwina the rare chance to prove herself in a man’s world. The question is, how far is she prepared to go, and how much is she prepared to risk?

    A few trinkets found in a sea chest and the fragmented memories of her grandfather's tall tales are all Essie Lewis has left of her family history. After her grandfather's death, Essie returns to Bruny Island, Tasmania, and to the lighthouse where her great-great-grandfather kept watch for nearly 40 years. Beneath the lighthouse, she begins to write the stories of her ancestors. But the island is also home to Pete Shelverton, a sculptor who hunts feral cats to make his own peace with the past. As Essie writes, she finds that Pete is a part of the history she can never escape.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Eighteen-year-old Ruby leaves behind the family farm, her serious mother and roguish father, and heads for Adelaide. After a brief courtship, she enters into a hasty marriage with a soldier about to go to war – who returns a changed man.In this absorbing novel, Anna Goldsworthy recreates the world of Adelaide half a century ago, and portrays the phases of a woman’s life with intimacy and sly humour. We follow Ruby as she contends with her damaged husband and eccentric in-laws. We see her experience motherhood and changing social circumstances, until, in a moving twist, a figure from the past reappears, to kindle a late-life romance.In her captivating fiction debut, Goldsworthy evokes a woman’s life in a pre-feminist world. In this tender, funny book, she combines an Austenesque wit with Alice Munro’s feeling for human complexity.

    Growing up neglected in a seedy boarding house, twelve-year-old Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment. Originally published in 1958, The Long Prospect was described as second only to Patrick White’s Voss in postwar Australian literature.The Introduction is by Fiona McGregor.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.