Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    The redemptive journey of a young woman unsure of her engagement, who revisits in memory the events of one scorching childhood summer when her beautiful yet troubled mother spirits her away from her home to an Indian village untouched by time, where she discovers in the jungle behind her ancestral house a spellbinding garden that harbors a terrifying secret.

    Now, having left her father behind in Chicago for dreams of art school and marriage to an ambitious young doctor, she finds herself with a child of her own. But her mother's absence and shameful memories of her past force her to doubt whether she could ever be capable of bringing joy and meaning into the life of her child, gifts her own mother never gave.Harvesting the Heart is written with astonishing clarity and evocative detail, convincing in its depiction of emotional pain, love, and vulnerability, and recalls the writing of Alice Hoffman and Kristin Hannah. Out of Paige's struggle to find wholeness, Jodi Picoult crafts an absorbing novel peopled by richly drawn characters, and explores motherhood with a power and depth only she is capable of.“A brilliant, moving examination of motherhood, brimming with detail and emotion.” —Richmond Times-Dispatch“Jodi Picoult explores the fragile ground of ambivalent motherhood in her lush second novel. This story belongs to… the lucky reader.” —The New York Times Book Review

    As their careers rise and fall and men come and go, they embark on a series of adventures across America.

    Now, very pregnant and not quite married, she actually doesn’t mind that she and her live-in fiancé, Dean, accidentally started their family a little earlier than planned; she’s happy to have so much to look forward to. But Dean–whom Jenny loves enough to overlook his bad facial hair, his smoking habit, and his total commitment to a cheesy cover band–is acting distant, and not in a pre-wedding-jitters kind of way. The night he runs out for cigarettes and just doesn’t come back, he demotes himself from future husband to sperm donor.And the very next day, Jenny goes into labor.In the months that follow, Jenny plunges into a life she never anticipated: single motherhood. At least with the sleep deprivation, sore boobs, and fits of crying (both hers and the baby’s), there’s not much time to dwell on her broken heart. And things start looking up. She learns how to do everything one-handed, makes friends in a mommy group, and even manages to give dating tips to her sweet, clueless father–who’s trying to court her sassy mother again, fifteen years after their divorce. She also gets to know a handsome, helpful neighbor–with a knack for soothing babies–who invites her out dancing. But Dean is never far from Jenny’s thoughts or, it turns out, her doorstep, and in the end Jenny must choose between the old life she thought she wanted and the new life she’s been lucky to find.A spirited debut novel with a terrifically appealing voice, a fantastic sense of humor, and a lot of heart, The Bright Side of Disaster reminds us that sometimes it takes the worst-case scenario to show us the best in everything.From the Hardcover edition.

    She even seems to be coming to terms with her mother Jane’s premature death from cancer. But when Jane’s final wish is revealed, Olivia and her elder sister Georgia are mystified. Their mother rarely spoke of her rural Southern hometown, and never went back to visit—so why does she want them to return to Huntley, Georgia, to scatter her ashes?Jane’s request offers Olivia a temporary escape from the reality she’s long been denying: she hates her “dream” job, and she’s not really sure she wants to marry her groom-to-be. With her 14-year-old niece, Logan, riding shotgun, she heads South on a summer road trip looking for answers about her mother.As Olivia gets to know the town’s inhabitants, she begins to peel back the secrets of her mother’s early life—truths that force her to finally question her own future. But when Olivia is confronted with a tragedy and finds an opportunity to right a terrible wrong, will it give her the courage to accept her mother’s past—and say yes to her own desire to start over?

    Set on a Louisiana sugarcane plantation in the 1970s, A Gathering of Old Men is a powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man.

    With reign over the city's drug trade, Benjamin Atkins made sure that his precious daughter, Raven, was secluded from the grit that the city had to offer. But when Raven's young heart gets claimed by Mizan, a stick-up kid in search of a come-up, there's nothing Benjamin can do about losing her to the streets. She chooses love over loyalty and runs off with Mizan, but her new role as wifey soon proves to be more than she can handle.Puppy love always feels right, but things turn stale, and she soon finds that everyone she loves has disappeared. All she has is Mizan, but when hugs and kisses turn to bloody lips and black eyes, she realizes that Mizan is not who she thought he was.Raven becomes desperate for a way out, but this time, Daddy can't save her. Every time she finds the courage to leave, fear convinces her to stay. Like a moth to a flame, Raven is drawn to Mizan, even though she knows he'll be the death of her.When the hood life she chose becomes unbearable and the only way out is in a coffin, what will she do?

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    In this thoughtful, timely, humorous, and bighearted tale, perennial New York Times bestselling author Dorothea Benton Frank examines what happens when a young sophisticated Chicagoan falls for the owner of a farm on Johns Island, a lush Lowcountry paradise off the coast of South Carolina-trading the bustle of a cosmopolitan city for the vagaries of a small southern town.

    . .Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community.Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind.As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the community’s "moral police." But when the widows’ gossip offers shocking insights into the death of a young wife—a modern woman like Nikki—and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.

    Lewis.When Savannah history professor Everly Winthrop is asked to guest-curate a new museum collection focusing on artifacts recovered from the steamship Pulaski, she's shocked. The ship sank after a boiler explosion in 1838, and the wreckage was just discovered, 180 years later. Everly can't resist the opportunity to try to solve some of the mysteries and myths surrounding the devastating night of its sinking.Everly's research leads her to the astounding history of a family of eleven who boarded the Pulaski together, and the extraordinary stories of two women from this family: a known survivor, Augusta Longstreet, and her niece, Lilly Forsyth, who was never found, along with her child. These aristocratic women were part of Savannah's society, but when the ship exploded, each was faced with difficult and heartbreaking decisions. This is a moving and powerful exploration of what women will do to endure in the face of tragedy, the role fate plays, and the myriad ways we survive the surviving.

     Evi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah. Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known. In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.

    Mike Scanlon is called to serve as an army doctor in Afghanistan, he's acutely aware of the dangers he'll face and the hardships it will cause his wife Chloe and newborn baby. And deep inside, he doesn't think of himself as a warrior, but a healer.However, in an ironic turn of events, as Mike operates on a wounded soldier in a war-torn country, Chloe dies at home in the suburbs, in an apparent household accident. Devastated, he returns home to bury her, only to discover that the life he left behind has fallen apart. His medical practice is in jeopardy, and he is a complete stranger to the only family he has left - his precious baby girl. Worse, he learns a shocking secret that sends him into a downward spiral.Ultimately, Mike realizes that the most important battle of his life faces him on the home front and he'll have to put it all on the line to save what's dearest to him – his family.

    Lucy Bloom is broke, freshly dumped by her boyfriend, and forced to sell her house to send her nineteen-year-old son to drug rehab. Although she’s lost it all, she’s determined to start over. So when she’s offered a high-paying gig helping clear the clutter from the home of reclusive and eccentric painter Marva Meier Rios, Lucy grabs it. Armed with the organizing expertise she gained while writing her book, Things Are Not People, and fueled by a burning desire to get her life back on track, Lucy rolls up her sleeves to take on the mess that fills every room of Marva’s huge home. Lucy soon learns that the real challenge may be taking on Marva, who seems to love the objects in her home too much to let go of any of them. While trying to stay on course toward a strict deadline—and with an ex-boyfriend back in the picture, a new romance on the scene, and her son’s rehab not going as planned—Lucy discovers that Marva isn’t just hoarding, she is also hiding a big secret. The two form an unlikely bond, as each learns from the other that there are those things in life we keep, those we need to let go—but it’s not always easy to know the difference.