When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses.Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

    Caught between two cultures, three childhood friends—Chila, Sunita, and Tania—are expected to revert to being obedient mothers and wives. But their world explodes when Tania makes a documentary, starring Chila and Sunita, about contemporary urban Indian Life. The result is an unforgettable story of friendship, marriage, betrayal, and the difficult choices woman face.

    The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of feudal landlords and the state, and return them to oppressed landless farmers. They are being arrested en masse and thrown into high-security jails. In one such jail, five Naxals are meticulously planning a jailbreak. They must free themselves if the revolution is to continue. But petty thief Bhagoban, much too happy to serve frequent terms for free food and shelter, has been planted by Jailor Bireshwar Mukherjee among them as a mole. Only, Bhagoban seems to be warming up to them. There’s Gunpowder in the Air is a searing investigation into what deprivation and isolation can do to human idealism. And Manoranjan Byapari is perhaps the most refreshing voice to emerge from Bengal in recent times.

    From the lovesick tiger who narrates the unforgettable opener, “The Infamous Bengal Ming” (he mauls his zookeeper out of affection), to the ex-CompUSA employee who masquerades as a doctor; from a railroad manager in a turn-of-the-century Indian village, to an elephant writing her autobiography; from a woman whose Thanksgiving preparations put her husband to eternal rest, to the newlywed executioner of the title, these characters inhabit a marvelous region between desire and death, playfulness and violence. At once glittering and savage, daring and elegant, here are wholly unforgettable tales where reality loops in Borgesian twists and shines with cinematic exuberance, by an author who promises to dazzle the universe of American fiction.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    Now, her mother is dead and Sarita returns to the family home, ostensibly to take care of her father, but in reality to escape the nightmarish brutality her husband inflicts on her. In the quiet of her father’s company, Sarita reflects on the events of her life: her stultifying small town childhood, her domineering mother, her marriage to the charismatic young poet Manohar (who turned vicious when he realized his career was going nowhere and that his wife’s professional success was exceeding his own), her children . . . As she struggles with her emotions and anxieties, Sarita gradually realizes that there is more to life than dependency on marriage and family—she resolves to use her new found truths to make a better life for herself.

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    Spirited and strong-willed, she befriends the shy Devanna, a young boy whose mother has died in tragic circumstances. Together they grow up amidst the luscious jungles, rolling hills, and coffee plantations of Coorg in Southern India; cocooned by an extended family whose roots to this beautiful land can be traced for centuries. Their futures seem inevitably linked, but everything changes when, one night, they attend a "tiger wedding." It is there that Devi gets her first glimpse of Machu, the celebrated tiger killer and a hunter of great repute. Although she is still a child and Machu is a man, Devi vows to marry him one day. It is this love that will gradually drive a wedge between Devi and Devanna, sowing the seed of a devastating tragedy that will change the fate of all three --- an event that has unforeseen and far-reaching consequences for generations to come.Told in rich, lyrical prose and set against the background of a changing society, TIGER HILLS is a sweeping saga about one woman's determination to live life on her own terms --- and a riveting novel about the choices we make in the name of family, nation, and love.

    In an ancient house in the city of Srinagar, Faiz paints exquisite papier mache pencil boxes for tourists. Evening is beginning to slip into night when he sets off for the shrine. There he finds the woman with the long black hair. Roohi begs for the boy of her dreams to come and take her away. She wants a love story, an age-old tale of love, war, temptation, duty and choice.

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

    Although a successful oncologist at only thirty-three he is dreading his family’s inquisition into why he is not married, and terrified that the reason for his bachelordom will be discovered.Joining him are Manasa and Bhagwati, coming from London and Colorado respectively. One the Oxford-educated achiever; the other the disgraced eloper – one moneyed but miserable; the other ostracized but optimistic.All three harbour the same dual objective: to emerge from the celebrations with their grandmother’s blessing and their nerves intact: a goal that will become increasingly impossible thanks to a mischievous maid and a fourth, uninvited guest.Prajwal Parajuly - the son of an Indian father and a Nepalese mother - divides his time between New York and Oxford, but disappears to Gangtok, his hometown in the Indian Himalayas, at every opportunity. Land Where I Flee is his first novel.

    Their possessions are meagre: the single room barely accommodates their bed, the water pot, the kitchen utensils and the tin box in which Sonsi keeps her precious things. But there is a magical place beyond the window which sustains Raghuvir Prasad's and Sonsi's spirit. This window lived in a wall.

    The girl is alive, but she has been beaten and abused. She is held in the local prison, awaiting interrogation for the murders she is believed by the local people to have committed.

    The powerful district committee of Mityala routinely dismisses the suicide and refuses compensation to his widow. Gangiri, his brother, makes it his life’s mission to bring justice to the dead by influencing the committee to validate similar farmer suicides.Keyur Kashinath of the Democratic Party - first-time member of Parliament from Mityala, and son of Vaishnav Kashinath, the party’s general secretary - is the heir to his father’s power in Delhi politics. He faces his first crisis every suicide in his constituency certified by the committee as debt-related is a blot on the party’s image, and his competence.The brilliant farmer battles his inheritance of despair, the arrogant politician fights for the power he has received as legacy. Their two worlds collide in a conflict that pushes both to the limits of morality from where there is no turning back. At stake is the truth about ‘inherited’ democratic power. And at the end, there can only be one winner. Passionate and startlingly insightful, Shoes of the Dead is a chilling parable of modern-day India.A book that will make you stroll through India’s corridors of power and politics with a perfect portrayal of how its consequences creep into the lives of the farmers forcing them to commit suicide. Get ready to read a gripping tale by Kota Neelima.

    However, there are forces working against this fragile peace. A Pakistani jihadi leader, Yasser Basheer, travels to the Red Corridor and enlists the support of an Indian Naxalite commander, Agyaat. Their plan: to unleash Pralay, India's experimental intercontinental ballistic missile, on the subcontinent. As the missile changes course en route, it hits Pakistan and causes collateral damage. In response, Pakistan unleashes war on India. The battle for South Asia turns murkier as an Indo-Pak war threatens to embroil many other countries in the endgame. Have India and Pakistan sparked off the mother of all wars?A gripping, award-winning thriller, Red Jihad explores perhaps the most feared nexus in South Asia: between the Jihadis and the Naxalites.WINNER of "Muse India Young Writer (Runner-up) Award" at the Hyderabad Literary Festival 2013 and "Excellence in Youth Fiction Writing" award at Delhi World Book Fair 2013.