For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists’ models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City’s most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica’s financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.

    In a time when the old approaches to science coexist with the new, one elite community attempts to understand the world by collecting its wonders. Sir Barnaby Mayne, the most formidable of these collectors, has devoted his life to filling his cabinets. While the curious-minded vie for invitations to study the rare stones, bones, books, and artifacts he has amassed, some visitors come with a darker purpose.For Cecily Kay, it is a passion for plants that brings her to the Mayne house. The only puzzle she expects to encounter is how to locate the specimens she needs within Sir Barnaby’s crowded cabinets. But when her host is stabbed to death, Cecily finds the confession of the supposed killer unconvincing. She pays attention to details—years of practice have taught her that the smallest particulars can distinguish a harmless herb from a deadly one—and in the case of Sir Barnaby’s murder, there are too many inconsistencies for her to ignore.To discover the truth, Cecily must enter the world of the collectors, a realm where intellect is distorted by obsession and greed. As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in 'THE CABINETS OF BARNABY MAYNE'.

    A vicious, unprovoked personal attack is just the start. The discovery of his wife’s death in a road accident also reveals her affair, and his step-daughter is being expelled from university for drug use. Professionally, two teenagers have gone missing and one is soon found dead.An ordinary man might break under the strain, but Dylan is no ordinary man. He knows that his survival depends on him carrying-on regardless, burying himself in his work, relieved by the distraction of newcomer to the admin department, Jennifer Jones.His determination to pursue the criminal elements behind the events – both personal and professional – is to be his salvation, and his relationship with Jen, his ‘Guardian Angel’, will turn out to be the mainstay of his future, both within the Force and at home.Life may have changed, but nothing will stand in the way of Dylan’s determination to seek justice.

    For life is anything but easy in the male-dominated world of the Atlanta Police Department.Kate isn't the only woman on the force who is finding things tough. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes.When Maggie and Kate become partners, and are sidelined in the search for the city's cop killer, they decide to pursue their own line of investigation. But are they prepared to risk everything as they venture into the city's darkest heart?

    The Sandbank, a remote stretch of coast dotted with beach huts, was scarred forever.Sarah’s son survived, but on the anniversary of the accident, he disappears without trace. As new secrets begin to surface, The Sandbank hums with tension and unanswered questions. Sarah’s search grows more desperate and she starts to mistrust everyone she knows – and she’s right to.Someone saw everything on that fateful day seven years ago. And they’ll do anything to keep the truth buried.

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died, and begs to speak with him about her missing daughter.From miles away but worlds apart, Lily and Marvena’s lives collide as they realize that Daniel was not the man that either of them believed him to be—and that his murder is far more complex than either of them could have imagined.Inspired by the true story of Ohio’s first female sheriff, this is a powerful debut about two women’s search for justice as they take on the corruption at the heart of their community.

    

    But when the FBI starts investigating the kid she thought she knew, will she jeopardize her own career at the Bureau to keep her child safe? From the New York Times bestselling author of Need to Know. . . .Stephanie Maddox makes tough decisions every day. She has her hands full heading the FBI's Internal Investigations division, policing wrongdoers within the Bureau. But, as a single mother, the most important thing in her life is her teenage son Zachary, who's anxiously awaiting college acceptance letters. So when she discovers a gun concealed in Zach's room, her world reels. And then an FBI agent on the domestic terrorism squad shows up at her door and utters three devastating words: "It's about Zachary..."Has she been wrong about her near-perfect son? Is Zach embroiled in something criminal--something deadly? And, if so, what is her greater duty: To protect him? Or to betray him?

    He doesn't tell the police that he knows who it is, and when he is hired to investigate the dead man, matters get very complicated. Mullen is used to tracking down cheating husbands, not ruthless killers. The victim turns out to have been playing a complex game of deception with more than one woman. As Mullen gets closer to tracking down the killer, he finds himself in grave danger. Unless he can crack the case, Detective Inspector Dorkin may pin the crime on him, or those with secrets to hide may put him out of circulation. Mullen fights for his life as this fast-moving mystery reaches its stunning conclusion. DEAD IN THE WATER is the first in a new series of detective thrillers featuring Doug Mullen - ex-army, ex-runaway, struggling human being - and recently set up as a private detective, with his only work coming from tracking down cheating husbands.

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive.London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers--and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice.As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again.Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?

     Julia turns from murder suspect to England’s first crime scene photographer… 1895, London Taking risqué photographs is the only way Julia McAllister can retain her independence as a young widow in London. But one by one, her models are dying — and now she is being framed for their murders. The relentless Inspector Collingwood is on the case and Julia knows he’s watching her every move. With young women still dying, and her own life on the line, Julia must unmask the real killer before it is too late… Can Julia clear her name? Will Collingwood believe her? Or will the dark secrets of her past come back to haunt her…? SNAP SHOT is the first book in the Julia McAllister Victorian Mystery series: historical romance murder mysteries with a courageous woman sleuth embarking on a traditional British, private investigation in nineteenth-century London. Praise for Marilyn Todd: ‘wry and entertaining’ - Mystery Scene ‘delectably enjoyable’ - Daily Mail ‘Skilfully tangled plot’ - Booklist ‘never boring’ – Kirkus Reviews ‘thoroughly entertaining’ - The Bookseller JULIA MCALLISTER VICTORIAN MYSTERY SERIES BOOK ONE: Snap Shot BOOK TWO: Cast Iron

    A nurse who steps inside a church to light them. A gunshot emptied in a man’s head in the creaking stillness before dawn, that the nurse says she didn’t hear. It’s 1947 in the snowbound, war-scarred City of London, where Pandora’s Box just got opened in the ruins, City Police has a vice killing on its hands, and a spooked councilor hires a shamus to help spare his blushes. Like the Buddha says, everything is connected. So it all can be explained. But that’s a little cryptic when you happen to be the shamus, and you’re standing over a corpse.

    A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders.